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Jaina-Rupa-Mandana Fig. 122 (PI. LXIV). Eight-armed Yakşt Cakreśvari from Kharatara Vasabi (the Caumukha temple), Delvada, Mt. Abu. Age, 1458-59 A.D. Copyright, U.P. Shah.
Fig. 123 (PI. LXIV). Four-armed yakşi Cakreśvarl from pedestal of sculpture of Rşabhanātha, no. 322. State Museum, Lucknow. Copyright, State Museum, Lucknow.
Fig. 124 (Pl. LXV). Jaina Yakşi Padmavati, four-armed, from Karnataka, now in the Prince of Wales Museum, Bombay. Age, c. 11th cent. A.D. Copyright, American Institute of Indian Studies (ALIS), Varanasi.
Fig. 125 (PI. LXV). A beautiful sculpture of four-armed yakşi Padmavati from Anatur, Chikamangalur district, Karnataka. Age, c. 12th cent. A.D. Copyright, AIIS, Varanasi.
Fig. 126 (Pl. LXV). A sculpture of Tirthankara Vāsupūjya sitting under a big tree, from a Jaina shrine, Surat. See text, pp. 148-49. Ref. M.A. Dhaky, T.O. Shah and M. Vora in Sambodhi, vol. 3. nos. 2-3, pp. 21-24. Copyright, U.P. Shah.
Fig. 127 (PI. LXV). Four-armed standing Padmavati from Jina-Kāñchi, Tamil Nadu. Brass or Bronze. Age, c. 18th cent. A.D. Ref. T.N. Ramachandran, Tiruparutrikunsam and its Temples, pl. xxxiii. Copyright, Madras Museum, Madras.
Fig. 128 (Pl. LXVI). Elaborate scuipture of Covisi of Mahavira with his yaksa and yaksi on the pedestal ends. From Rajasthan, now in the Seattle Museum, U.S.A. Age, c. 11th cent. A.D. Copyright and courtesy of Seattle Museum, Seattle, U.S.A.
Fig. 129 (Pl. LXVII). Seated figure of Mahāvira from Tamil Nadu, now in the Brooklyn Museum, U.S.A. Bronze. Age, Pallava-Cola transition, c. 9th cent. A.D. Ref. Aspects of Jaina Art and Architecture. Paper 26. Copyright, Brooklyn Museum, New York, U.S.A. Bronze lent by Drs. Arthur M. Raymond and Mortimer Sackler.
Fig. 130 (PI. LXVII). Standing Mahāvira as Jivantasvāmi. From Khimvasar, Jodhpur district, Rajasthan, now in Jodhpur Museum. Age, c. 10th cent. A.D. Compare the conception of Crowned Buddha. Dhaky has discovered Jivantasvämi sculptures from temples at Abar and Sewadi. Ref. R.C. Agrawal, An Image of Jīvantasvāmi from Rajasthan, The Adyar Library Bulletin, vol. xxii (May 1958), pp. 32-34. Copyright, Department of Archaeology, Rajasthan State.
Fig. 131 (PI. LXVII). A Covisi-Caumukha sculpture, i.e., a four-fold image with six Tirthankara figures facing each side thus making this a Caturvimšati Jina image (Covisi). From Padhavali, M.P. Age, c. 8th cent. A.D. Copyright, Department of Archaeology, Madhya Pradesh.
Fig. 132 (PI. LXVIII). Two-armed Sarvāṇha yakşa, Camundarai Basti, Sravana Belagola. Age, c. 10th century A.D. Copyright, Prof. S. Settar, Dharwar.
Fig. 133 (P1. LXVIII). Harinegamesi flying with the foetus of Mahavira in the act of taking it to the womb of Trišalā. Goat-faced, with peacock vehicle. Painting from a paper ms. of Kalpa-sūtra, private collection, Cambay. Age, c. 15th cent. A.D. Copyright, U.P. Shah.
Fig. 134 (Pl. LXVIII). Mahavira with his eleven Gamadharas, full page illustration from a palmleaf manuscript of Avaśyaka-Laghuvștti, dated A.D. 1388. Gold liberally used in this miniature. Copyright, U.P. Shalı.
Fig. 135 (Pl. LXVIII). Door-lintel in the compound of Temple no. 12, Devgadh, with figures of Tirthankaras, ācāryas, upadhyayas and sådhus (monks). Age, c. 9th-10th cent. A.D. Copyright, U.P. Shah.
Fig. 136 (PI. LXIX). Relief panel showing attack by Kamatha on Pårsvanātha and protection by Dharanendra and his chief queen, Badami, cave no. 4, the Jaina cave. Age, c. late sixth or early seventh century A.D. Copyright and Courtesy of Prof. Grittli Mitterwalner, Munich.
Fig. 137 (PI. LXIX). Relief panel of Kamatha's attack on Pärsvanatha. Dharanendra protecting with his snake-hoods and his chief queen holding an umbrella. Kamatha, defeated and repenting, bowing down before the Jina meditating. From Jaina cave, Aihole, Karnataka. Note five snake-hoods above head of Pärsvanatha. Age, c. seventh century A.D. Copyright, Archaeological Survey of India.
Fig. 138 (PI. LXX). Kamatha's attack on Pārsvanātha, elaborately carved relief panel from cave 31, Ellora. Copyright, Archaeological Survey of India.
Fig. 139 (PI. LXX). Standing Parśvanātha with his yaksa and yakşi seated by the side of his legs.
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