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List of Plates
337 From Pancha Basadi, Stavanidhi, Chikkodi taluq, Belgaum district, Karnataka. Age, c. 14th cent. A.D. Photograph by P. Gururaja Bhatt.
Fig. 140 (PI. LXXI). Four-armed Padmăvati in padmāsana, Sve. Jaina temple, Patan, N. Gujarat. Age, c. 16th-17th cent. A.D. Copyright, U.P. Shah.
Fig. 141 (PI. LXXI). Four-armed Padmavati on a pillar, Devgadh fort. Age, c. 10th cent. A.D. Copyright, U.P. Shah.
Fig. 142 (PI. LXXI). Four-armed Padmavati from Badami cave 4 (the Jaina cave). Age, c. 10th cent. A.D. Copyright, Archaeological Survey of India.
Fig. 143 (Pl. LXXII). Four-armed yakşi Padmāvati from U.P., now no. G.316, State Museum, Lucknow. Ago, c. 10th cent. A.D. Copyright, State Museum, Lucknow.
Fig. 144 (Pl. LXXII). Two-armed seated Padmāvatı from cellar of Sitalanātha temple (Svetämbara). Patan. N. Gujarat. Attended by four miniature figures of Näginis, showing in her right hand an ornamental lotus bud with stalk and in the left a cup with fruit. Age, c. 12th cent. A.D. Copyright, U.P. Shah.
Fig. 145 (PI. LXXII). Kaolin figure of a female yakşi (?) riding on some animal, perhaps a horse. The horse vāhana separately moulded is lost. The female figure, two-armed, holds an am.clumbi in her right hand and a parrot is held with the left hand. From Paithan. Satavahana period. Perhaps a prototype of the Jaina Ambika. Copyright and courtesy of AAA, Ann Arbour, Michigan, U.S.A. Photo kindly supplied by Prof. Dhavalikar, Poona.
Fig. 146 (Pl. LXXIII). Two-armed Ambikā sitting beside a tree, with one son on her right riding a lion and the other sitting on her left. Palm-leaf manuscript of Dhavală etc., Mudabidri, Karnataka. Age, c. 12th century A.D. Copyright, U.P. Shah.
Fig. 147 (PL. LXXIV). Two-armed Ambikā standing under canopy of a mango-tree, the mangoes on ends of the branches are mutilated and lost. Right hand mutilated, left holds the child on her kafi. Three small sitting goddesses on each side of Ambikā may be parivära-devatás (or some other goddesses). Five Tirthaikara figures on top. Lion vehicle near the right leg. Beautiful sculpture, perhaps from Hinglaigadh, now in the Indore Museum. Age, c. 10th 11th cent. A.D. Copyright, Archaeological Survey of India.
Fig. 148 (PI. LXXIV). Four-armed Ambikā sitting under a mango-tree arranged like an arch. The wholo enshrined in a shrine with trefoil shaped toraņa arch supported by pillars having, on each side, four miniature goddesses not identified but who may be parivara-devatās of Ambika. From a Sve. Jaina shrine, Cambay, Gujarat. Age, c. 13th cent. A.D. Copyright, U.P. Shah.
Fig. 149 (Pl. LXXV). Two-armed Ambikā sitting with a lotus-bud with a long stalk in the right hand and a child held on the lap with the left. From a Jaina temple, Humcha, Karnataka. Santara art of early tenth cent. A.D. Ref. M.A. Dhaky, Santara Sculpture, JISOA, New Series, Vol. IV, pp. 78-97, pl. XVII, fig. 8. Copyright, American Institute of Indian Studies, Varanasi (ALIS).
Fig. 150 (PI. LXXV). "Two-armed Ambika sitting with the lotus in her right hand and the son held with the left one. From Jaina temple, Humcha, Karnataka. Ref. M.A. Dhaky, ibid., JISOA, New Series, Vol. IV, pp. 78ff, pl. XXII, Fig. 19. Age, 10th cent. A.D. Copyright, AIIS, Varanasi.
Fig. 151 (Pl. LXXVI). Standing Parsvanátha with Kamatha standing on his right, from Devgadh. c. 10th cent. A.D. A rare sculpture. Ref. Klaus Bruhn, Further Observations on the Iconography of Parávanátha, Mahavira and His Teachings (Ahmedabad, 1972), pp. 371-388 and plates. Copyright and courtesy of Prof. Klaus Bruhn, Berlin, West Germany.
Fig. 151A (PI. LXXVI). Pärsvanātha and Kamaha, Jaina Cave (32 or 33). Compare 151 above. Age, c. 10th cent. A.D. Copyright, U.P. Shah.
Fig. 152 (PL. LXXVII). Ananta virya, tentatively identified as Future Tirtha kara with his parents. See text, p. 103. Probably from M.P., now in the British Museum. Ref. Ramaprasada Chanda. Mediaeval Indian Sculptures in the British Museum, pl. IX, pp. 41-42. Copyright, British Museum, London.
Fig. 152A (PI. LXXVII). An incident from the life of Mahavira. Mahavira playing amalakikrida with boys when a jealous god tries to test the courage of Mahavira. For the full account, see Masterpieces of the Kalpasūtra Paintings, fig. 224 and description of plates, ibid., p. 44. Miniature painting on
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