Trishasti Shalaka Purusa Caritra Part 1

Author(s): Hemchandracharya, Helen M Johnson
Publisher: Oriental Research Institute Vadodra

Page 142

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of bathing the Master.
With the Sāmānikas, etc., the
Indra of Acyuta took up the one thousand and eight pitchers like the fruit of his own glory. Present in their raised hands they looked like lotus-buds with upraised stalks. The Indra of Acyuta began to bathe the Lord of the World, bending the pitcher a little, as if it were his own head.
Then some gods beat loudly drums that made the mountains of the gods reverberate with loud echoes from caves. Others, full of devotion, sounded heavenlydrums (dundubhi) whose sounds stole the beauty of the murmur of the great ocean stirred by the churning-stick. Some, impetuous, beat together cymbals, as winds beat waves of water with a confused noise. Others beat energetically kettle-drums whose faces were turned up as if extending the Jinendra's command everywhere in the Upper World. Some gods, standing on the top of the rock, blew kāhalās 159 having a powerful sound like cowherds blowing cowhorns. Some gods repeatedly beat drums with their hands, as if they were bad pupils, for the sake of a proclamation. Other gods made sound cymbals of gold and silver, rivaling the beauty of the suns and moons that had come beyond number. Some gods blew conches loudly with cheeks puffed out as if they had a mouthful of nectar. Various musical instruments being played by the gods in this way, the sky was like a musical instrument without a musician from its echoes. "Hail! Rejoice! O Lord of the World, attaining emancipation, O Ocean of Compassion, Promoter of Dharma," etc., the flying ascetics sang.
After reciting a hymn of praise delightful with various dhruvakas, slokas, utsāhas and skandhakas also, with galitas, vastuvadanas, and prose,100 the Indra of Acyuta
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509. Apparently a kind of flute. It is defined (Nāṭyadarpaṇa, p. 2) as being made of pure copper, hollow in the middle.
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515.
Dhruvaka is an introductory verse; sloka is the epic