________________
Iconography of 24 Tirthankaras
197
published under the title Mahapuräna, vols. I-III, by the Bharatiya-Jhanapitha, Delhi), parva 52; Tiloyapannatti,
4.522ff, pp. 217ff for details about this Jina. 90. 941STE SHarhit wat पद्माभरचेत्य, पद्मप्रभ इत्याह्वयत्पिता ।।
-Trişaşti., III.4.51 91. Tiloyapanpatti, 4.916, p. 264; Trisasti., 111.4.64; Samava
yārga sutra, sū. 157. 91a. Mohapatra, R.P., Jaina Monuments of Orissa, fig. 71. 92. Tiloyapannarri, op. cit., pp. 217ff; Trisasi., III, sarga 5;
Uttarapuraya (also called Mahāpurana of Jinasena),
parva 53; Kalalokaprakasa, 32.454ff. 93. Cr.:
सुप्तमेकफणे पञ्चफणे नवफणेऽपि च । नागवल्पे ददर्श स्वं देवी गर्ने प्रधिनि ॥ ३०॥ गर्भस्थेऽस्मिन्सुपाचाऽभूज्जननी यत् ततः प्रभोः । सुपाव इत्यभिधान प्रतिष्ठः प्रत्यतिष्ठिपत् ।। ४८ ।। पृथ्वीदेव्या तदा स्वप्ने दृष्टं तादृरमहोरगं । शको विचक्रे भगवन्मूनि च्छतमिवापरम् ॥ ७९ ॥ तदादि चाभूत् समवसरणेष्वररेष्वपि । नाग एकफणः पञ्चफणो नवफणोऽयवा ।। ८०॥
--Trişasti., III.5.30, 48, 79-80 Also see Bhattacharya, B.C., op. cit., pp. 43-44. 94. TOTT U sporoft Ta YTTET at prufatti
-- Avaiyaka Niryukti, gātha 1083, comm. of Haribhadra,
vol. III, p. 503. 95. According to Tilo yapannatti, 4.916ff. According to
Uttarapurära, 54.62, he shines like Priyangu flower. 96. According to Tiloyapannatti, Nandyāvarta is the
cognizance of Supăráva. 97. Compare B.67, B.70 in the Mathura Museum. 98. Also see Coomaraswamy, A.K., History of Indian and
Indonesian Art, fig. 86, and no. 5.77 from Kankali Tila in the Lucknow Museum showing the Jina (Pārsva) with
seven snake-hoods. 99. Vividha-Tirtha-Kalpa, pp. 17-20. 100. Also see Shah, U.P., Studies in Jaina Art, pl. 12. 101. Tiwari, M.N.P., Jaina Prurima-Vijnana, p. 101, n. 3. 102. Shah, U.P., Jaina Sculptures in the Baroda Museum,
Bulletin of the Baroda Museum, Vol. 1, no. 2, pp. 29-30. 103. Tiwari, M.N.P., op. cit., p. 101. 104. Ibid., p. 102. 105. C. Sivaramamurti, Panorama of Jaina Art (New Delhi,
1983), figs. 127-128. 106. Ibid., fig. 121. Fig. 81 represents Kamajha's attack
carved on the rock at Karaikoyil (Pandya, 8th-9th cent.). Here Parsva has a canopy of five snake-hoods, so also in fig. 1 from Kalugumaļai (Pandya, 8th cent.), and fig. 44 from Tirakkol (Pallava, 8th cent.), or fig. 48 from Melsittămur, south Arcot district, TN (PallavaChola transition, 8th-9th cent.), or fig. 85 from
Kilakuyilkudi (Pandya, 9th cent.). 107. Ibid., fig. 43. 108. Tiwari, op. cit., p. 102 identifies J.935 as Pärsvanatha. 109. Tiwari, ibid., p. 102 and Vats, M.S., A Note on Two
Images from Banipar Maharaj and Baijanatha, A.S.I., A.R., for 1929-30, p. 228.
110. Tiwari, op. cir., identifies as Suparsvanatha. 111. Vividha-Tirtha-Kalpa, p. 85. 112. Tiloyapannatti, 4.512ff, pp. 206ff; Uttarapurana, parva
54; Trisasti, parva III, sarga 4. 113. Cf.:
गर्भस्थेऽस्मिन्मातुरासीच्चन्द्रपानाय दोहदः । चन्द्राभश्चैष इत्याह्वयच्चन्द्रप्रभम, पिता ।।
-- Trisasti., IIL.6.49 Also cf.: कुलं कुवलयं यस्य संभवे व्यक्तसत्तयं । यतस्ततश्चकाराख्यां साथं चन्द्रप्रभप्रभोः ।।
--Uttarapuräna, 54.173 114. Punnaga, probably Calophyllum inophyllum, a large
tree of Coromandel coast with beautiful white fragrant blossoms and numerous stamens arranged in rows.
Trisasi., vol. II (Transl. GOS, vol. 77), p. 352. 1:5. Vividha-Tirtha-Kalpa, p. 29. 116. Ibid., pp. 53-54, 85. 117. Gai, G.S., Three Inscriptions of Ramagupta, Epi. Ind.
Vol. XXXVIII, no. 1, pp. 46ff, and plate; Journal of the
Oriental Institute, vol. XVIII, pp. 247ff. 118. For a sculpture of standing Candraprabha from Sona
giri, Rajgir, see Voice of Ahimsa, vol. 12, no. 9. 119. For Aluara bronzes in the Patna Museum, see Prasad,
H.K., Jaina Bronzes in the Parna Museum, Mahavira Jaina Vidyalaya Golden Jubilee Volume, Part I (Bombay, 1968), pp. 275-89. Mitra, Debala, Bronzes from Achutrajpur, Orissa (Delhi, 1978), figs. 29. 32. Mohapatra, R.P., Jaina Monuments of Orissa, fig. 63. Fig. 62 shows a metal image of Candraprabha in padmasana, from Acutarajpur. A. Ghosh (ed.), Jaina Art and Architecture, vol. II, plate 161, fig. A from Banpur and pl. 162, fig. B
from Kakatpur. 120. JAA, vol. II, pl. 159, fig. A. 121. Studies in Jaina Art, fig. 44. 122. Mohapatra, R.P., Udayagiri & Khandagiri Caves, pl. 84,
fig. 2; pl. 89, fig. 1; pl. 98, fig. 1. 123. Chandra, Pramod, Stone Sculptures in the Allahabad
Museum (Poona, 1971), fig. 406. 124. Tiwari, M.N.P., Jaina Pratimi-Vijnana (Hindi), p. 103. 125. Tiloyapannatti, 4.512ff: Uttarapurāna, parva 55; Trisasi.,
III, parva 7. 126. aafar Di
पुष्पदोहदतो दंतोद्गमोऽस्य समभूदिति ।। ४६ ।। सुविधिः पुष्पदंतश्चेत्यभिधानद्वयं विभोः ।
- Trişaşpi., III.7.49-50 Also cf.: क्षाराभिषेकभूषान्ते पुष्पदंताख्यमब्रुवन् । कुन्दपुष्पप्रभाभासि देहदीप्त्या विराजितम् ।।
-Uttarapurana, 55.28 127. Ramachandran, T.N., Tiruparuttiku sram and its Temples,
p. 192. 128. Ibid.; Burgess, J., Digambara Jaina Iconography, Indian
Antiquary, XXXII, pp. 459ff, XXXIII, pp. 330ff. 129. Jaina Siddhanta Bhaskara, Vol. II, pl. opp. p. 8. 130. Vividha-Tirtha-Kalpa, p. 85. 131. Gai, G.S., op. cit.
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