Kavyanushasana Critical Study

Author(s): A N Upadhye
Publisher: A N Upadhye

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Chapter Eight : Types of Literary Compositions or Forms of Literature
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Bhatta Tauta's Lofty Conception of Poetry Hemachandra's Twelve Rüpakaā The Sattaka The Twelve Types of Musical Compositions Bssis of Classification of Geya Rūpakas The Sravya Kavya and its Varieties The Mahākavya and its Varieties The Mahakavya as a Literary Form The Five Sandhis Beauties of Form and Content Varieties of Mhakāvya Definition of Mahākāvya : Not too Rigid The Akhyāyikā Form The Katha Fom The Campū Form The Anibaddha Composition Form A Critical Review of Hemachandra's Treatment of Literary Forms Unity of Purpose Dramatic and Poetic Compositions : Justification of Distinction Twofold Dramatic Composition : Criterion of Division Hemachandra Follows Bharata Kohala Codified the Derivative Types of Drama Bhāmaha, Dandin and Anandavardhana Dhananjaya and Dhanika Hemachandra Distinguishes two kinds of Stage Performances Nātikā and Sattaka Differentiated Hemachandra Avoids The Controversy Pathya and Geya Rūpakas Emotional Fragments
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