Kavi Kaustubh

Author(s): Rajasthan Puratan Granthmala
Publisher: Rajasthan Puratan Granthmala
Catalog link: https://jainqq.org/explore/003431/1

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pAusmAna purAtana garamAlA pradhAna sampAdaka-phatahasiMha, ema. e., DI. liT. [nidezaka, rAjasthAna prAcyavidyA pratiSThAna, jodhapura ] granthAGka 5 raghunAtha-manohara-praNItaH kavikaustubhaH DOMA 0 prakAzaka rAjasthAna rAjya saMsthApita rAjasthAna prAcyavidyA pratiSThAna jodhapura ( rAjasthAna ) cation neernationalN ORIEN Fond Vaterersona vse OnITUTE, JODHPV Rainelibrary.org

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rAjasthAna purAtana granthamAlA pradhAna sampAdaka - phatahasiMha, ema. e., DI.liT. [ nidezaka, rAjasthAna prAcyavidyA pratiSThAna, jodhapura ] tti 500 granthAGka 65 raghunAtha-manohara-praNItA kavikaustubhaH jodhapura ( rAjasthAna ) AJASTHAN ORIENTAL RESEARCH INSTITU 1968 I0 prakAzaka rAjasthAna - rAjya saMsthApita rAjasthAna prAcyavidyA pratiSThAna

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rAjasthAna purAtana gatyamA rAjasthAna rAjya dvArA prakAzita sAmAnyata: akhilabhAratIya tathA vizeSataH rAjasthAnadezIya purAtana saMskRta, prAkRta, apabhraMza, hindI, rAjasthAnI Adi bhASAnibA vividhavAGmayaprakAzinI viziSTa-granthAvalI pradhAna sampAdaka phatahasiMha, ema. e., DI. liTa. nidezaka, rAjasthAna prAcyavidyA pratiSThAna, jodhapura raghunAtha-manohara-praNItaH kavikaustubhaH prakAzaka rAjasthAna rAjyAjJAnusAra nidezaka, rAjasthAna prAcyavidyA pratiSThAna jodhapura ( rAjasthAna ) 1968 I. bhAratarASTrIya zakAbda

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pradhAna saMpAdaka kA vaktavya prastuta pustaka tatkAlIna-saMcAlaka zrI muni jinavijaya dvArA saMbhavataH san 1951 meM mudrita hone ke lie presa meM bhejI gaI thI parantu aneka kAraNoM se isakA prakAzana abhI taka nahIM ho sakA thaa| ataH isa vilambita prakAzana ke lie kSamA yAcanA karatA hunA, isa grantha ko suvijJa pAThakoM ke samakSa upasthita karate hue maiM santoSa kA anubhava karatA hU~ / isa grantha ke anta meM svargIya prophesara pI. ke. goDe dvArA likhita TippaNiyoM, pariziSToM tathA graMthakAra-paricaya ko aMgrejI bhASA meM 'pUnA proriyanTalisTa' se uddhRta kiyA gayA hai, jisake dvArA 'kavikostubha' evaM usake racayitA 'raghunAthamanohara' ke viSaya meM paryApta jAnakArI mila jAtI hai / 16 pRSThoM meM samApta isa kRti kA paricaya sarvaprathama zrI goDe dvArA hI vidvajjagat ko karAyA gyaa| yaha grantha kAvyazAstra ke eka bahuta choTe aMza ko apanA lakSya banAkara prakaTa hunA hai; kevala vAkya-doSoM aura pada-doSoM kA nirUpaNa karanA hI lekhaka ko abhISTa hai / isa sImita kSetra meM lekhaka ne paryApta saphalatA prApta kI hai| pratyeka doSa ke cune hue udAharaNa dekara lekhaka ne sAhitya ke vidyArthiyoM ke lie upAdeya sAmagrI prastuta kI hai / lekhaka ne pUrvAcAryoM dvArA varNita kAvyadoSoM ko saMkSepa meM ginAne ke pazcAt, unako vAkya-doSoM aura pada-doSoM meM vibhAjita karake, pratyeka prakAra kA pRthak-pRthak sarala aura rocaka DhaMga se vivecana kiyA hai| pratyeka doSa ko chandobaddha vyAkhyA-svarUpa doSa kA sodAharaNa lakSaNa prastuta karake vibhinna kAvya-granthoM se apane kathana kI sampuSTi ke lie aneka uddharaNa bhI prastuta kiye haiN| isa prasaMga meM vizeSa ullekhanIya bAta yaha hai ki lekhaka ne apanI racanA ke doSa bhI udAharaNa-svarUpa upasthita kiye haiM, jaisA ki nimnalikhita uddharaNa se spaSTa haikrameNa vAkyadoSAnAha(1) chandobhraSTAdi-vyAkhyA yathA hInaM yadvRttaM bhedena chandobhraSTaM smRtaM yathA / navajaladharanibho rAjate nandanandanaH / / 7 / /

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[ 2 ] atra chandasi madviracitachando ratnAvalyAm yadi dvitIyaM ca caturtha paJcamaM tathASTamaM taddazamaM bhavedguruH / yadAkSaraM dvAdazakaM mahIpate giranti vaMzasthamanalpadhISaNAH // 6 // yadA dvitIyaM ca tathA caturthaM sakhe bhavet paJcamakaM ca dIrgham / tathASTamaM vA dazamaM tathAntyamupendravajrAM nRpa tAM giranti // 10 // iti vRttadvaye vyAhRte sati vaMzasthe upendravajrAcaraNapraveza bhinnatvAcchandobhraSTadoSaH / anta meM svargIya DA0 pI. ke. goDe ko hArdika dhanyavAda arpita karanA maiM apanA karttavya samajhatA hU~ jinhoMne isa praprakAzita grantha para prakAza DAlakara kAvyazAstra ke kSetra meM isa naye puSpa kA udghATana kiyA / vasanta paJcamI, saM0 2024 jodhapura phatahasiMha

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raghunAtha-manoharakRtaH kavi kaustubhH| // zrIgaNezAya namaH // atha kAvyaprabandhAnAM zalyarUpAn smaastH| doSAn vakSye krameNaiva pUrvAcAryaiH pradarzitAn // 1 // chandobhraSTaM kriyAvyastaM kramahInamasaMmitam / apArtha vyastasambandhaM zliSTAgamavirodhi ca // 2 // yatibhraSTaM tathA nyUnapadaM caikArthameva ca / vyartha rItiparibhraSTamavasthAdravyamedakam // 3 // tathA dezakalAnyAyakAlahetuvirodhikam / khaNDitAdhipade caiva tathA hInopamaM smRtam // 4 // iti vAkyAtmakA doSAH, padadoSAstataH kramAt / khasaGketa praklRptArthamaprasiddhamalakSaNam // 5 // agauravaM zrutikaTu punaruktirasaMmatam / vyAhatArtha tathA grAmyaM padadoSAH smRtA yathA // 6 // [1. vAkyadoSAH / / krameNa vAkyadoSAnAha / 61.) chandobhraSTAdi-vyAkhyA yathA hInaM yadvRttaM bhedena chandobhraSTaM smRtaM yathA / navajaladharanibho rAjate nandanandanaH // 7 // anyacca, dhAvukakaveH kAvyazekharetava prabhAvazrama eSa saMyuge phalaM na yAsyatyupabhogalabdhaye / mayi pratApogratare variSThe vikAsitaM sUnamivAvakezinaH // 8 // atra chandasi, madviracitachandoratnAvalyAm - yadi dvitIyaM ca caturthapaJcamaM tathASTamaM taddazamaM bhaved guru / yadAkSaraM dvAdazakaM mahIpate giranti vaMzasthamanalpadhIpaNAH // 9 // rUpAnsamAsataH

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kvikaustubhH| [10-18] yadA dvitIyaM ca tathA caturtha sakhe bhavet paJcamakaM ca dIrgham / tathASTamaM vA dazamaM tathAntyamupendravajrAM *nRpa tAM giranti // 10 // iti vRttadvaye vyAhRte sati, vaMzasthe upendravajrAcaraNapravezabhinnatvAcchandobhraSTadoSaH / tathA ca suzrute [?] vaTapraroho madhukuSTamutpalaM salAjacUNairguTikAM vidadhyAt / susaMhitA sA vadane'vadhAritA tRSNAM pravRddhAmapi hanti sajvarAm // 11 // chandoratnAvalyAM yathA yatrAkSaraM syAt prathamaM dvitIyakaM turya tathA pazcamakaM nRpASTamam / __ ekAdazAdyAntyamakaM yadA guru tAmindravaMzAM phaNibhASitAM jaguH // 12 // iti vRttamede sati, vaMzasthe indravaMzAcaraNapravezabhinnatvAcchandobhraSTadoSaH / tathA ca mAghe [zizupAlavadhe 1.65] tapena varSAH zaradetyatra [ // 13 // ] pra(naklaptimityatra saMyogAdyagurutvAjjagaNe yagaNaprAptihetozchandobhraSTadoSaH / 62.) kriyAvyastaM yathA kriyAbhraSTaM tu yadvAkyaM kriyAvyastaM smRtaM budhaiH / yathA zambhu sadAnandaM manasA kusumainavaiH // 14 // anyacca raghuvaMze [ 16.67]udbaddhakezacyutapatralekho vizleSimuktAphalajAtazobhaH / manojJa eva pramadAmukhAnAmambhovihArAkulito'pi veSaH // 15 // muhUrtacintAmaNau [5.41] kavIjyacandrala~gnapA ripo mRtau *vrte'dhmaaH| vyaye'bjabhArgavau tathA tanau mRtau sute khalAH // 16 // kirAtArjunIye [ 5.25] kurarIgaNaH kRtaravastaravaH kusumAnatAH sakamalaM kamalam / iha sindhavazva varaNAvaraNAH kariNAM mude snldaanldaaH||17|| tathA ca mammaTaH [ kAvyaprakAze 1.1] kAvyaM yazase'rthakRte vyavahAravide zivatarakSataye / sadyaH paranirvRtaye kAntAsammitatayopadezayuje // 18 // 1degmupendravajrArapupunA gItA. 2 vaSA:. 3 prasuna 4 lamapAstanau for lamapA ripo 5 sutedhamAH. for vrate'dhamA:. 6 tatha. 7 kirAtArjuniye.

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[19-24] vaakydossaaH| tathA ca mAghe [ zizupAlavadhe 2.8] - bhavadrAimavasarapradAnAya vAMsi naH / pUrvaraGgaH prasaGgAya nATakIyasya vastunaH // 19 // eteSu chandaHkharthalakSyagocaratvahInatvAt kriyAvyastadoSaH / 63.) kramahIMnaM yathA krameNa yadvihInaM syAt kramahInaM tu tadyathA / kazcidbhuktvA kRtasnAno vandate devatAM gurum // 20 // anyaJca, ratnamAlAyAm [ zlokaH 1] prabhavaviratimadhyajJAnavandhyA nitAntaM viditaparamatattvA yatra te yogino'pi / tamahamiha nimittaM vizvajanmAtyayAnA __ manumitamabhivande bhagrahaiH kAlamIzam // 21 // atra prabhavaviratimadhyA utpattilayasthitaya iti prakRtyarthe sati, utpattairlaye jAte sthiterasambhavAt krmhiindossH| tathA, raghuvaMze [ 9.61] tenAbhighAtarabhasasya vikRSya patrI vanyasya netravivare mahiSasya muktaH / nirbhidya vigrahamazoNitaliptapuGkha staM pAtayAM prathamamAsa papAta pazcAt // 22 // bhatra kRbhvastiyoge kramAddhAtorAmyAsaprAptau satyAM 'prathama'-padavyabhicAreNa krmhiindossH| 64.) asaMmitaM yathA asaMmitaM mataM yatra taulyaM nAsti pdaarthyoH| haro bhAti marudveSirAjarAjitavigrahaH // 23 // anyacca, rasamaJjaryAm [ zlokaH 29] karNakalpitarasAlamaJjarIpiJjarIkRtakapolamaNDalaH / nissarannayanavAridhArayA rAdhayA madhuripurnirIkSyate // 24 // naiSadhe [ 12.101]unmIlallIlanIlotpaladaladalanAmodamedakhipUra kroDakrIDadvijAlIgarududitamarutsphAlavAcAlavIciH / 1 tasvA. 2 kramAddhAtorAsa prAptau. 3 niHsaran.

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kavikaustubhaH / etenAkhAni zAkhAnivahanavaharitparNapUrNaDumAlIvyAlIDhopAntazAntavyathapathikazAM dattarAgastaDAgaH // 25 // ityAdiSu zabdArthayostaulyahInatvAt kiM bahunA, padabAhulyAdasaMmitadoSaH / " (5.) apArthaM yathA - - samudAyArthazUnyaM yat tadapArthaM samucyate / hayabRMhitavispardhi rAjate ghanakUjitam // 26 // anyacca, raghuvaMze [ 9.26]kusumajanma tato navapallavAstadanu paTpadakokilakUjitam / iti yathAkramamA virabhUnmadhudrumavatImavatIrya vanasthalIm // 27 // tathA ca, atra kusumajanma tato'gre navapallavAstadanu SaTpadakokilakUjitamiti yathAkramaM madhurAtrirabhUdityanvaye, kusumajanmato'gre pallavakAraNaM kusumaM na sambhavatIti hetoraparaM kokilAnAM kaijitaM bhramarANAM guJjitamityuktaM ca kavikalpalatAyAm - guJjAro milindAnAM hepA heSA ca vAjinAm / kekA syAt kekinAM vANiH kokilAnAM tu kUjitam // 28 // sambhavasthA nibandho'pi nibandho'pyasataH kacit / niyamaca vizeSeNa kavInAM varNanaM tridhA / / 29 // iti kavirUDhaniyamatayA dvandvAntapadasya pratyekaM sambandhAdubhayorvyadhikaraNAditi samudAyArthazUnyatvAdapArthadoSaH / 96. ) vyasta sambandhaM yathA - - padAnAM vyastatA yatra vyastasambandha ucyate / zambhoderyAcchivaM mahyaM padapadmaM jagadguroH // 30 // anyaca candrazekharasya kAvyakutUhale - ambaramambuni patramarAtiH pItamahInagaNasya dadAha / yasya vadhUstanayaM gRhamabjA pAtu sa vo haralocanavahniH // 31 // atrAnvayipadAnAM viparyAsAd vyasta sambandhadoSaH / 4 vANi koki.. [25-11] 1 dezAM. 2 kujitaM. 3 kujitaM. 7 kAvyahale. 5 kujitaM. 6 deyAt zivaM.

