Book Title: Kavyanushasana Critical Study
Author(s): A N Upadhye
Publisher: A N Upadhye

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Page 23
________________ 437 43 : 439 440 440 The Uparūpakas in the Natyadarpaņa The Number of Uparūpakas Varies with Differe nt Authors Parikathā, Khandakathā and Sakalakathā Language asa basis of Classification Hemachandra's View-point on Kathā-Ākhyāyika Varieties of the Kathā Form Hemachandra's Noteworthy Definition of a Mahākāvya Hemachandra's Method of Combination Dr. Raghavan's Explanation of the Prabandhaguņas and The Prabandhālamkāras Hemachandra's Indebtedness to Bhoja 441 442 443 443 445 Chapter Nine : Hemachrndra's Theory of Literature 448-464 448 448 451 451 452 453 453 454 455 Differentia of Literature Linguistic Dualism Art is a Matter of Attitude : A Frame of Reference The Poetic Purpose The Aesthetic Experience The Role of a सहृदय The Grounds of Poetry Pratibha Explained in Terms of Jain Philosophy The Education of a Poet The Poetic Studio Plagiarism Poetic Conventions In Defence Of Literary Conventions Belles-Lettres The Body Poetic The Aesthetic Meaning First Class Poetry The Dynamics of the Aesthetic Process 455 456 457 458 459 460 461 464 464 XXII Jain Education International For Private & Personal Use Only www.jainelibrary.org

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