Book Title: Jain Rup Mandan
Author(s): Umakant P Shah
Publisher: Abhinav Publications

Previous | Next

Page 174
________________ Iconography of 24 Tīrtharkaras 161 Mallinātha (c. 12th cent. A.D.) in the Kere-Basti, Mūdabidure.242 Sculptures of this Jina are also available in the Bhandara Basti and the Suttalaya of Gommata at Sravana Belagoļa and in the groups at Müdabidure and Veņür. 20. TWENTIETH TIRTHANKARA: MUNISUVRATA Munisuvrata was the son of king Sumitra and queen Padmă of the city of Räjagsha, born in the Sravana naksatra, having descended on this earth from Pränata heaven, according to Uttarapurana and Aparājita Vimana according to Svetambara tradition. The Tiloyapanpatti agrees with the Svetämbara and other traditions in giving the above names of Parents of this Jina, but Uttarapuräpa says that the Jina's mother was called Somā.243 Since during pregnancy, the queen-mother was devoted to religious practices (suvrata) like a pious monk (muni-vat), the Jina was called Munisuvrata by the king.241 Munisuvrata obtained kevalajñana under a Campaka-tree (Michelia Champaka). He had a following of eighteen ganadharas with Malli as their head while Puspavati or Puspadatta was the chief nun of his Order 24 According to Samavāyānga sutra they were Kumbha and Amila respectively.246 Munisuvrata had a dark complexion and his recognizing symbol was a tortoise (kūrma) according to both the sects. He obtained nirvana on Mt. Sammeta. His śāsana yakşa was Varuna (Bhskuți according to the Tiloyapannatti). His yaksini was Bahurupiņi according to Digambara traditions and Naradattā according to the Svetämbaras. Harişena, the Cakravarti, lived in this age. Rāma (called Padma) and Lakşmana, the eighth Baladeva and Väsudeva respectively and heroes of the Jaina version of the Ramayana story, also flourished in this age. According to Jinaprabha sūri an idol of Munisuvrata with a crown of priceless gems was worshipped at Bhsgupattana (modern Broach or Bharucha in Gujarat). Tirthas of Munisuvrata also existed at Pratişthanapura, Ayodhya, Vindhya mountain, and Māņikyadandaka.247 A fragmentary pedestal of a sculpture supposed to have been of Arhat Nandyavarta-Aranátha, found from Kankali Tila, Mathura, is preserved in the Lucknow Museum (no. J.20). The specimen shows a bas-relief with a tri-ratna symbol in the centre surmounted by a dharmacakra. The right half of the pedestal is mutilated and lost, only a headless figure of a nude Jaina monk, with a piece of cloth held in the raised left hand covering his nudity, remains. To the left of the tri-ratna symbol are four standing females, three of them, dressed in similar garments, hold in their right hands long purse-like objects with an ornamental lotus-bud or câmara-like tops. The fourth female, younger and of smaller stature, has her hands folded in adoration. There is a two line inscription on the upper rim of the pedestal and a one line inscription at base.248 The date in the inscription is read as 79=157 A.D. by Buhler and others and as 49 by J.E. van Lohuizen-de Leeuw. The last part of the second line in the upper rim reads: Arahato Munisuvratasa pratimă nirvartayati, and the last part of the line in the lower rim reads: pratimăvo dve thupe devanirmite. Thus the pedestal belonged to an image of Munisuvrata installed in the Devanirmita Stūpa at Mathura, in the year 127 or 157 A.D. A stupa of Munisuvrata existed at Visälä (Vaiśāli ?) according to the Āvaśyaka Cūrņi which gives the story of the Thubha in illustration of Parinamiki Buddhi. The Avaśyaka Niryukti merely gives the catchword thubha which suggests that the author of the Niryukti knew of the stupa of Munisuvrata at Viśāla 249 An interesting image of a Jina, in the old Jaina temple, Vaibhāragiri, Rajgir, and dating from c. ninth century A.D., has, on a cot below the pedestal of the Jina, a figure of a reclining lady (see Fig. 70 A). On the evidence of a reclining lady shown below the figure of Munisuvrata, in the row of yakşis in the Barabhuji cave, Khandagiri, Orissa, Debala Mitra showed that in the case of the Vaibhāragiri image just described, the Jina should be identified as Munisuvrata 250 Debala Mitra cited a few more images known to her. One of them belongs to Shri Bejoy Singh Nahar of Calcutta, and another of Jain Education International For Private & Personal Use Only www.jainelibrary.org

Loading...

Page Navigation
1 ... 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466