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[ 32-40 ] kirAtArjunIye [ 9.31] - gandhamuddhatarajaHkaNavAhI vikSipan vikasatAM kumudAnAm / AdudhAva parilInavihaGgA yAminImarudapAM vanarAjIH // 32 // atrApAmiti vyastapadaprayogAd vyastasambandhadoSaH / 97. ) zliSTaM yathA - padAnyanvayavadyatra zliSTAni zliSTamucyate / ahaM vibhUtaye zAntaM pArvatIramaNaM bhaje // 33 // anyacca bhavabhUteH sAhityaratnAkare - vAkyadoSAH / kodaNDasannaddhazilImukho'yaM kSitIzvaraH zrIvijayasya hetoH / sAmantavIradhvanikIrNajanyaM prabuddhapaJcAsya ivAviveza // 34 // atrAnvayavatpadAnAM viracanatvAt zliSTadoSaH / tathA mammaTaH [ kAvyaprakAze 1.1] kAvyaM yazase'rthakRte vyavahAravide zivetarakSataye / sadyaH paranirvRtaye kAntAsaMmitatayopadezayuje // 35 // atrApyanvayavat padAnAM viracanatvAt zliSTadoSaH / raghuvaMze [ 5.36 ] brAhme muhUrteti / // 36 // 18. ) Agamavirodhi yathA - -- azAstramucyate vAkyaM tadAgamavirodhi ca / kRtAdhvaro'yaM bhUpAlaH kathaM svargaM prayAsyati // 37 // anyaca, kirAtArjunIye [ 1.44 ] atha kSamAmeva nirastavikramazvirAya paryeSi sukhasya sAdhanam / vihAya lakSmIpatilakSma kArmukaM jaTAdharaH san juhudhIha pAvakam // 38 // anna jaTAdharaH san pAvakaM jududhIti dhikkAravacanaM patireva vrataM yasyAstasyA na yogyamiti dharmazAstraviruddhatvAdAgamavirodhidoSaH || 99. ) yatibhraSTaM yathA - madhye nAmnazca viratiryatibhaGgaH sa ucyate / yathA zivamahaM karpUragauraM praNamAmi tam / / 39 / / anya, saGgItaratnAkare [ ] pulakita kucabhArabhUmadhyA taralasaroruhapatradIrghanetrA / kisalayatanuraGganA priyaM kausumanavamAlyabharA samAliliGga // 40 // 1 kirAtArjuniye. 2 vihaMgAgA yAminIdeg 3 dhiHkAra 4 saMgita ratnAkare.

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kvikaustubhH| [41-45] atra kausumanavamAlyabharetyatra caraNAntayatibhaGgAdhatibhraSTadoSaH / bhartRharau [ nItizatake 4] lameta sikatAsu tailamapi yatnataH pIDayan pivecca mRgatRSNikAsusalilaM pipAsArditaH / kadAcidapi paryaTazazaviSANamAsAdaye natu pratiniviSTamUrkhajanacittamArAdhayet // 41 // atra prathamacaturthacaraNayoryatibhaGge, chandoratnAvalyAm - sakhe yadi ca paSThakaM tadanu cASTakaM dvAdazaM dvitIyamapi yatra vA guru ca SoDazAdyAntyagau / caturdazamatha kramAt sakalabhAgyavArAM nidhe zrutidvayasarIsRpairviratiraGga pRthvI matA // 42 // atra pRthvIchandasi zrutidvayasarIsRpairaSTanavabhirakSarairyatiriti vyAkhyAyAM satyA, sikatAsu tailamityatra pratiniviSTamUrkhajanacittamityatra yativicchedAdhatibhraSTadoSaH / 610.) nyUnapadaM yathA padasya hInatA yatra vAkyaM nyUnapadaM matam / santuSTaH kamalAnAthaH pApinAM muktimAdadau // 43 // pApinAmatrApipadaM nyUnam / anyacca, kavimaNDanasya RtupaJcAzikAyAm - guJjantaH kila mukuleSu mattabhRGgAH saMyAte smaranRpatau siteSu rejuH / merINAM prasavitapATale nidAghe kurvanto jayaninadAniva prahRSTAH // 44 // atra mattabhRGgA mukuleSu rejurityanvaye mukuleNvityatra pUrva mAlatInAmiti hiinpdoNddhetonyuuNnpddossH| raghuvaMze [ 2.8] latApratAnothitaiH sa kezairadhijyadhanvA vicacAra dAvam / rakSApadezAdguruhomadhenorvanyAn vineSyanniva duSTasattvAn // 45 // atra kezairupalakSyamANa ityanyapadanikSepAnnyUnapadadoSaH / 1 pIDayet. 2 paryaTan za'. 3 mAsAdayannatu. 4 vichedA. 5 ddhetonyuna 6 dopaH.

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[46-52] vaakydossaaH| 611.) ekArtha yathA paThanaM paThitAnAM ca zabdArthAnAM punaH punH| avizeSeNa bhaNanaM tadekArtha mataM yathA // 46 // meghA varSAsu garjanti garjanti jaladAstathA / garjanti vArivAhAste garjanti ca balAhakAH // 47 // anyacca, raghuvaMze [ 2.12] sa kIcakairmArutapUrNarandhaiH kUjadbhirApAditavaMzakRtyam / zuzrAva kujeSu yazaH svamuccairudgIyamAnaM vanadevatAbhiH // 48 // atra vanadevatAbhiH kIcakairudgIyamAnaM yazaH zuzrAvetyanvaye, veNavaH kIcakAste syurye khanantyaniloddhatA iti [amarakoSe 2. 1. 162 ] kIcakapadenaiva vAkye* caritArthe sati mArutapUrNaranbraistathA ca kUjadbhiriti punaH punaravizeSeNa vishessnndvyopaadaantvaadekaarthdossH| tathA ca [ raghuvaMze 3.17] nivAtapastimitena cakSuSA nRpasya kAntaM pibataH sutAnanam / mahodadheH pUra ivendudarzanA guruH praharSaH prababhUva cAtmani // 49 // atrAtmani guruH praharSaH prababhUveti vyAhRte sati harSaH prababhUveti vAkyArthaparipUrtI punaH punaravizeSeNa gurUpasargavizeSaNadvayopAdAnahetorekArthadoSaH / 612.) vyathaM yathA ekavAkye prabandhe vA pUrvAt pUrvAt parAhatam / viruddhArthatayA vyartha vAkyaM vAkyavido yathA // 50 // nirjitA ripavo yena jitaM yena mahItalam / ko dadhet samare khar3a ko vIro raNamicchati // 51 // anyacca, mayUrakaveH kAvyamaNDane - sarpiH zatruyazo havI ripugaNAstIkSNoH zarA barhiSaH __ khaDgAzcArusrucaH pratApadahanaH pratyarthimukhyaH pshuH| senezAH kuzalarvijaH kSitipate zrIvIrasena prabho hotRtvaM parikalpya saGgaramakhe devAstvayA tarpitAH // 52 // 1 vAkyacaritArthe. 2 prababhuva. 3 degmichati. 4 tIkSNaH. 5 sUcaH,

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kavikaustubhaH / [54-60] atra pUrvAt pUrvAt parAhatArthasambandhAt pazuvadhe zastravaiyarthyAdata eva parAkramahInatvAJca vyarthadoSaH / mAghe [zizupAlavadhe 1.3] cayastviSAmiti [ // 53 // ] / atra pUrvAt pUrvAt parAhatasambandhAd vyarthadoSaH // 6 13.) rItibhraSTaM yathA samAsA cAsamAsA ca gauDI vaidarbhikA kramAt / ekapadye dvayaM yatra rItibhraSTaM budhA viduH // 54 // pratAparAjadvasudhAdhinAthakirITasaMghRSTapadAravindaH / zazAsa rAmo vasudhAM samagrAM cirantano dAzarathiH pratApAt // 55 // anyaJca, kumArasambhave [ 6.46] santAnakatarucchAyAsuptavidyAdharAdhvagam / yasya copavanaM bAhyaM gandhavadgandhamAdanam // 56 // raghuvaMze [ 10.60 ] guptaM dadRzurAtmAnaM sarvAH svameSu vaamnaiH| jalajAsigadAzArGgacakralAJchitamUrtibhiH // 57 // tathA ca [ raghuvaMze 4.77 ] - tatra janyaM raghora pArvatIyairgaNairabhUt / nArAcakSepaNIyAzmaniSpeSotpatitAnalam // 58 // atra pUrvArdhe padaikatvAduttarArdhe bhinnapadatvAt , kacitpUrvArdhe bhinnapadatvAduttarArdhe padaikatvAcca gauDIvaidarbhAvyabhicAreNa rItiparibhraSTadoSaH / 614.) avasthAvirodhi yathA varSyAvasthAvihInaM yattadavasthAvirodhi ca / kalamA narmadAtoye krIDanti madadarpitAH // 59 // anyaJca, raghuvaMze [ 2.10] marutprayuktAzca marutsakhAbhaM tamayamArAdabhivartamAnam / avAkiran bAlalatAH prasUnairAcAralAjairiva paurakanyAH // 6 // atrai bAlalatAH prasUnaistamavAkirannityatra bAlyAvasthAyAM kusumaabhaavaadvsthaaviruddhdossH| 1 samAsA samAsA ca. 2 taru chAyA. 3 pArvatiyairgaNaiH. 4 The sentence anna bAlalatA:... doSaH is misplaced in the Ms. It is found written after mugdhAsvahetoravasthAvirobhidoSaH / below.

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[ 61-68 ] madanakaveH zRGgArakaumudyAm - kucakora kaguptisAdarA navavoDhA na parti tirazcakAra / bhayamIlitalocanA bhRzaM karapaGkeruhabaddha -- // 61 // -V atra kucakorakaguptisAdareti varNane, navoDhAyAH kucavarNanaM na saMbhavati / uktaM ca rasamaJjaryaM [ zlokaH 8 ] daramukuliteti [ // 62 // ] / atra karakalitakucasthalaM na tu kucAviti nidarzanAnnavoDhAyAH kucayorabhAve prApte [ rasamaJjaryaM 7 me pRSThe ] 'tatrAGkuritayauvanA mugdhA' iti lakSaNAdatra mugdhAtvahetoravasthA - " virodhidoSaH / (15.) dravyabhedakaM yathA - vAkyadoSAH / virodhitA bhavedyatra dravyANAM zizirAdinAm / dravyabhedaM prazaMsanti doSaM doSavido yathA // 63 // divAkarakarAH zItAH zaraccandrakarA iva / veriva virAjante dharmAzca zazikAntayaH // 64 // anyacca, varAhamihirasya zRGgArataraGgiNyAmpIpaM purupale ca candrakAnte nikSiptaM vidhukiraNairbhRzaM cakorAH / premNA te capalatayA ca pAtra kalpe dharmAzostaruNakarairghanIkRtaM ca // 65 // atra cakorA dharmAMzostaruNakarairghanIkRtamamRtaM papurityanvaye taruNakiraNairityucyamAne zItoSNadravyayoryugapatprApterabhAvAddravyamedadoSaH / 16. ) dezavirodha yathA - yasmina deze viruddhaM yadvarNanaM kriyate ca tat / alaGkAravidA tatra proktaM dezavirodhikam / / 66 / / vahanti nimnagA nityaM pravAhaizva marusthale / madotkaTA gajA bhAnti malayAdrau nirantaram // 67 // anyacca dhanaJjayasya kAmapradIpe - ghanatara navavindhyakAnanAlIkusumamarudratikhinnakinnarINAm / zramamaharadayan vilAsinInAM sulalitacandanapallaveSu bhinnaH // 68 // The Ms. shows a lacuna here; space for four syllables is left blank 2 atra cakoraka'. kavi 0 2

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kavikaustubhaH / [ 69-75] atra sulalitacandanapallaveSu minno marudityukte vindhyAdau candanA na varNanIyA malayAdvAvevetyuktaM ca - 10 kAmboje vAjinacaiva vindhyAdrau dantinastathA / bhUrjatvaco himAdrau ca candanaM malaye girau' // 69 // iti kavirUDhaniyamaparAvRtyA dezaviruddhadoSaH / (17.) kalAviruddhaM yathA catuHSaSTikalA svitthaM virodho varNyate yadA / kalAvirodhi tajjJeyaM varjitaM rasasaGgrahe // 70 // vIrazRGgArayorbhAva sthAyinau krodhavismayau / karuNAhAsyayozcaiva ratibhIMtI smRtau yathA // 71 // anyacca, rasamaJjaryAM [ zlokaH 3 ] - gatAgatakutUhalaM nayanayorapAGgAvadhi smitaM kulanata avAmadhara eva vizrAmyati / vacaH priyatamazruteratithireva kopakramaH kadAcidapi cettadA manasi kevalaM majati / / 72 / / atra kulanatabhruvAM vacaH priyatamazruteratithireva jAyate'tra tamamprahaNenaiko nyUnasneho - yo'dhika snehaH kAnta iti prAptau parakIyAtvahetoH kalAviruddhadoSaH / 18.) nyAyaviruddhaM yathA nItyA virodhi yadvAkyaM tat tu nyAyavirodhi ca / vivekanyAyasaMpannaH pitaraM hanti cAtmajaH // 73 // prabodhacandrodaye [ 2.9]nAsmAkaM jananI tathojvalakulA sacchrotriyANAM puna yUDhA kAcana kanyakA khalu mayA tenAsmi tAtAdhikaH / ascchAlaka mitra mAtulasutA mithyAbhizaptA tata statsambandhavazAnmayA svagRhiNI preyasyapi projjhitA // 74 // atrAsmAkaM jananI ujvalakulA na mayA punaH zrotriyANAM kanyakA UDheti hetorahaM tAdhika iti vyAhRte tarhi uktaM ca hemAdrau [ ] mAtRpitRsamaM bhUmau daivataM naiva vidyate / sevane tasya pUjyasya kalpAnto'pi kalAyate // 75 // anyacca, -- 1 girAviti kavirUDha'. 2 asmat zAlaka'. 3 projhitA. 4 punaH cchrotriyANAM 5 tatAdhika.

