________________
346 348
350 351
351 352 357
Three Guņas Only Hemachandra's Theoretical Affiliations Hemachandra on the Distinction Between Guņas and Alamkāras Concepts Of Conjunction and Inherence Hemachandra's Exposition of the Three Guņas and Rejection of the Ten Guņas Gunas are Three Only, Neither Ten Nor Five Vịttis And Ritis In Relation To Guņas Concepts of Riti And Vịtti in the Pre-Dhvani and Post-Dhvani Periods Ānandavardnana on Vịtti and Riti Hemachandra's Stand on Ritis Concept of Compatibility : Departure From Rules Sanctioned Hemachandra's Refutation of the Older Theories Of Guņa Dr. Raghavan's Critical Review Five Guņas as Patha-dharmas Five Guņas as Metrical Qualities A Critical Summary of the Viveka Passage on The Disposal of The Ten Guņas Vāmana's Novel Conceptions Conclusive Rejection of Ten Guņas
358 360 361
362
364
365
366 366
367 378 379
Chapter Six : The Poetic Embellishment
380-403
380 381
381
382
The Concept of Poetic Embellishment Aesthetic Considerations Arthalamkāra Sabdacitra and Artha citra Hemachandra's Exposition of the Poetic Embellishments Based on Word and Sense Six Verbal Figures of Hemachandra Yamaka : A Literary Excess Can Abhangaśleșa be Regarded as an Arthalaskāra ?
382 383 386 388
XIX
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