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Jaina-Rūpa-Mandana a paper manuscript in the Atmārāma Jaina Jñánamandira, Baroda, no. 1401/1, folio 57b. Age, 16th cent. A.D. Copyright, U.P. Shah.
Fig. 153 (PI. LXXVII). Aștamangala plaque, silver-plated brass. From a Svetāmbara Jaina shrine, Gopipura, Surat. Age, modern. Copyright, U.P. Shah.
Fig. 154 (Pl. LXXVI). Four-armed Ambika with câmaradhara females and dancers as attendants. From corner ceiling of Sabhamandapa, Vimala Vasahi, Delvada, Mt. Abu. Age, 12th century A.D. Copyright and courtesy of Prof. Grittli Mitterwalner, Munich.
Fig. 155 (Pl. LXXIX). Twelve-armed Cakreśvarī, Ellora, cave 30. Age, c. 9th-10th cent. A.D. Copyright, Archaeological Survey of India.
Fig. 155A (Pl. LXXIX). Standing goddess Siddhãyini, the yakşini of Mahāvira, from JinaKāñcbi. Brass or Bronze. Ref. T.N. Ramachandran, op. cit., pl. XXXIV. Copyright, Madras Museum, Madras.
Fig. 156 (PI. LXXX). - Bharata Cakravarti, standing with the different ratnas of a Cakravarti by his sides. From Devgadh, Temple 31 (?). Convright and courtesy of Prof. Klaus Brulin.
Fig. 157 (PI. LXXX). Sarvāṇha Yksa riding on the elephant. Digambara tradition, from South India, now in the Samantabhadra Vidyalaya, Delhi. Copyright, U.P. Shah.
Fig. 158 (PI. LXXX). Brahmaśānti yakşa, miniature painting on a palm-leaf manuscript, Chhani near Baroda. Age, 13th century A.D. Copyright and courtesy of Prof. Klaus Bruhn, Berlin.
Fig. 159 (Pl. LXXX). Månibhadra riding on an elephant. From a Svetämbara Jaina temple, Gopipura, Surat. c. 18th-19th cent. A.D. Copyright, U.P. Shah.
Fig. 160 (Pl. LXXXI). Four-armed Kaparddi-yakşa from Vimala-vasi Tunk, Mt. Satrunjaya. Age, 14th century A.D. Copyright, AIIS, Varanasi.
Fig. 160A (PI. LXXXI). Bharata Cakravarti with his ratnas. From a shrine in Devgadh. Age, c. 10th-11th cent. A.D. Temple no. 2, Devgadh. Copyright and courtesy of M.N.P. Tiwari, Varanasi.
Fig. 161 (Pl. LXXXI). Kubera Dikpala dancing with attendants, from a corner-ceiling, Sabhāmandapa of Vimala Vasahi, Mt. Abu. Age, 12th cent. A.D. Copyright, U.P. Shah.
Fig. 162 (PL. LXXXII). Two-armed Ambika, standing, with ömralumbi in her right hand caught by a son standing near her right leg. Her left hand is engaged in holding her son on the kați. From Devgadh. Age, c. ninth cent. A.D. Photo Copyright and courtesy of Prof. Klaus Bruhn, Berlin.
Fig. 163 (Pl. LXXXIII). Four-armed Ambikä sitting with two sons on laps held by her two normal hands and amralumbi's two ends held by two upper hands. Gujarat or Rajasthan, now in St. Xavier's College, Bombay, Museum of Rev. Heras Institute. Photo, U.P. Shah.
Fig. 164 (PI. LXXXIII). Four-armed Ambika, dated 1490 A.D. From possibly Rajasthan, now in the Boston Museum, U.S.A. Brass or Bronze. Photo kind courtesy of Dr. A.K Coomaraswamy'. Copyright, Boston Museum.
Fig. 165 (Pl. LXXXIII). Four-armed Ambikā with the noose and the vajra-ghantà in her right and left upper hands. From U.P., now no. 66.225 in State Museum, Lucknow. Copyright, State Museum, Lucknow.
Fig. 166 (PI. LXXXIV). Five rock-cut Jaina relief sculptures with Mahisäsuramarddini at the right end and two-armed Siddhāyika (?) at the left end. Karadipatti, Madurai district. On the vaulted surface of the natural cavern at Samnarmalai. Pandyan, c. 8th cent. A.D. Mahişāsuramarddint was possibly known as Kottavi or Kottavyá in the south. In the north, Jaina authors like Jinabhadra gapi Kşamåśramana, Haribhadra sūri and Jinadasa Mahattara have called her Kotfäryä, or Kottakriya, a terrific form of Durgā. Copyright, Archaeological Survey of India,
Fig. 167 (Pl. LXXXIV). Mahavira under a big caitya-tree. From a garden in Annamvasal, old Pudukkotai state, Tamil Nadu. Style, Muttaraiyar (?), c. 9th cent. A.D. Copyright, Archaeological Survey of India (AST).
Fig. 168 (PL. LXXXV). Four-armed Santi-devi in the centre of the simhāsana of the colossal image of Ajitanåtha at Taranga, North Gujarat. A mediaeval development in place of dharmacakra which now is shown below the simhāsana. Age, c. 14th cent. A.D. Copyright, U.P. Shah.
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