________________
437
43 :
439
440
440
The Uparūpakas in the Natyadarpaņa The Number of Uparūpakas Varies with Differe nt Authors Parikathā, Khandakathā and Sakalakathā Language asa basis of Classification Hemachandra's View-point on Kathā-Ākhyāyika Varieties of the Kathā Form Hemachandra's Noteworthy Definition of a Mahākāvya Hemachandra's Method of Combination Dr. Raghavan's Explanation of the Prabandhaguņas and The Prabandhālamkāras Hemachandra's Indebtedness to Bhoja
441
442
443
443
445
Chapter Nine : Hemachrndra's Theory of Literature 448-464
448 448
451 451 452 453 453
454 455
Differentia of Literature Linguistic Dualism Art is a Matter of Attitude : A Frame of Reference The Poetic Purpose The Aesthetic Experience The Role of a सहृदय The Grounds of Poetry Pratibha Explained in Terms of Jain Philosophy The Education of a Poet The Poetic Studio Plagiarism Poetic Conventions In Defence Of Literary Conventions Belles-Lettres The Body Poetic The Aesthetic Meaning First Class Poetry The Dynamics of the Aesthetic Process
455 456 457 458 459 460 461 464 464
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