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[76-82] vaakydossaaH| tathA ca patito'pi pitA tyAjyo mAtA naiva kadAcana / garbhadhAraNapoSAbhyAM tena mAtA garIyasI // 76 // iti dharmanItiparAvRtyA nyAyaviruddhadoSaH / 615.) kAlaviruddhaM yathA - yatra kAlocitaM varNyavarNanaM na bhavedyadi / vadanti vibudhAstatra tattatkAlavirodhi ca // 77 // zizire kokilArAvo hemante zikhinAM svnH| varSAsu kalahaMsAzca vasante mAlatI yathA // 78 // anyaJca, dhanaJjayakaveH zRGgAramacaryAm - lalitataranikuJjakekinAdo vilasati zAradacandrarazmijAle / sapadi samaharat sa sUryavadhvAH kaluSitacittamaho hi mAninInAm // 79 // atra kekinAdaH zAradacandrarazmijAle vilasati sati mAninInAM kaluSitacittaM samaharadisyanvaye zaradvarNane kekino na varNanIyAH / uktaM ca saptacchaMdataruhaMsAH paTutvaM sUryacandrayoH / jalAcchatA zvetaghanA mayUrANAM madAtyayaH // 80 // ete padArthAH zaradi varNanIyA ityukte mayUrANAM madAtyaye sati kuto nAdaprasaGga iti hetoH kaalviruddhdossH| raghuvaMze [ 5.1 ]-tamadhvareti // 81 // ___ atra vizvajiti adhvare niHzeSavizrANitakoSajAtamityatra vizvaM jitavAn yasminnasau vizvajit tasminnadhvare niHzeSaM vizrANitaM kozajAtaM yena tamiti vyAkhyAyAM tarhi jayavizrANanayorekakAlAbhAvAt kAlaviruddhadoSaH / 616.) hetuviruddhaM yathA hetuvyastatayAbhAvAjjJeyaM hetuvirodhi ca / jagAma tarasA patrI vAhinIM prati zAtravIm / / 82 // 1 garIyasIti. 2 saptachada. 3 jalAchatA. 4 zjJeyaM.

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kvikaustubhH| [83-8.] anyacca, raghuvaMze [ 3.8] dineSu gacchatsu nitAntapIvaraM ___tadIyamAnIlamukhaM stanadvayam / tirazcakAra bhramarAvalIDhayoH sujAtayoH paGkajakozayoH zriyam // 83 // atra tadIyaM stanadvayaM paGkajakozayoH zriyaM tirazvakAretyanvaye tarhi paGkajakAraNaM kozaH sambhavati na tu kozakAraNaM paGkajaM cedvikAsAdanantaraM kozotpattistarhi paryuSite bhramarA na sambhavantIti hetuvaiparItyAddhetuvirodhidoSaH / tathA ca [ raghuvaMze 5.72 ] - zayyAM jahatyubhayapakSavinItanidrA stamberamA mukharazRGkhalakarSiNaste / yeSAM vibhAnti taruNAruNarAgayogA dbhinnAdrigarikataTA iva dantakozAH // 84 // atra mukharazRGkhalakarSiNaste stamberamAH zayyAM jahatItyanvaye mukharazRGkhalakarSiNa ityatra karmadhArayasamAse kRte mukharatvakAraNaM karSaNaM na tu kevalazRGkhale mukharatvamiti hetuvyastatvAddhetutirodhidoSaH / '617.) khaNDitaM yathA anyavAkyapravezena yadyastaM khaNDitaM yathA / janArdanaH zivaM dadyAdbhAtA yasya halAyudhaH // 85 // anyacca, kirAtArjunIye [5.39] utphullasthalanalinIvanAdamuSmA dudbhUtaH sarasijasambhavaH parAgaH / vAtyAbhirviyati vivartitaH samantA dAdhatte kanakamayAtapatralakSmIm // 86 // atra sarasijasambhavaH parAgaH kanakamayAtapatralakSmImAdhatta ityanvaye sati kIdRzaH parAgo'muSmAt sthalanalinIvanAdudbhUta ityanyavAkyapravezena vicchinnatvAt khaNDitadoSaH / raghuvaMze [ 4.21] prasasAdodayAdambhaH kumbhyonermhaujsH| * raghoH paribhavAzati cukSubhe dviSatAM manaH // 87 / / atraikaprabandhe kumbhayonerudayAdambhaH prasasAdetyanvaye sati raghoH paribhavAzakti dviSatAM manazvuTuMbha ityanyavAkyapravezena 'vicchinnatvAt khaNDitadoSaH / 1 gachatsu. 2 yadyastaM. 3 ragho pari. 4 manazrukSabha. 5 vichinnasvArakhaM.

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[89-93] vaakydossaaH| ...118.) adhipadaM yathA caritArthe prayuktaM yat padaM cAdhipadaM matam / yathA sA naH zivaM dadyAt pArvatI patikAminI // 88 // anyacca, kirAtArjunIye [ 16.8] rathAGgasaGkrIDitamazvaheSA bRMhanti mattadvipabaMhitAni / saGgharSayogAdiva mUcchitAni hArda nigRhNanti na dundubhInAm // 89 // atra saGgharSayogAnmUrchitAni rathAGgasaGkrIDitAzvaheSAmattadvipabaMhitAni zrutvA dundubhInAM "hAdaM na nigRhanti yoddhAra iti zeSa ityanvaye'zvamattadvipayorvaiyyarthyam / uktaM ca kavikalpalatAyAM siJjitaM bhUSaNArAve gajAnAM hitaM matam / guJjAravo milindAnAM hepA hepA ca vAjinAm // 9 // iti kavirUDhaniyamAt padadvaya'sya vyarthatayA iva-zabdasyApi prayojanahInatvAdadhipadadoSaH raghuvaMze [6.22] kAmaM nRpAH santi sahasrazo'nye rAjanvatImAhuranena bhUmim / nakSatratArAgrahasaGkulApi jyotiSmatI candramasaiva rAtriH // 91 // atra rAtrirnakSatratArAgrahasaGkulApi candramasaiva jyotiSmatIva vartata ityanvaye nakSatrANi ca tArAzca mahAzcetyupAdAne tArA-zabdasya vaiyyAdadhipadadoSaH / anyacca, ziromaNivyAkhyAyAM [ zlokaH 2] ziromaNibhaTTAcAryaH - adhyayanabhAvanAbhyAM sAraM nirNIya sakalatatrANAm / dIdhitimadhi cintAmaNi tanute tArkikaziromaNiH zrImAn // 92 // atra cintAmaNau dIdhitivyAkhyAM tanuta ityanvaye vAkyacaritArthatvAt zrImAn-padasya vaiyarthyAdadhipadadoSaH / anyacca, kAvyaprakAzakRnmammaTaH [ 1.1] - kAvyaM yazase'rthakRte vyavahAravide zivatarakSataye / [saMdyaH paranirvRtaye ] kAntAsammitatayopadezayuje // 93 // mUrchikAni. 2 hAdaM. 3 mUrchitAni. 4 lhAdaM. 5 bRhitaM. 6 haSA heSA 'ca, 7 rAcinAmiti. 8 padadvayorvyartha. 9 sadyaH paranirvRtaye-these words are omitted in the Ms.

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14 kavikaustubhaH / [ 94-98 ] atra kAvyaM yazasa ityAdyanvaye kRte zivetarakSataya ityatra itarakSati - zabdavaiyarthyAdadhi padadoSaH / 19. ) hInopamaM yathA - upameyena sAdRzyamupamAnasya varNyate / paragAmitvahetostadvAkyaM hInopamaM viduH // 94 // samudramekhalAM pRthvIM vazIkartu kSamaM tava / sAmantavandanIyA rAjate bhujapaGkajam / / 95 / / anyacca, sAradryAm [ =vivAhapaTale 1 maH zlokaH ] - surAsurairvanditapAdapadmaM zivAtmajaM bhaktajanasya zaMdam / taM vighnarAjaM praNato'smi nityaM vAgIzvarIM devaguruM zivaM ca // 96 // atra surAsurairvanditapAdapadmaM taM vighnarAjaM praNato'smItyanvaye pAdapadmamityatropameyenopamAnasAdRzyAdata eva paragAmitve sati kevalaM padmasyaiva natiriti vyajyata iti hetorhInomadoSaH / // iti vAkyadoSAH // [ 2. atha padadoSAH / ] (1.) saGketa praktArthaM yathA - svasaGketa praklRptArtha khajJeyaM vakti yat padam / kudhajinnIlatejobhidyetante zailabhUmayaH // 97 // anyacca, kirAtArjunIye [ 1.40] anArataM yau maNipIThazAyinAvaraJjayadrAjaziraHsrajAM rajaH / "niSIdatastau caraNau vaneSu te mRgadvijAlUnaeNzikheSu barhiSAm / / 98 / / atra rAjaziraHsrajAM rajo maNipIThazAyinau 'yau te caraNAvanAratamaraJjayat tau te caraNAvidAnIM mRgadvijAnazikheSu barhiSAM vaneSu niSIdata ityanvaye maNipIThazAyinAvityatra zayAte to zAyinAviti zI - dhAtorarthapratipAdakatve sati kavinA khasaGketapraklRptatayA svArtha parityajya vartamAnArthatvanikSepAt svasaGketapraklRptArthadoSaH / 1 devaguru. 2 sati kevalaM. 3 dyotate. 4 niSidatastai 5 dvijAlunadeg 6 zAmiNau. 7 DijAluna

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[99-104] pddossaaH| anyacca, mAdhakAvye [ zizupAlavadhe 4.26 ] ekatra sphaTikataTAMzubhinnanIrA nIlAzmadyutibhidurAmbhaso'paratra / kAlindIjalajanitazriyaH zrayante vaidagdhImiha saritaH suraapgaayaaH||99 // atra vaidagdhImityatra kavinA khasaGketapraklRptatayA mukhyArtha parityajyAnyacchobhASa padaM parikalpya yojitamiti hetoH khasaGketapraklaptArthadoSaH / . kaGkaNakave paJcAzikAyAm - sindhusanupatermitraM tasyAyudhapatizca yaH / tasya kanyAsakhIkhecchaM bhAti te kIrtimaNDalam // 10 // te kIrtimaNDalaM bhAti; kIdRzaM ? sindhusUnuzcandrastatpatiH zambhustanmitraM viSNustasyAyudhaM pagraM tatpatiH sUryastatkanyA yamunA tasyAH sakhI gaGgA tadvat khacchamityatra kaveH khajJeyapadanikSepAt khasaGketapraklaptArthadoSaH / 62.) aprasiddhaM yathA prasiddhArthatayA hInamaprasiddha smRtaM budhaiH / zaraccandranibhAM gaGgAM jaghAna munisattamaH // 101 // __ atra kaThorazabdaprayogeNa karNayorduHsahatvAcchutikaTudoSaH / / anyacca, kuTumbakaveH prastAvaprabandhe dadhAti candraH kiraNaizcakorAn kSudhArditAn hanti tamaH pyodheH| karoti vRddhi jalajaprakAzaM satAM hi puMsAM prakRtihitAya // 102 // atra candraH kiraNaiH kSudhArditAzcakorAn dadhAti poSaNaM karotIti prakRtyarthe sati DudhAJ dhAraNapoSaNayorayaM dhAturdhAraNArthaH prasiddho bhavati, tatparAvRttihetoraprasiddhadoSaH / 33.) alakSaNaM yathA viruddhaM zabdazAstreNa vijJeyaM tadalakSaNam / saptadvIpAM yathA cAsau dharaNimavate nRpaH // 103 // anyacca, kirAtArjunIye [ 9.8] AkulazcalapatatrikulAnAmAravairanuditauSasarAgaH / AyayAvaharidazvavipANDustulyatAM dinamukhena dinaantH|| 104 // ... bhiyaM. 2 'svachaM. 3 degrditAn cakorAt. dhAraNapoSaNa.

