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long-tongued, with a waving mane, displaying a banner among warriors, as it were, under the pretext of raising his tail. (Fourth) The goddess whose resting-place is a lotus, with eyes resembling lotuses (i.e. Śri), adorned with pitchers full of water lifted up by the trunks of the elephants of the quarters. (Fifth) A wreath twisted from flowers of various and numerous divine trees like a pendent rain-bow. (Sixth) A moon-orb having the sky-orb resplendent with a flood of light, producing joy like the image of her own face. (Seventh) A sun, giving the delusion that it was day at that time, though it was night, destroying all darkness, having blazing light. (Eighth) A flag-staff with a fluttering pennant having a wreath of bells like an elephant with its ears flapping. (Ninth) A pitcher of water, a gold pitcher, its mouth covered with full-blown lotuses, resembling the pitcher of nectar which appeared at the churning of the ocean. (Tenth) A great lotuspond become many mouths, as it were, to praise the first Arhat by means of lotuses resonant with bees. (Eleventh) An ocean of milk pleasing the mind with masses of high waves that were thieves of the beauty of masses of autumn clouds scattered over the earth. (Twelfth) A heavenly palace (vimāna) 189 with immense luster, as if that palace in which the Blessed One had lived as a god had come here from former affection. (Thirteenth) A great collection of jewels with radiant light massed in the sky like a collection of stars come together in one place from somewhere. (Fourteenth) A smokeless fire that was like the collected brilliance of all the brilliant objects present in the womb of the three worlds. These entered her mouth. At dawn, the Lady Marudevi woke up at the end of her dream with a smiling face like
139 224. The word vimana is used both for the palaces of the gods and for the aerial cars which serve as their conveyances. In the representations of the dreams which every temple possesses the vimana is always made to represent the aerial car. it quite clear that Hem. has a palace in mind.
But the text here makes
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