Sahrdayaloka Part 02

Author(s): Tapasvi Nandi
Publisher: L D Indology Ahmedabad

Page 17

Locana p. 1516; Bhattanāyaka's view in Abh. and then in Locana; p. 1518; Abhinavagupta's view on rasa-nispatti; p. 1527; seven obstacles; rasa-vighnas; Abh.; p. 1542; Explanation of rasa-sūtra by Abhinavagupta p. 1554; Locana; rasa-nispatti p. 1563; All rasas, blissgiving p. 1578; śānta rasa p. 1578; catholicity of rasa-theory p. p.
1583; Ch.XVII rasa-nispatti-vicāra; Mammața to Jagannātha *; Mammata p. 1594;
Jagannātha p. 1601; Ch. XVIII Nāțaka 1632; Dasarūpaka p. 1646; Itivștta p. 1652; artha-praksti
s p. 1654; five avasths p. 1658; Sandhis and Sandhyangs p. 1661; artho'paksepakas p. 1666; sandhis and sandhangas, further discussion p. 1670; Nātya-darpana p. 1676; Bhāvaprakāśana *; NLRK. p. 1682; Sāhityadarpana *; Rasārnava Sudhakara p. 1696; Sandhyantaras p. 1702; Comparative and critical study of sandhi-s and sandhyanga-s p. 1705; Dr. V. M. Kulkarni's view; sixty four sandhyangas p. 1714; conclusions concerning sandhyangas p. 1736; Bhoja p. 1749; A comparative and critical table of sandhyangas p. 1749; Types of drama; nāțaka p. 1795; five special types of drama in Bāva prakāśana 1800; Prakarana p. 1807; Samavakāra p. 1811; īhāmțga p. 1821; Dima 1825; Vyāyoga p. 1828; Utsrstikā’nka; p. 1830; prahasana p. 1831; Bhāna p. 1834; Vithī p. 1836;