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kvikaustubhH| [105-109] atrAnuditauSasarAgo dinAnto dinamukhena tulyatAmAyayAvisyanvaye'nuditauSasarAga ityatra, kAlAThThaJ [ pANineH, aSTAdhyAyyAM 4.3.11 ], Thasyeka [ pANineH aSTAdhyAyyAM 7.3.50 ] itya-niSedhakavizeSasUtradvayasyopAdAnAdauSasika iti siddhaM ttpraavRttihetorlkssnndossH| kirAtArjunIye [ 13.59]mArgaNairatha tava prayojanaM nAthase kimu patiM na bhUbhRtaH / tvadvidhaM suhRdametya sorthinaM kiM na yacchati vijitya medinIm // 105 // he dhanurdhara mArgaNaistava prayojanaM tarhi tvaidvidhaM suhRdaM bhUbhRtaH patimetya kimu na nAthase ityanvaye nAthase'tra, nAthU yAJcopatApaizvaryAzIHSvayaM dhAtuH, [ tasya ] parasmaipadadhAtugaNapaThanAt parasmaipadameva siddhaM tatparAvRtyAtmanepadaprayogAdalakSaNadoSaH / rasamajAm [ zlokaH 1] AtmIyaM caraNaM dadhAti purato nimnonnatAyAM bhuvi svIyenaiva kareNa kaSeti taroH puSpaM shrmaashngkyaa| talpe kiJca mRgatvacA viracite nidrAti bhAgairnijai rantaHpremabharAlasAM priyatamAmaGge dadhAno haraH // 106 // atra haraH ninonnatAyAM bhuvi purataH AtmIyaM caraNaM dadhAtItyanvaye purata ityatrApravAcakAt, na tu nagaravAcakAt 'paJcamyAstasil' [pANineH, aSTAdhyAyyAM 5.3.7] ityanena, purastAt siddhatvAt purata iti vaktumazakyatvAdalakSaNadoSaH / tadvat kumAre [5.70] iyaM ca te'nyA purato viDambanA yadRDhayA vAraNarAjahAryayA / vilokya vRddhokSamadhiSThitaM tvayA mahAjanaH smaramukho bhaviSyati // 107 // tatrApi [ kumArasaMbhave 6.81] praNamya zitikaNThAya vibudhAstadanantaram / ___ caraNau raJjayantvasyAzcaDAmaNimarIcibhiH // 108 // atra lyabyoge dvitIyApekSAyAM tatparAvRttihetoralakSaNedoSaH / 64.) agauravaM yathA arthagauravahInaM yat tadagauravamucyate / pratApo rAjate rAjan dIpavat te mahItale // 109 // 1 kAlATuk Thasyeka ityaNa . 2 yati. 3 tadvidhaM. 4 rajayaMtokhA. 5 lakSaNaM doSaH -

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.110-116] pddossaaH| anyacca, raghuvaMze [ 3.55] hareH kumAro'pi kumAravikramaH suradvipAsphAlanakarkazAGgulau / bhuje zacIpatralatAkriyocite svanAmacihna' nicakhAna sAyakam // 110 // atra kumAro'pi suradvipAsphAlanakarkazAGgulau hare je khanAmacihnasAyakaM nicakhAnetyanvaye suradvipAsphAlanakarkazAGgulAvityatra surANAM dvipastarhi sarveSAM vAhanaM' sambhavati, surasya indrasya dvipastahi prakRte hari-zabdasyopAdAnaM vartate tarhi ythaakthnycidrthgaurvhiinvaadgaurvdossH| 65.) zrutikaTu yathA - duHsahaM karNayoryacca padaM zrutikaTu smRtam / sraSTrA vinirmitA kroSTrI garhitAcaritA janaiH // 111 // anyacca, lallamuhUrtasAre - mArtaNDarazmivRndAbhaM vetaNDakalavaktrakam / bhargaDimbhaM tamIDe'haM viSTapatrayabhUSaNam // 112 // atra kaThora-zabdaprayogeNa karNayorduHsahatvAcchRtikaTudoSaH / [anyacca ] - adabhrAbhramusauhArdanigaDenaM niyatritaH / yatrA drAgdrAvito dantI babhUva prematatparaH // 113 // atra kaThorazabdaprayogeNa karNayorduHsahatvAcchutikaTudoSaH / 66.) punaruktiryathA punaruktiH padaM yatra caritArtha niyojitam / bhAti prAgdizi pUrNo'sau rajanIzo nizApatiH // 114 // anyacca, raghuvaMze [ 1.64 ] - tvayevaM cintyamAnasya guruNA brahmayoninA / sAnubandhAH kathaM na syuH sampado me nirApadaH // 115 // atra sampada ityucyamAne nirApada iti punaruktatvahetoH punaruktidoSaH / bhavabhUteH sAhityaratnAkare - sudati vada suvAcaM muzca vAcaMyamatvaM praNayini mayi kopaM kiGkare kiM karoSi / yadi bata tava citte sAparAdho'smi bAle nijabhujayugavallayA bandhanaM me vidhehi // 116 // cinhaM. 2 degcinha. 3 vAhanaM na saMbhavati. 4 prakRto. 5 zRtikaTu. 6 saSTrA. 7 caritAjaniH. 8 tamiDe. 9 degcchati'. 10 nigaDema. 1. taptara. 12 vAcAyamasvaM. kavi03

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18 kavikaustubhaH / [114-192 ' atra he sudati suvAcaM vadelyanvaye vAkyArthaparipUrtI satyAM punarvAcaMyamatvaM muzceti padatrayapaiThanAt punaruktidoSaH / 67.) asaMmataM yathA asaMmataM yathA sArtha zAstrAntaravirodhi ca / rAjate bhavanaM bhUpa mahIrahamarIcibhiH // 117 // anyacca, raghuvaMze [ 3.30 ] dhiyaH samagraiH sa guNairudAradhIH krmaactsrshcturrnnvopmaaH| tatAra vidyAH pavanAtipAtibhi dizo haridbhiharitAmivezvaraH // 118 // atra sa raghuH dhiyaH samaprairguNaiH kramAccatasro vidyAstatAretyanvaye dhiyo guNairityatra buddheraudAryadhairyagAmbhIryazauryezvaryodyamAdibhirguNaiH kRtvA vidyAstatAra iti sArtha sat zAstrAntaravirodhamAha / dhiyaH caturviMzatiguNeSvantarbhAvatvaM bhavati tarhi guNasya guNa iti vaktumazakyatvAditi nyAyavirodhastasmAcchAstrAntaraviruddhatvAdasaMmatadoSaH / 68.) vyAhatArtha yathA iSTArtha bAdhakArtha yatprApnoti vyAhatArthakam / pratApena mahIM zAsti nayena vasudhAdhipaH // 119 // anyacca, naiSadhe [ 2.63]-.. tava vartmani vartatAM zivaM punarastu tvaritaM samAgamaH / api sAdhaya sAdhayepsitaM smaraNIyAH samaye vayaM vayaH // 120 // bho vayastava varmani zivaM vartatAmityanvaya itISTArthe sati bAdhakArthamAha, bho vayaH zivaM tava vama nivartatAmiti bAdhakArthaspaSTIkaraNatvAd vyAhatArthadoSaH / 69.) grAmyaM yathA - yatra yatra na yuktaM yat tatra grAmyaM smRtaM padam / rAmA kaTAkSavANena nirjaghAna priyaM yathA // 121 // anyacca, kuvalayAnande [ zlokaH 6 ] upamA yatra sAdRzyalakSmIrullasati dvayoH / haMsIva kRSNa te kIrtiH khargaGgAmavagAhate // 122 // - yatra dvayoH saudRzyalakSmIrullasati sA upamA / atra sAdRzyalakSmIH zobhA ullasati 1 paripUrti satyA. 2 vAcAyamasvaM. 3 traya papaThanAt. 5-5-6 sAdazya.

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123-126 ] padadoSAH / zobhate tarhi zobhAyAH zobhA iti vaktumazakyatvAdvartamAnAbhikAGkSAparAvRsyA'yuktapada nikSepAda prAmyapadadoSaH / amyaca, kirAtArjunIye [ 1.33] - avandhyakopasya viharturApadAM bhavanti vazyAH svayameva dehinaH / amarSazUnyena' janasya jantunA na jItahArdena ca vidviSA daraH / / 123 / / atra jantu - padenAmarSazUnyatvaM samAyAtameva tarhi jAtahArdatvaM vidviSatvaM tatra na sambhavatIkSyayuktapadaprayogeNa grAmyapadadoSaH / // iti padadoSAH // OM atyuktau ca samasyAyAM kvaciddoSo na jAyate / kAryAntare prapane hi viSamapyamRtAyate // 124 // doSairazeSai rahitaM samantAdalakriyAbhaGgi manobhirAmam / loke ciraM tiSThati tasya kAvyaM kAvyajJazikSAvihitaM yadi syAt / / 125 / / raghunAtha mukhAravindato vigalatpadyalasanmaNisrajA / iti tadracayantu sundaraM kila kaNThAbharaNaM vipazcitaH // 126 // iti zrIkavikaustubhe mahAkAvye' kavikulAvataMsa manoharopanAmaka kRSNapaNDitasunuzrImadbhimbhaTTarizrImadraghunAthapaiNDitakRtI' dUSaNakathanaM nAma dvitIyaM ratnam / --- 1 zunyena. 2 tahAna. following remark about its ownership 19 pustakamidaM khANDeka ropanAmaka - ApAjIpantAtmaja - raghunAthanAmnaH satyaM zrImatpuNyastambakSetre likhApitam || zrIlakSmIvAsudevArpaNamastu // 3. kAvya. 4 'pati'. 5 The Ms. bears the

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NOTES (The Roman figures refer to the numbers of the stanzas. 1., line). 1. The reading of the Ms. 'rUpAntsamAsataH is also correct, according to P. VIII. 3. 32 nazca (nakArAntAtsasya dhuDDA / santsaH sansaH / siddhAntakaumudI). But as such forms with << inserted between the final and the initial & are not generally found in printed texts, the more usual form is adopted in this text also. samAsataH, in brief. zalparUpAn, which are of the nature of darts, i. e. which come in the way of full appreciation and enjoyment of poetical compositions (kAvyaprabandha). pUrvAcAryaH pradarzitAn doSAn , though the author says here that he will state and illustrate the pages which are already pointed out by earlier writers in the field, it does not appear that he is indebted to any one author in particular, though he imitates the wording of some in framing the definitions of a few 198. For the most part, his treatment is indepen. dent as regards the definitions and the selection of illustratiyeistanzas, 2-4. These three Karikas enumerate the 23 6 98 or the flaws which characterise a sentence as a whole. chandobhraSTam etc., these words are adjectives qualifying vAkyaM understood. zliSTAgamavirodhi, (liSTaM ca Agamavirodhi ca) this expression denotes two faults free and smartfer and as such the compound should have been an itaretaradvanda (i.e. zliSTAgamarodhinI). But by relying on the option allowed by the rule sarvo dvandvaH vibhASayaikavadbhavati (paribhASenduzekhara, 34) which is in neuter gender by sa napuMsakam (pA. 2. 4. 17) zliSTAgamabirodhi is used meterca causc. rItiparibhraSTaM rIti bhraSTaM is stz. 54 below. avasthAdravyabhedakam , avasthAbhedakaM dravyabhedakaM ca. avasthAbhedakaM = ava sthAvirodhi in stz. 59 below. For the compound avasthAdravyabhedakaM see note on ziSTAgamavirodhi above. dezakalA etc., in this expression five flaws are enumerated : dezavirodhikam , kalAvirodhikam , nyAyavirodhikam , kAlavirodhikam and hetuvirodhikam. virodhikam occurring at the end of the dvandva compound deza-kalA nyAya kAla hetavaH being construed with each member of the compound by the rule dvandvAnte bhUyamANaM padaM pratyekaM sambadhyate. khaNDitAdhipade, khaNDitaM ca adhipadaM ca. 5-6. The nine flaws which characterise a particular word (pada) only in a sentence are listed in the Karikas bb and 6. svasavetapraklaptArtha etc., here also these words with the exception of gaafiti: are adjectives qualifying understood. It would have been better if we had garti in uniformity with other eight words instead of punaruktiH (noun) primarily meaning 'repetition' and then by lakSaNA, a flaw in a word characterised by repetition. For this list of padadoSa. raghanAtha seems to be indebted to vAgbhaTAladvAra 2.6-7a viz. anarthakaM zrutikaTu vyAhatArthamalakSaNam / svasaGketapraklaptArthamaprasiddhamasaMmatam // grAmyaM yacca prajAyeta padaM tanna prayujyate / Here vAgbhaTa has mentioned 8 padadoSas. But our author omits anarthaka and adds two more-agaurava and punarukti.

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NOTES 6.1. 2 Symmetry requires that we should have here tag either in place of siz...or after it. Construe-47 (zapada ] Hati ( *) 7 THE TECH. The 91226teatae occurs in a sentence (expressed in the form of a stanza ) only when one of its quarters is in a metre different from that of the rest in point of the number of syllables, or when there is great difference in their 4-scheme, even though the number of the syllables is the same. For a mixture of two glas having the same number af spilables and the same caesura (pa) is allowed and is called by the name startet. Cf. rei AlfaTiara Af I Hat Hafaza [i. e. Tysia] a17 israr khapi jagatyAdijAtidhvitthaM sAmAnyasaGkhyAkSaratvasamAnayatikatvAdiprakAreNa mizritAsvidamevopajAtinAma vRddhAH maranti / anthAntarebhyo jJAtvA vadantItyarthaH ityamityanena viSamavarNasaGkhyAnAM viSamayatikAnAM ca jAtInAM myAdInAM ca mizraNe upajAti ma nAstIti sUcitam / smarantItyanena ca kaviprayoge darzanAnurodhaH suucitH| TRUIAT B.? and Harry's Stat on the same. :.. Now, in the illustration, 775ml etc. there is grataeate as the Totscheme of navajaladharanibho is na, na, la, ga while of rAjate nandanandanaH isra, ra, la,ga, and thus, though the number of syllables is the same, there is great difference in the apo scheme of the two quarters. 7.1.1. dhAvukakaveH, Neither dhAvuka nor his work kAvyazekhara is mentioned in the CC. For the juxtaposition of an and outer see introduction p....... The footer of a (KSS. 56 ) does not contain this stanza or the name of dhAbuka. HTT, fight, battle, war. 3ofit, a barren, fruitless tree. (usually stemi) flower. The stanza seems to be a challange to his rival in battle by a warrior. Tr.- This your effort in war produced by your valour will not bear fruit like the blooming flower of a barren tree, for the acquisition of enjoyment (by you) while I (your rival) am superior to you and more powerful than you due to (my) prowess. U Here, the first, second and fourth quarters contain 12 syllables and are in 7 ( TEIRO , catarat 3. 46) while the third 'contains only 11 syllables and is in 507991 (54-77911 GTETT 1- taip, 3. 29) hence the fault chandobhraSTa. 8,1. 1. For atraret, see Introduction. 9. For the implication of hetua see Introduction. Bare quelqu:, highly intelligent (persons). fuqur is the usual form of the word. eftery is not recorded by MW. 10. As the words '45759gar affat make no sense they have been emended to 'mupendravajrAM nRpa to giranti. nRpa and giranti are used in this emendation as these very words occur in the definitions of 18 and rear in stzs. 9 and 12 respectively. 10, 1. 1. 27...577 Hez19:, these words explain how the givet occurs in stz. 8 above. 10, 1. 2. Fua, I have not been able to trace this stz. in the Turtar. But I have traced it with minor variations, in four other medical treatises vix (1) Ifa's ondas , a com, on the HLIFET4 ( N. S. edn. p. 629 where

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22 KAVIKAUSTUBHA it is quoted as from vaGgasene tRSNAdhikAre); (2) the cikitsAsArasaMgraha of vaGgasena (B. O. R. Institute Ms. no. 535 of 1892-1895, fol. 348. fa hETONE and FachrataAFE are the alternate titles of this work ). Here it occurs as the last stanza in ETHET fy which is a part of the JIGGESETT. Hence it is evident that thife's anga zoti fi is a reference to this very work. (3) 2017 (author not known. B. O. R. I. Ms. no. 1073 of 1886-1892, fol. 5a); (4) fratrem (AnSS vol. 4, p. 243). 11. But none of these four works, in spite of other variations, read fazemic in the second line. As given in our text the second line contains only 11 syllables in 302571 metre, whereas the remaining three lines contain 12 syllables, the first and the second line are in 181, and the fourth in FETT Now there occur's here the zalagat because of the unequal combination of three lines (a, e, d) in 12 syllables and one of 11 syllables (b), as shown under 7 above. But our author does not notice the discrepancy in the second line (perhaps he might have read prakalpayet as in the cikitsAsArasaMgraha, hemAdri's com. and fra, and fault is to be attributed to a scrible error ), and picks the t of chandobhraSTa as there is a mixture of vaMzastha (a,c) and indravaMzA (d), This however, is not reasonable. For, a combination of two metres having the same number of syllables and differing but slightly from each other is allowed in books on Prosody. cf. the acant quoted in notes on stz. 7 above. In fact, vaidyanAthazAstrI in his viSamasthala Tippana on the vRttaratnAkara KSS. p. 79, cites the stz. a: 59 etc. as an instance of 577ifa arising out of the mixture a 9851, the first three lines of which are in aer and the last in pear. 12. FTTETTE, Taft TT 946777 i. e. 10th and 12th syllables. The vRttaratnAkara 3.47 thus defines the indravaMzA - syAdindravaMzA tatajai rasaMyutaiH ( KSS. 55. p.78). phaNibhASitAM, declared by phaNin i. e. piGgala, " the supposed author of the Chandas or Treatise on Metre regarded as one of the Vedangas, identified by some with Patanjali, the author of the Mahabhasya". MW. p. 625. In the tallet of also fois referred to as FITTF or for at ( apcaiht, KSS. 55, pp. 29, 30). 13. The complete stz. runs as follows : tapena varSAH zaradA himAgamo vasantalakSmyA ziziraH sametya ca / prasUnakluptiM dadhataH sadartavaH puresya vAstavyakuTumbatAM yayuH // This stz. is in 5 metre. But strangely enough our author looks upon this as an instance of sathalu, for according to him in the third line the 197scheme would not be ja ta jara as required in vaMzastha, but ya ta jara as na in prasUna preceds a conjunct consonant viz. Fe But z being a vowel Faz cannot be called a conjunct (Fatar, SEOTT: : - 18.8.19). Perhaps here the author wants to display his minute knowledge of grammar; for acc. to T. 4..86 EHUT there is a portion of in Frey and as stated in the Mahabhasya vaNakadezagrahaNe varNagrahaNam, kla in klaptiM may be looked upon as a conjunct made up of and 2, and as such making the preceding a prosodically long. 13, I 3. fiaturengerata, (Hatari Terait) as a syllable preceding a conjunct (saMyoga) becomes metrically long. Acc. to saMyoge guru (saMyoge pare havaM gurusaMjhaM

Page #28
NOTRS 23 retra) gr. l. . 28. Cf. Fateo a gazia satraat - yeah (stz. 6) of ## (KSS, 55. p. 246 ) TU TATOTT TETT:, because the letter on which comes under 37-7707. (-) would fall under 7-770 (--) due to a being followed by a conjunct (viz. F). 14. f o467, a sentence in which the verb is not expressed, e. g. in zambhu sadAnandaM manasA [dhyAyAmi ] navaiH kusumaiH [arcayAmi] the verbs dhyAyAmi and arcayAmi or their equivalents are not expressed. As a verb is the most important part of a sentence, naturally the omission of the verb is looked upon as a defect. A 174 is thus defined : TETI Flantas qui arah - AREM on faqat 5. 20. This is the same as dit of #1977 ( BSS. 10 p. 309 ) which is FECT TRE THAT Tita. Another name for this ata acc. to target is 379994. etadevAnanvayAkhyaM dUSaNam / / 15. As the verb off or an is to be understood in this stz. our author picks the fault fight in it. But it may be remarked that many verses would be found to contain this fault, if the omission of safer is a fault at all. For, the maxim astirbhavantIparaH aprayujyamAnopyasti allows the omission of asti, and it would be over-fastidiousness to insist on the actual expression of 3FT in a sentence. It would be a real UKT ang if any other verb, the omission of which makes the sentence unintelligible is not expressed as in 377) CAF etc. Jabatayaqace, JETT STA Fynd. Nandargikar's edn. of 1897, reads uddhakezazyutapatralekhaH, and phalapatraveSTa: for phalajAtazobhaH. In view of the reading STORIA: of some MSS., noticed by Nandargikar, here also we might read Freita: to improve the sense (h1905%, an ornament of pearls--- MW). ___ 15, 1. 1. mahartacintAmaNi was written by rAmabhaTTa or devazarAmAcArya at Benares in 1600 A. D. It is published as Vol. 10 in the Harik?sna-nibandhamani-mala, Benares, 1923. 16. apr: of the MS. in the first half has been corrected to adsyft: by reference to the printed text of tine muhUrtacintAmaNi. bhavanti or santi is absent, hence the foot. 17. This is one of the stzs. describing the Himalayas to which Arjuna had gone for practising penance. Firat, a female osprey. , water. TETT, quai (trees) 21901 Trg AT: 71 =yt, a fragrant root. Roya:, rivers. Here bhavanti is to be understood, hence the fault kriyAbhraSTa. analadAH-analaM santApaM dyanti khaNDayanti zamayanti iti anldaaH| 18. This is the celebrated stanza from the lo27712T, in which IHC enumerates the several purposes for which poets write poetry. Herein our author notices the final452T as Hafa or gria is to be supplied. It is noteworthy that according to our author this stanza contains two more flaws viz. the feet and the f ata for which see stzs. 35 and 93 below! 19. This stz. is spoken by hu to 567 and 761#. HafTI...FT, to give scope to your speeches; to serve as an introduction to your words. Tee, the preliminaries of the drama; it was an eleborate religious ceremony consisting of 22 items, nAndI being one of them. CI. yanna TyavastunaH pUrva raGgAvighnopazAntaye galica: 44fia &C#: 43345 S. D. 4. 22. Tit for introducing: 72 ay,

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KAVIKAUSTUBAA the plot of the play. In this stz. Jenna is to be supplied in the first half and jAyate in the second. Hence the kriyAvyastadoSa. 19, 1. 1. EFT:e in metres i. 0. stanzas. peftrara-This clause is obscure in meaning. It may be thus explained --3751 50 SET 378 . arthalakSyasya gocaratvaM Azrayatvena viSayatvaM tena hInatvAt. A sentence (vAkya) is the support of the meaning (37727 a faturd) and it is the meth, the indicator of the meaning, and the sense is the 78t or is indicated by the qot. Now a verb is the principal part of a sentence. Cf. AkhyAtaM (verb) sAvyayakArakavizeSaNaM vAkyaM (for ref. see 14 above). As the verb is omitted in these verses, they are said to be characterised by the f97ezte. 20. agit arises when there is a lack of the natural or proper order in mentioning things. diftrat etc. Here the correct order of discription is-bath, worship of deities, bowing down to preceptors or elders and taking food. But this is violated in fa5791... Ji and therefore arises the pela fault. This stz. is closely similar to a CET 2.22 - 3747 94 prasiddhakramalaGghanam / yathA bhuktvA kRtasnAno gurUndevAMzca vandate // Also ef. bhuktvA snAtvA ca devAnazcati which is given as an instance of akrama in vAgbhaTa'S kAvyAnuzAsana ( NSP edn. p. 28). 20, 1. 1. 79T - T est or star ahim is an Astronomical work dealing with the gas and was written by stara (about 1039 A.D.). It is commented upon in Marathi by the author himself and by #74 in Sanskrit. For further particulars, see S. B. Dikshit's Hist. of Ind. Astronomy (in Marathi. Poona, 2nd edn. 1991.) pp. 470 f.; V. L. Bhave, HERITARFE (Poona, 1919) pp. 208.; S. Chitrava, Azeria RETTE (Poona, 1937) p. 785; and Bharata Itihasa Samsodhana Mandala, Poona, 2nd Anual Report, pp. 81-117 (here a Ms. of the ph with author's #Riot com. is described and long extracts from the com. are given ). 21. Constru : faf architar: afritsta 47 (FT Firefoot) Paris prabhavaviratimadhyajJAnavandhyAH (vatente) taM iha vizvajanmAtyayAnAM nimittaM, bhagrahai: anumitaM, IzaMkAlaM vande Here the kramahInadoSa arises due to the expression prabhavaviratimadhyajJAnavandhyAH which should have been a falangrer:. 21, 1. 1. This linve explains how the fault Pagarises in the above. stz. FTTT ... TFH910, fora, existence becomes impossible if (fata=) g immediately follows the (729 = ) 34fl, origination. 22. This stanza describes an incident in the hunting expedition of Dasaratha. Here the Eat arises because in the fourth line, instead of the regular formation pAtayAmAsa, pAtayAM prathamamAsa is used, i.e. pAtayAmAsa is ungrammatically split up into two by the interposing of between qati and 31.917THF is the periphrastic perfect fr. q causal, formed by P. 3.1.35, TEHETTIAHT Pafe, and P. 3.1.40, and for, according to which no word can come between 31-and the perfect forms of , ( 317 or ). SISTA, however, has used such irregular construction twice more viz. R. 13.36, TTAT 1 754 cakAra and R. 16.86, saMyojayAM vidhivadAsa sameAbandhuH. Though some commentators try to defend this construction of Ericain (see Vandargikar's edn. of Raghuvams'a, Notes pp. 186f.) Jnanendra sarasvati, in his azalfenidaar on facrament on FFITTO ) clearly states that these are mistakes. Read - af 9174

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NOTES 25 prathamamAsa papAta pazcAt, prabhaMzayAM yo nahuSaM cakAra' iti / pramAda evAyam / na ca viparItaprayoganivRttimAtre sUtrasya tAtparyAt, pazcAtprayogo vyavahito'pi na duSyatIti vAcyam / Amantasya viparyAsanivRttyartha vyavahitaAqui a arcafateral In raz's lare this stz. is given as an instance of nirlakSaNadoSa. 22, 1. 1. ana kRmvastiyoge etc. The emendation kramAddhAtorAmyAsaprAptau in place of narrated is made on the advice of Pandit Mahes'varas'astri Joshi. According to him, it is incorrect to say kramaddhAtorAsaprAptA (satyAM ) as Asa is not directly added on to the root ( here qua79 causal of 967 ) but to the 377 whja is added to the root by PETCATETETHEO fore; and the emendation is to be explained thus : erat: 3 6 Banglender - 371AFTAT (AT) i.e. where should have been used immediately after 31which is to be addoul to the root. kRbhvastiyoge - this is a reference to the sUtra, kRJcAnuprayujyate liTi, in which the use of the Perfect forms of and ste along with those of 5 are prescribed to be added to Am, by anuvRtti of bhU and As. prathamapadavyabhicAreNa, due to theidiolation (of the regular order of words 994+ SITA + 3HIF ) by ( the casertion pf) the word 'prathama' between pAtayAM and Asa). 23. a, verbocity or use of disproportionate cum Jer, of words as compared to the sense. Cf. aprila 2.20, starat 97 agoraratda amanti - FASHA Ealaj al laat er 1 miles, equality, balance. Han fortscifrafaggi, AT veSTuM AzituM zIlaM yeSAM te marudveSiNaH teSAM rAjA vAsukiH tena rAjitaH (zobhitaH) vigrahaH zarIraM yasya saH. Here the sense is - S'iva appears beautiful with his body adorned with the snakeking Vasuki. But instead of the straightforward or direct expression TEET, the roundabout expression, 'the king of those who live on wind is used, and hence the fault rifT arises. 23, 1. 1. Tit is a work on Rhetorics, dealing for the most part with varieties and sub-varieties of Tits, and areas, their friends and the sentiment of it of two types. It was written by 7 who according to Mm. P. V. Kane flourished between the end of the 13th and beginning of the 14th century A.D. In our text, the edn. of this work in af f HMT, Benares, 1929, is referred to. 24. Acc. to our author, this stz. is an instance of tifhasta as the sense is only that the saw gut, and the use of so many words to describe acum and the tears of my causes this fault. But in the com.arfit of a talent, on the That, the significance and the necessity of every word in this stz., which is given to illustrate the 3rd variety of anuzayAnA parakIyA nAyikA (here, rAdhA) is explained. 25. This stz. describes the tank dug by one of the kings that had assembled for the svayaMvara of damayantI. Read 'koDakrIDadvijAlI in the second line. Trans.--This [ king] has caused a tank to be dug, where the waves cause rippling sound due to the wind from the fluttering wings of the flock of birds sporting on the sheet of water rich in the fragrance of the petals of blooming blue lotuses, and [the tank] which pleases the eyes of the travellers whose heat of summer is removed by its banks full of rows of trees having abundant fresh green leaves in the cluster of their branches. kavi04

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KAVIKAUSTUBHA 25, 1. 1. Derelakang, due to absence of a proper balance between words and sense. Calcala on account of the excess of words over sense. 26. Barat, this flaw arises when the combination of two or more words does not make a good or coherent meaning; e. g. Cafeafarer, rival of the gifta of horses. But it is not to be used for the neighing of the horses but only for the noise made by the elephants. hari, bere also, Saat is not used for the thundering of the clouds but for the notes of the cuckoo. For the wording of the definition of 39474 in our text, cf. HE 4.8 samudAyArthazUnyaM yattadapArthakamiSyate / dADimAni dazApUpAH SaDityAdi yathoditam / / 27. Here there is aretata in each of the first two lines, according to our author. In the first line it is said that the flowers appeared first and then the sprouts of fresh leaves. But in nature the sprouts appear first and thereafter the flowers are produced. Therefore the A rt-HSCH TOT 79489r: does not make a cogent sense, and hence contains the fault 27914. But ufory tries to defend this violation of natural order by saying, "malfalam #ra haifa flyFra her yefaria:1 Really speaking it is the stata rather than 3497 which should have been noticed in the first line, for it refers to the violation of the proper order of the appearance of leaves and flowers. In the second line, the compound Ethicagoforai gives rise to the apArthadoSa. It is solved thus SaTpadAnAM kokilAnAM ca kUjitaM, whereby the rule Granite cha maad, (a word at the end of a great compound is to be construed with cach of its members) we get agyagihan and the stat. But according to the poetical convention (explained in stz. 28 below) are' is used for the humming of bees and not get which is reserved for the notes made by the cuckoo; and thus the wysta or group of words agyagtata is meaningless and hence the apArthadoSa. 27, 1.2. The words kusumajanmato'gre"hetoH, explain the apArthadoSa in the first line. But the text here seems to be defective. 466: 9 seems to be a paraphrase of q: in the first line, subsequent (a) to the birth of flowers. 27, 1. 3. If yot-It is a work on political conventions and allied topics written by a son of a priz, (14th century A.D.). But the two stzs quoted here from it are not found in it; though our stz, 29 has a parallel to it in the same viz. so fargarh Hitsa ati fara a a pa: matat samayastridhA // ( This very stz. also occurs in the kAvyakalpalatAvRtti of amaracandrayati, KSS. 90. p. 27). There is another work called affaqiqamar by pufa (for a Ms. of it, see BORI Ms. no. 328 of 1892-95). and perhaps stzs. 28,29 may be traced to this work. 28. Apr., black bee. For a long list of particular names for the sounds made by specific birds, beasts or musical instruments see auga of amaz ( Kavyamala, 42, p. 24). 29. He starti, not describing a thing even when it exists, e.g. even though the real flower is found in spring, it is not described as found in spring; even though the great tree puts forth flowers and fruits, still they are not described. 37870: 370 qrati, even though a thing does not exist, it is

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NOTES hogy described as existing eg. hAsya and kIrti are described as white. niyamazca vizeSeNa restriction of a thing as being connected with or found in a particular place cg. candana on mount malaya only. 29,1. 1. & ... AFTLIT; ifta' is to be construed with each of the two members SaTpada and kokila of the dvandva compound. ubhayowdhikaraNAt, as the two (ahorar and 999+) do not exist in the same place. 30. belihana is the flaw which arises when words are mentioned in a wrong order or in a jumbled manner, e. g. Tut: etc. Here the proper order of words should be jagadguroH zambhoH padapamaM mahyaM zivaM deyAt; and as jagadguroH which is to be construed with zambhoH is too far removed from it, there arises the vyastasambandhadoSa. 30, 1. 1. SETER's flouho. No work of the name of the is mentioned in the CC. Though many authors named to start are recorded therein, Filipines is not the work of any one of them. 31. Construe : FR 3711 thai, [ART] q5 HETTITUTET 477a:, fra: 37051, ART ari Totaaf: CTE #: a: Apparently this appears to be a praise of the fire in the (third) eye of S'iva. But when the words are properly construed it turns out to be in praise of Visnu. 3 , garment. qsi, vehicle. Tetratorer arra: i. e. Tyg: efe: a snake. 7, lord. TUT:, retinue, followers i. e. snakes. 3765, ( 37-5, Tar) geft: 774, 79: i. e. #ca; cf. 2 5 -GATU #FATT HE: 971 977: 1 Another good illustration of this al is the following stz. from the com. of afeta on Ege's Para EK 6.40 --- T rui 174751TTT: q* gati afaataatarm I TRE STERTMARTIET: 4/8 GT: 40 Harferat a:11 This is to be construed thus:-herra 111:, Semut tRtIya, dayitA bhUdharajA, upavItaM ahinAthaH, ambaraM kASThA, dvAdazalocanAkhyaH sutaH (saH) sadAzivo vaH pAtu. 31,1. 1. aquitra, on account of the confused order. 32. Construe-- SOP Futaret, Fachat Are Bes: faf19an, dimana T afakki: qtcrf: 3154a. Tr.-The night breeze, charged with the particles of water, and spreading about the fragrance of blooming lotuses with their pollen raised up, gently shook the cluster of trees in the hollows of which birds were sleeping. 32, 1. 2. This stz. contains the fault FT-174 AS 3791 which is syntactically connected with kaNavAhI (by the by, aAM kaNavAhI is a sApekSasamAsa) is torn away from it. 33. The flaw named fee arises when in a stanza the order of word is the same as in the 37ay. This flaw is the opposite of TFFYEt in which the closely related words are too much removed from each other whereas in the fuel the verse loses its charm as the words are arranged exactly as in the prose statement giving their construction. 33, 1. 2. T: Afectant-So far we do not know of any arterial as a work of bhavabhUti. 34. zilImukha, arrow. janyaM fight, battle. paJcAsya, lion. 35. It is surprising to note that this verse of the celebrated author of the fach has been shown to contain two more flaws, viz. ffla (stz. 18) and arfe (stz. 93). Read $749715 [2.R].

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28 36. The full stanza runs as follows: brAhma muhUrte kila tasya devI kumArakalpaM suSuve kumAram / ataH pitA brahmaNa eva nAmnA tamAtmajanmAnamajaM cakAra // It should be noted that here the feat cannot be picked in the first half as the order of words is not the same as in an anvayavAkya. 37. Whatever is described in direct contradiction of the rules of farfe, e. g. when the scriptures prescribe the performance of farfar to say, 'How can KAVIKAUSTUBHA scriptures is a sacrifice as a means to heaven () it is this king who has performed sacrifices go to heaven?' 3 8. This verse is addressed by draupadI to yudhiSThira paryeSi, avagacchasi, think, consider. 38, 1. 1. here means an object of devotion. It is not right for a woman to displease her husband by rebuking him. tkiJcidapriyam / manu. 5. 156. Cf. at 39. The arises when the caesura a word e. g. in the second half of this stz. in agg the last syllable of a quarter and splits the word which are meaningless. falls in the midst of metre, the qa falls on into two parts and 39, 1. 1. saGgItaratnAkara is a standard work on music written by zArGgadeva in the 13th century A. D. 40. I have not been able to trace the stz. in the face. It is in puSpitAgrA metre, in which the gaNa scheme in na na ra ya in odd and na ja ja ra ga in even quarters and the yati falls on the last syllable in a quarter, ( ayuji nayugarephato yakAro yuji ca najau jaragAzca puSpitAyA vRttaratnAkara 2 - 10 ). The yatibhraSTadoSa occurs in the second half, in which the falls on and the word is split up into two senseless parts ko and suma. bhugna, bent. / 41. The metre of this verse being get, the caesura falls on the 8th and 17th syllables in each quarter. The aft occurs in the first and the fourth quarters as the words and, and and are split up into mU &nd rkha respectively due to yati. 42. SoDazAdyAntyagau-- SoDazasya AdyaH ca antyaH ca SoDazAdyAntyau ca tau gau ca, where the syllable before (7) the 16th and the one after () the 16th syllable are metrically long ( ga = guru ). zrutidvaya, ie 8 as muti which means the Vedas denotes the figure 4., a serpant, denotes the number 9. fata:, qfa:, caesura. 42, I. 1. yativicchedAt, yatyA vicchedAt yatikRtAt tailamUrkhazabdayoH bhaGgAt. 43. When a word which ought to be mentioned for a complete and coherent sense is omitted the fault nyUnapada occurs, eg in santuSTaH kamalAnAthaH pApinAM muktimAdadau, api should have been mentioned after pApinAM, the sense being that Visnu liberated even the sinners. In the absense of erft the meaning would be that Visnu emancipated only the sinners (but not the good and the pious)! 4 3, 1. 1. Neither RtupaJcAzikA nor kavimaNDana as the author of RtupaJcAzikA is mentioned in the Catalogus Catalogorum of Aufrecht.

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NOTES 44. Construe: safariz m e fang gidy JSTET: FEET: HTTUKT: mint saMyAte bherINAM jayaninadAniva kurvantaH kila rejuH. Here the word mukuleSu (buds) require the mention of some creeper; by context armat (Jasmine creeper) has to be supplied here. As it is omitted, there arises the fault igenoa. 45. This stz. describes king facity as he wandered in the forest after the cow afecraft to protect her. Here the myntata arises according to our author as the word 39eHT: has to be supplied from outside to complete the sense. ___45, I. 1. anyapadanikSepAta, as another word (upalakSyamANa in the present case) has to be supplied ( lit. thrown in )from outside. 46. When the words or meanings are repeated without any difference in or addition to the meaning of the verse as a whole, the fault is called garat or redundent. 47. The repetition of garjanti four times is an instance of paThitasya zabdasya puna: gati 98771 and of #91:57ati, qiftaret: and 2 : that of aforet peter ga: gat: 9574 48. Description of king my. For the context see stz. 45 above. $157, a hollow bamboo rattling or whistling when the wind passes through it. 310917 gratis, in a manner in which the purpose of the bamboo is served. 48, 1. 2. 91 and , when the sentence would have been significant; when the sentence would have conveyed the appropriate meaning. mArutapUrNa etc. As the attributive words mArutapUrNarandhaiH and kUjadbhiH are again added without any difference in the meaning; for, a citam by itself means a bamboo having a hole and making noise when the wind passes through it, as explained in the archite quoted in the text. 49. This describes the great joy experienced by fast as he kissed his son radhu. mallinAtha reads guruH praharSaH prababhUva nAtmani. But ocAtmani is the reading of vallabha and the Mss. B1, C, K, I, P, R. collated by Nandargikar. Fa:...ofgat, when the sense of the sentence would have been complete by saying joy greatly predominated or prevailed over him.' Taifa StougatureTENT:, due to the mention (341679 ) of the two attributive words ( to show the greatness of joy ) viz. guru and pra in praharSa. 50. oor a self-contradictory sentence or a composition (1974) is one in which the latter portion is in conflict (Teri) with the earlier portion by conveying contradictory sense. pUrvAt pUrvAt parAhataM i.e. pUrvAtpUrvAt vastunaH aparaM aparaM vastu parAhataM. This definition closely resembles the one given in kAvyAdarza, 3.133-ekavAkye prabandhe vA pUrvAparaparAham / viruddhArthatayA vyarthamiti doSeSu paThyate / 51. Supply taM prati before ko dadhet samare khaoN, and tena saha before ko vIro Tuftegla. Tr.-What warrior would wield a sword in battle against him or desire war with one who has vanquished his enemies and has conquered the earth? The second half suggests that the particular hero described has no enemies while the first half states that he had enemies whom he has conquered. The illustration given in the progref of this fault is better as it clearly brings out the gatetuetenca

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30 . KAVIKAUSTUBHA jahi zatrubalaM rAjan jaya vizvambharAmimAm / tava naikopi vidveSTA sarvabhUtAnukampinaH // 3.132. 51 ,l. 1. Kavyamandana is not recorded in the Catalogus Catalogorum. It is not known whether this Mayura is identicle with the author of the Suryas'atalca, who flourished in the 7th century A. D, and was reputed the father-in-law of Bana. If we can ascertain the chronology of the king Virasena mentioned in the following stanza, then we might know the upper limit of Mayura's period. 52. The destruction by one king Virasena of his enemies in the battle is metaphorically described in the this stanza as a sacrifice. The chief of his enemies ( ET) is represented as an animal offered as on oblation in this sacrifice. But our author finds the fault o in this stanza. 52, 11. 1-2. The fault of occurs in this stanza as the mentiou of arrows and swords as blades of darbho-grass and wooden ladles respectively is oppesed (fast) to the description of the enemy as sacrificial animal, for it is killed at the sacrifice not by swords and arrows but by mere fists, and as such it does not prove the valour of the king. 53. quffaqiffa--the complete stanza runs as follows: cayastviSAmityavadhAritaM purA tataH zarIrIti vibhAvitAkRtim / vibhurvibhaktAvayavaM pumAniti kramAdamuM nArada ityabodhi saH // This stanza describes how Narada appeared to Krsna, while he was descending from the heaven to the earth. But according to our author this involves the fault be as what is described as a mass of lustre is later described as an embodied being a male and Narada; and this being opposed to the earlier description in the same stanza is regarded as constituting the fault ost. 54. According to Sanskrit rhetorcians there are four kinds of poetic diction or vaidI, gauDI, pAMcAlI and lATikA. When two (or more) of these are mixed up in one and the same stanza, the fault fage arises. The Gaudi style is characterized by preponderance of compounds. (FATF i. e. Aftagh); cf. FHTATET Tigi-Hifi 9. 3. The Vaidarbhi is BTTTHIET, free from compounds i. e. containing very few and not too long compounds cf. 3eqafer Tartaiachi sifarand-AIPATU 9. 2. 55. Here the first line is one compound and therefore in Gauli style, while the second apparently does not contain any compounds; the words quyr and are really compounds but they are hardly noticed as such; hence there arises the fault Afdhe. 56. Here also the fault ffe occurs because of the mixture of Gaudi in the first line and Vaidarbhi in the second, Farac, one of the five trees of Indra's paradise. yasya, of oSadhiprastha the capital city of Himalaya. gandhamAdana, name of a mountain situated to the south (or according to some, to the east) of Meru.

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NOTES 57. The stanza describs the dreams of the queens of king Dasaratha, after their conception. ya, protected. araa dwarf in size. Fou i. e. 78, asi, gadA, zAGga and cakra are the emblems of lord Visnu. 58. qrasit: this is the reading of 10 MSS. consulted by the late Mr. Nandargikar for his edition of the Rghuvarsa (3rd edn. Bombay, 189,) while Mallinatha reads qada, qranta: Tu:, mountain-tribes. Fr, an iron arrow. aufter a sling. Fr, a battle. 58, 1. 1. qarang, as there is (only) pada or grammatical form. qe is defined as alas 1974 in this sense. 59. When a thing is described as possessed of attributes which do not properly belong to it in a particular condition, the fault afect is developed, e, a young elephant is not likely to be in rut, much less hrefa. Hence the fault 34a FITETIT. 60. This is one of the stanzas in the second canto of Raghuvams'a which describe how all forms of honour due to a king were shown to Dilipa, although he was moving in the forest in the guise of a forester, marutsakhAbha resembling the friend of the wind, i. e. fire. AcAralAjA, ef. purapraveze hi rAjA giartfit: &t: saarela Per-Commentator Vallabha. 60. 1. 1. Here the fault 3 leifa occurs because of car: are said to have showered their flowers. 60. I. 1. No work of the name of zRGgArakaumudI, either of madanakaFiortiys other author is mentioned in the Catalogus Catalogorum. f i 61. According to our author the fault Riffe lies fit calling a Faatar (aa: ate husband, tel:) or at UCHAGT, for the lays down that kucakorakatvaM or aGkuritayauvanatvaM is the characteristic of a mudhA ledy in the case of a newly married lady, the poet speak only of the Fathegion of the breasts and not of budding breasts. 62. The full stanza is as follows: daramukulitanetrapAlinIvIniyamitabAhukRtoruyugmabandham / karakalitakucasthalaM navoDhA svapiti samIpamupetya kasya yUnaH // 61. 1. 2. Bhanudatta who flourished towards the end of the 13th and the beginning of the 14th century A. D. is the author of this and Tharffuft. Nearly two-thirds of the Rasamanjart deals with the fores and their varieties, the #978 in Fit and their friends, messengers and allied topics. 63-64. When seasons and other natural phenomena are described as possessed of attributes which are opposite of their original ones, there arises the fault omaa, e. g. the description of the sun's rays as cool, and of those of the moon as hot. 64, 1. 1. The Catalogus Catalogorum records a work named Ziratifuit, but its authar is not a remet. According to the Alphabetical

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KAVIKAUSTUBHA Index of Sanskrit Mss. at Adyar (no. 6428), Fraffolt is a drama written by (wit) rare son of aperart. 65. an is a bird which is said to feed on the moonbeams. Cf. Filem Ahlma ayar #23FAT-alueta I. 11. The fault Fonte occurs in the fourth line of this stanza, as it is said that the nectar from the rays of the moon collected on the moon-stones was solidified by the early rays of the sun.. But the warmth of the solar rays would evaporate the piyurd rather than solidify it. 66--67. When a thing which is never found in a particular place is described as being present there, there occurs the fault, daranty, e. g. to say that rivers flow continually in a desert (58) or that elephants in rut are always found on the Malaya mountain constitutes this fault, for a desert would not be a desert if rivers flowed through it and it is the Vindhya mountain which is the home of the clephants and not the Malaya, so well known for sandle trees. See stz 69 below. . 67. 1. 1. A work called that is recorded in the Catalogus Cataogorum ( I. 93, I. 778., II. 18) and is described as a work on alankara, or erotic but its author is guNAkara and not dhanaJjaya. 68. Construe-gofc7agateay #: qanchalar Tarigi THAT acesta sinInAM ratikhinnakinnarINAM zramaM aharat. Here the fault dezavirodhi is present as candana is mentioned as belonging to the Vindhya thereby violating a poetic convention recorded in the following stanza. 69. This stanza records the poetic conventions (fache) regarding the horses, elephants, birch-skin, and sandal-trees. 70. A list of 64 Kalas or Vidyas is given at Kanosutra I. 3. 16. It looks apparently strange that a wrong statement about the TFs and their res is given as an instance of realy. But the 54th kala in the Kamasutro, list is cloffis and this is explained by the commentator Yasodhara as saMskRtaprAkRtApadaMzakAvyasya karaNam. . This would require a correct knowledge of the Rosa-theory and any defect in connection with it would be called 71. This stanza. contains the fault kalAviruddha as the sthAyibhAvas of the vIra. zukAra, karuNa (karuNA is the text is inaccurate) and hAsya are wrongly mentioned. utsAha is the sthAyibhAva of vIra, rati of zRGgAra, zoka of karuNa, and hAsa of hAsyarasa. krodha is the filforata of tim, fan of 7 and of the #17 72. The fault kalAviruddha arises out of the use of priyatama in priyatamazrute. The use of the superlative suffix in ferua implies the existence of a fire who is loved less than the 17451H. But it must be remembered that poets often use the comparative and superlative degrees of adjectives in a loose sense and it would be over-fastidiousness to pick faults in such cases, 72. 11. 1. 2. To understand the full significance of the words retra = ...ata: it should be noted that this stanza, Taras is given as an illustration of the svIyAnAyikAdharma. tama-grahaNena, by the use of the superlative

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Index I Index of Stanzas in the Kavikaustubha. [The Karikas are printed in black type and the illustrative stanzas in the ordinary one.] Serial Stanza No. in the Serial Stanza No. in the No. K. K. No. K. K. 1 agauravaM zrutikaTu 6 22 unmIlallIlanIlotpala 2 atyuktau ca samasyAyAM 124 naiSadhe 12.1.1 3 atha kAvyaprabandhAnAM / | 23 upamA yatra sAdRzyalakSmIH 4 atha kSamAmeva nirastavikramaH kuvalayAnande 6 kirAtArjunIye 1.44 24 upameyena sAdRzyaM 5 adabhrAdhamusauhArda nigaDena | 25 ekatra sphaTikataTAMzu 6 adhyayanabhAvanAbhyAM sAraM zizupAlavadhe 4.26 tattvacintAmaNi-dIdhitau 2 . 26 ekavAkye prabandhe vA 7 anArataM yau maNipIThazAyinau 98| 27 karNakalpitarasAlamaJjarI' kirAtArjunIye 1.40 rasamaJjaryA 29 8 anyavAkyapravezena yad vyastaM / 85 28 kavIjyacandralamapAH 9 bhavandhyakopasya vihartusapadAM 123 muhUrtacintAmaNau 5.41 kirAtArjunIye 1.33 / 29 kAmaM nRpAH santu sahasrazo'nye 91 10 arthagauravahInaM yat 109 raghuvaMze 6.22 11 ambaramambuni patramarAtiH | 30 kAmboje vAjinazcaiva kAvyakutUhale 31 kAvyaM yazase'rthakRte 12 azAstramucyate vAkyaM kAvyaprakAze 1.2 13 asaMmataM yathA sArtha / 117 | 32 kucakorakaguptisAdarA / 14 asaMmitaM mataM yatra . zRGgArakaumudyAm 15 AkulazcalapatatrikulAnA 133 kurarIgaNaH kRtaravastaravaH / kirAtArjunIye 9.8 kirAtArjunIye 5.25 16 bhAramIyaM caraNaM dadhAti 34 kusumajanma tato navapallavAH [rasamaJjayA~ 1] raghuvaMze 9.26 17 iti vAkyAtmakA doSAH | 35 kodaNDasanaddhazilImukho'yaM 18 iyaM ca te'nyA purato | sAhityaratnAkare kumArasambhave 5.70 36 krameNa yadvihInaM syAt 19 iSTArtha bAdhakArthaM yat | 37 kriyAbhraSTaM tu yadvAkyaM 20 utphullasthalanalinIvanAt | 38 gatAgatakutUhalaM nayanayoH kirAtArjunIye 5.39 rasamaja- 3 21 udakezacyutapatralekha: 15 39 gandhamuddhatarajaH kaNavAhI raghuvaMze 16.67 kirAtArjunIye 9.31 kavi. *

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KAVIKAUSTURHA Serial Stanza. No. in the | Serial Stanza No. in the No. K. K. No. K. K. 40 guantaH kila mukuleSu 44 63 nAmAkaM jananI tathojavalakulA RtupaJcAzikAyAm prabodhacandrodaye 2.9 41 gujAravo milindAnAM | 64 nirjitA ripavo yena kavikalpalatAyAm 65 nivAtapadmastimitena cakSuSA 42 guptaM dadRzurAtmAnaM raghuvaMze 3.17 raghuvaMze 10.60 66 nItyA virodhi yadvAkyaM. 43 ghanataranavavindhyakAnanAlI 67 paThanaM paThitAnAM ca kAmapradIpe 68 patito'pi pitA tyAjyaH 44 catuHSaSTikalAsvitthaM virodhaH 70 hemAdrau 45 cayastviSAM [ityavadhAritaM] 69 padasya hInatA yatra zizupAlavadhe 1.3 70 padAnAM vyastatA yatra 46 caritArtha prayuktaM yat 71 padAnyanvayavadyatra 47 chandobhraSTaM kriyAvyastaM 72 pIyUSaM papurupale ca candrakAnte 48 tatra janyaM raghoghoraM zRGgArataraGgiNyAm raghuvaMze 4.77 | 73 punaruktiH padaM yatra 49 tathA dezakalAnyAya 50 tapena varSAH zaradA 174 pulakitakucabhArabhugnamadhyA saGgItaratnAkare zizupAlavadhe 1.65 51 tamadhvare [ vizvajiti] 75 praNamya zitikaNThAya raghuvaMze 5.1 kumArasaMbhave 6.81 76 pratAparAjadvasudhAdhinAtha 52 tava prabhAvazrama eSaH 77 prabhavaviratimadhyajJAnavandhyAH kAvyazekhare ___ratnamAlAyAM 1 53 tava varmani vartatAM zivaM - maiSadhe 2.63 78 prasasAdodayAdambhaH 54 tenAbhighAtarabhasasya raghuvaMze 4.21 raghuvaMze 9.61 79 prasiddhArthatayA hInaM 55 tvayaivaM cintyamAnasma 80 brAhma muhUrte [ kila tasya devI] 36 raghuvaMze 1.64 . raghuvaMze 5.36 56 dadhAti candraH kiraNaiH 81 bhavadvirAmavasarapradAnAya vAsi . prastAvaprabandhe zizupAlavadhe 2.8 57 daramukulita [netrapAli ] 82 madhye nAnazca viratiH rasamaJjayA~ 8 83 marutprayuktAzca marutsakhAbhaM 58 dineSu gacchatsu nitAnta raghuvaMze 2.10 raghuvaMze 3.8 84 mAtRpitRsamaM bhUmau daivataM 59 divAkarakarAH zItAH . hemAdrau . 60 duHsahaM karNayoryaca 221 85 mArgaNairatha tava prayojanaM 61 doSairazeSa rahitaM kirAtArjunIye 13.59 62 dhiyaH samapraiH sa guNaiH 118 86 mArtaNDarazmivRndAbhaM raghuvaMze 3.30 lallamuhUrtasAre 125 112

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INDEX Serial Stanza No. in the Serial Stanza No. in the No. K. K. No. K. K. 87 medhA varSAsu garjanti 47 107 zizire kokilArAvo hemante ____ 70 88 yatibhraSTa tathA nyUnapadaM 3 | 108 sa kIcakaiArutapUrNarantraiH 89 yatra kAlocitaM varNyavarNanaM 77 / raghuvaMze 2.12 90 yatra yatra na yuktaM yat | 109 sakhe yadi ca SaSTakaM 91 yatrAkSaraM syAt prathama chandoratnAvalyAm chandoratnAvalyAm 110 santAnakatarucchAyA 92 yadA dvitIyaM ca tathA kumArasambhave 6.46 chandoratnAvalyAm | 111 saptacchadatarahaMsAH 93 yadi dvitIyaM ca caturtha 112 samAsA cAsamAsA ca chandoratnAvalyAm 113 samudAyArthazUnyaM yat 94 yassindeze viruddhaM yat | 114 samudramekhalA pRthvI 95 raghunAthamukhAravindataH 126 115 sambhavasyAnibandho'pi 96 rathAGgasaGkrIDitamazvaheSA - kavikalpalatAyAm kirAtArjunIye 16.4 116 sarpiH zatruyazo havI ripugaNAH 97 katApratAnoyitaiH sa kezaH - kAvyamaNDane. raghuvaMze 2.8 98 labheta sikatAsu tailamapi 117 siJjitaM bhUSaNArAve nItizatake 4 kavikalpalatAyAm . 99 lalitataranikuJjakekinAdaH 118 sindhusUnupatermitraM zRGgAramacaryAm bhAvapaJcAzikAyAm 100 vaTapraroho madhukuSTamutpalaM | 119 sudati vada suvAcaM [suzrute ? cikitsAsArasaGgrahe] sAhityaratnAkare 101 varSyAvasthAvihInaM yat | 120 surAsurairvanditapAdapadma 102 vahanti ninnagA nityaM sAraGgayAM vivAhapaTale 1] 103 viruddhaM zabdazAstreNa | 121 svasaGketaprakRtArtha 97 104 virodhitA bhavedyatra | 122 hareH kumAro'pi kumAravikramaH 105 vIrazRGgArayorbhAvau raghuvaMze 3.55 106 zayyAM jahatyubhayapakSa | 123 hInaM yadvRttaM bhedena raghuvaMze 5.72 | 124 hetuvyastatayA

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Serial No. Index II Index of Works from which verses are quoted in the Kavikaustubha. Stanza 1 amarakoSaH 2 RtupaJcAzikA 3 kavikalpalatA 4 kAmapradIpaH 5 kAvyakutUhalam 6 kAvyaprakAzaH 7 kAvya maNDanam 8 kAvyazekharaH 9 kirAtArjunIyam 13 chandoranAvalI 14 dIdhitiH No. in the Serial K. K. No. 15 naiSadha 16 prabodhacandrodayaH 17 prastAvaprabandhaH after 8 28,29,90 98,104, 123 10 kumArasambhavam 56, 107, 108 11 kuvalayAnandaH 122 [cikitsAsArasaGgrahaH see suzruta below ] 12 cintAmaNiH 92 [ = tattvacintAmaNi: of gaGgezopAdhyAya ] 18 bhAvapaJcAzikA 44 19 mAghakAvyam 68 20 muhUrtacintAmaNiH 21 raghuvaMzaH 31 18, 35, 93 52 8 22 ratnamAlA 17,32,38,86,89,23 rasamaJjarI [ tattvacintAmaNidIdhitiH of raghunAthabhaTTatArkikaziromaNiH ] 9,10,12,42 Stanza 92 25,120 74 102 (see zizupAlavadham below ) 16 15,22,27,36,45, 48, 49, No. in the K. K. 25 zRGgArakaumudI 26 zRGgArataraGgiNI 24 lalamuhUrtasAraH [ vivAhapaTala: see sAraGgI below ] [zizupAlavadham ] 27 zRGgAramaMjarI 28 saGgItaratnAkaraH 29 sAraGgI 57,58,60,81,83,84, 87,91, 110, 115, 118 21 [i. e. mAghakAvyam above ] 30 sAhityaratnAkaraH 31 suzruta [saMhitA ] 100 24,62,72,106 [ = vivAhapaTala: of sAraGgapANi ] 13,19,53,99 112 61 65 79 40 96 34,116 11

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0i2 . 68 Index III Index of Anthors referred to in the Kavikaustubha. Name of the author Name of the work No. of the stanzas ___ in the K. K. [bhamarasiMhaH] amarakoSaH After 86 2 kaGkaNakaviH bhAvapaJcAzikA 3 kavimaNDanaH RtupaJcAzikA 1 kAlidAsaH kumArasambhavam 56 etc raghuvaMzaH 15 etc 5 kuTumbakakaviH prastAvaprabandhaH 6 [gaGgezopAdhyAyaH] tattva-[cintAmaNi] 7 candrazekharaH kAvyakutUhalam 8 dhanaJjayaH kAmapradIpaH 1.dhanaJjayakaviH zRGgAramaJjarI 1. dhAvukaH kAvyazekharaH 11 bhartRhariH [nItizatakam ] 12 bhavabhUtiH sAhityaratnAkaraH 13 madanakaviH zRGgArakaumudI 14 mammaTaH kAvyaprakAzaH 96 etc 15 mayUraH kAvyamaNDana 16 mAghaH [zizupAlavadham] 13 etc 17 [raghunAthaziroNi] [tattvacintAmaNi-] dIdhitiH 92 18 lallaH muhUrtasAraH 19 varAhamihiraH zRGgArataraGgiNI ziromaNibhaTTAcAryaH see radhunAthaziromaNi above 20 [sAraGgapANi] [ vivAhapaTala] 21 suzrutaH [cikitsAsArasaMgraha] The stanza ascribed 11 to cyn is not traceable in the suzrutasaMhitA 22 hemAdriH [?] 112 65

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Index IV Index of Kavyadosas [Defects of Poetry) treated of in the Kavikaustubha. Serial Name of No. of stanza | Serial Name of No. of stanza No. the Dosa the K. K. No. the Dosa the K. K. .. agauravam . 6,109 17 chandobhraSTam 2 madhipadam 4,88 18 dezavirodhi or *dhikam 3 apArtham 2,26 / 19 dravyabhedakam 4 bhaprasiddham 5,101/20 nyAyaviruddham or 'virodhikam 4,73 5 alakSaNam 5,10321 nyUnapadam 6 avasthAvirodhi Or avasthAbhedakam 3,59, 22 punaruktiH 6,114 7 masaMmatam 6,117 | 23 yatibhraSTam 8 asaMmitam 2,23 24 rItibhraSTam or rItiparibhraSTam 3,55 9 Agamavirodhi 2,37 / 25 vyartham 10 ekArtham 3,46 / 26 vyastasambandham 11 kalAviruddham or degvirodhikam 4,70 27 vyAhatArtham 6,119 12 kAlaviruddham or degvirodhikam 4,77 28 zrutikaTu 6,111 13 kramahInam 2,20 | 29 zliSTam 2,33 14 kriyAvyastam 2,14 | 30 svasaGketaprakuptArtham 15 khaNDitam 4,85 33 hInopamam 4,94 16 grAmyam 6,129 32 hetuviruddham or hetuvirodhikam / 4,82

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APPENDIX [Reprinted from the Poona Orientalist Vol. VII, nos 3 and 4. pp. 157-164.] KAVI KAUSTUBHA, AN UNKNOWN WORK ON POETICS BY RAGAHUNATHA MANOHARA AND ITS CHRONOLOGY BETWEEN A. D. 1675 AND 1700 S'ri P. K. Gode, M. A. Aufrecht mentions no work of the title kavikaustubha. Dr. S. K. De's History of Sanskrit Poetics also contains no mention of any work of this title. Recently I came across a Ms. of this work through the favour of Vaidya Sivarama Khandekar of Nasik. He was under the impression that this work was composed by his grand-father Raghava Kavi' or Raghunath Appa Khandekar of Punya-stambha or Puntambe in the Ahmednagar District of the Bombay Presidency. On examination I find that the Ms. of afatenH is not a work of Raghava Kavi but that it belonged to him as I find from the endorsement towards the end of the Ms. As this work on rhetorics is unknown to Sanskritists I shall describe the present Ms. and determine the Chronology of its author Ragunatha Manohara. The Ms. begins : " // zrIgaNezAya nmH|| atha kAvyaprabaMdhAnAM zalyarUpAnsamAsataH / doSAnvakSye krameNaiva pUrvAcAyaH pradarzitAn // 1 // chandobhraSTaM kriyAvyastaM kramahInamasaMmitaM / apArtha vyastasaMbaMdhaM zliSTAgamavirodhi ca // 2 // yatibhraSTaM tathA nyUnapadaM caikArthameva ca / vyartha rItiparibhraSTamavasthAdadhyabhedakam // 3 // tathA dezakalAnyAyakAlahetuvirodhikaM / khaNDitAdhipade caiva tathA hInopamasmRtam // 4 // iti vAkyAtmakA doSAH padadoSAstataH kramAt / svasaMketapraklaptArthamaprasiddhamalakSaNam // 5 // 'bhagauravaM zrutikaTu punaruktirasaMmataM / vyAhatArtha tathA grAmya padadoSAH smRtA yathA // 6 // " 1. I am preparing a special paper on the unknown works of Raghave Kavi who flourished between A. D. 1758 and 1820 or so. 2. This MS contains 25 folios and is written on country paper. It is well preserved and appears to be about 150 years old. It contains the following post-colophon endorsement: ___ "pustakamidaM khANDekaropanAmaka ApAjIpaMtAtmaja raghunAthanAmnaH satyaM zrImatpuNyastambhakSetre likhApitam // zrIlakSmIvAsudevArpaNamastu // " Many works of Raghava were composed and written at puNyastambhakSetra or Puntambe.

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KAVIKAUSTUBHA The Ms. ends :-(folio 25b) "raghunAthamukhAravindato vigltpdylsnmnninjaa| __iti tadracayantu sundaraM kila kaNThAbharaNaM vipazcitaH // 107 // iti zrIkavikaustubhe mahAkAvyakavikulAvataMsamanoharopanAmakakRSNapaNDitasUnuzrImadbhikaMbhaTTasUrisutazrImadraghunAthapaMDitakavikRtau dUSaNakathanaM nAma dvitIyaM ratnam // This Colophon gives us the following genealogy of the author Ragunatha Manohara :(C. A. D. 1650) kRSNapaMDita of the Surname manohara Son (C. A. D. 1640) bhikaMbhaTTa . Son (A. D. 1697 ) raghunAthapaMDita the author of the kadhikaustubha. I am inclined to identify this raghunAtha manohara with raghunAtha manohara the author of aufagie a work on Medicine represented by several Mss. in our libraries. References to earlier works and authors mentioned by Raghunatha Manoara. in his kavikaustubha are : (1) dhAvukakaveH / kAvyazekhare-fol. 2. (2) "madviracitachandorakhAvalyAm " --fol. 2. 8. "yadi dvitIyaM ca caturthapaJcamaM...gItA // 10 // " ( 3 ) suzrute-fol. 2. ( 4 ) raghuvaMze-fol. 3. 4. 5. 7. 8. 10. 11. 15. 17. 22. 23. (5) muhUrta cintAmaNau-fol. 3. 1. Vide Anfrecht CC.I, 613, II, 146.-I.O. Cata. No. 2695 and B. B. R. A. S. Cata. by H. D. Velankar, Nos. 206 and 207. There are two MSS of vaidyavilAsa at the Govt. MSS Library (B. O. R. Institute, Poona) No. 600 of 1899-1915 and No. 636 of 1895-1902. They are described by Dr. H. D. Sharma on pp. 363-364 of his Des. Cata. of Vaillyaka Mss. (Vol. XVI, Part I), 1939. MS No. 600 of 1899-1915 is dated Saka. 1736 = A. D. 1814. It belonged to one parrehit ailfar (Dinkar Joshi). In some colophons the author is called "kavikulAvaMtasa raghunAthapaMDita" (See fol 98). In the Ms of kavikaustubha also he is called "kavikulAvaMtasa raghunAthapaMDita". The author refers to himself as "kabirAghava" in verse 2 at the commencement: "saduktibhAjAM kavirAghaveNa vitanyate vaidyavilAsa eSaH". The work is styled as "mahAkAvya". No. 636 of 1895-1902 is a very modern copy without date. In the Gotravali of Konknastha or Chitpavana Brahmins we find the surname manohara. Tho Gotra of the manohara family is bhAradvAja (hiraNyakezI.) The MS of the aufa described in the India Office Catalogue mentions to as the surname of its author raghunAthapaMDita.

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(12) ( 13 ) 34 13 r. This work was composed in Saka 1522 = A. D. 1600 by rAma son of anaMta and padmA ( Vide pp. 275, 278. of S. B. History of Indian Astronomy, 1896 . ) Dikshit : (6) kirAtArjunIye - fol. 3, 7, 16, 21, 25. mammada - f -fol. 3, 6, 18. ( 7 ) ( 8 ) mAgha - fol. 3, 10, 19. (9) ratnamAlAyAm - fol. 4. ( 10 ) rasamaJjaryAm - fol. 3, 13, 21. ( 11 ) naiSadhe - fol. 5, 24. << ( 14 ) ( 15 ) (16) -- (6 'candrazekharasya kAvyakutUhale " fol. 5. bhavabhUteH sAhityaratnAkare - fol. 6, 23. saGgItaratnAkare - fol. 7. bhartRharau - fol. 7. " kavimaNDanasya RtupaJcAzikAyAm " - fol 8. APPENDIX 'guantaH kila mukuleSu mattabhRGgAH saMyAte smaranRpatau siteSu rejuH / bherINAM prasavitapAdale nidAghe kurvanto jayaninadAniva prahRSTAH // " 66 (17) mayUrakaveH kAvyamaNDane " fol. 10. " sarpiH zatruyazo havI ripugaNAH... tvayA tarpitAH // 65 // " (18) kumArasambhave - fol. 10, 21. (19) " madanakaveH zRGgArakaumudyAm "-- fol. 11. "" 'kucakora karaguptisodarA navavoDhA na patiM tirazcakAra / bhayamIlitalocanA bhRzaM karapaGkeruha baddha.. // (20) " varAhamihirasya zRGgArataraMgiNyAm " - fol. 12. "C pIyUSaM papurupale ca candrakAnte nikSiptaM vidhukiraNairbhRzaM cakorAH / premNA te capalayA ca pAtrakalpe dharmAMzostaruNakarairghanIkRtaM ca // 55 // " dhanaMjayasya kAmapradIpe " - fol. 12. (21) " ghanataranava vindhyakAnanAlI kusumamarudvatikhinakinarINAM / zramama haradayanvilAsinInAM sulalitacandanapallaveSu bhinnaH // 56 // vide CCI, 93 - kAmapradIpa alam. 3-36 ( of guNAkara ). prabodhacandrodaye - fol. 22. ( 22 ) ( 23 ) hemAdrau ( 24 ) "dhanakSayakaveH zRGgAramaJjaryAm " fol. 14. " lalitatara nikuJja ke kinAdo. .. mAninInAM // 66 // 99 ...... (Vide CCI, 661- zRGgAramaarI by king Shahaji and a work of this name on alaGkAra etc ). t 9 1. Vide p. 272 History of Indian Astronomy, by S. B, Dikshit. zRMgArataraMgiNI is a comm. on amaruzataka by sUryasUri or sUryadAsa (Born Saka 14304. D. 1508) Vide Aufrecht. I. 660. kavi 0

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10 KAYIKAUSTUBHA (25) "cintAmaNivyAkhyAyo ziromaNibhaTTAcAryaH"-fol. 18. "ciMtAmaNau-dIdhitivyAkhyAyAM"-( About 1500 A. D.) (26) sAraGgayAm-fol. 19. __ "surAsurairvanditapAdapadma......devaguruM zivaM ca // 8 // " (27) kaNakaveH bhAvapaJcAzikAyAm "-fol. 20.. "sindhusUnupatermitraM...." bhAti te kiirtimnnddlm"|||| (Vide CC. III, 88-bhAvapaJcAzikA Kavya by Kavi Vrnda). (28) "kuTumbakaveH prastAvaprabandhe"-fol. 20... " dadhAti candraH kiraNaizvakorAn ....."prakRtirhitAya " // 45 // (29) "lalamuhUrtasAra"-fol. 23.. (30) kuvalayAnande-fol. 24--" upamA yatra sAdRzya...avagAhate" Appaya. Diksita composed the kuvalayAnanda. The life period of Appaya is A. D. 1554-1626 (72 years) according to his descendants while others assign Appaya so the period A. D. 1524-1593 (Vide p. 341 of bhaTTojI-dIkSita-jJAtiviveka in Marathi by Rao Bahadur W. A. Bambardekar, Bombay, 1939). It will be seen from the above references that the latest works mentioned by the author of the kavikaustubha are (1) muhUrta ciMtAmaNi of A. D. 1600 and (2) kuvalayAnaMda of Appaya Diksita (A. D.1550-1600 or so). We must, therefore, conclude that he flourished after about A. D. 1650. As our author seems to be identical with his name-sake kavikulAvataMsa-raghunAthapaMDita manohara author of the vaiyavilAsa composed in A. D. 1697 the date of kavikaustubha may be between A. D. 1675 and 1700 or so. So far only one work of this author viz." dataare on Medicine was known. The present account of the fastest proves conclusively that he composed this work on Poetics as well. We have seen above that in this work he refers to and quotes from a work on Prosody called the getrara composed by him "madviracitachandoravAvalyAm" in two places. As no such work has been discovered so far I quote below the verses from this work as quoted by raghunAtha manohara:Folio Pa-" zatra chandasi madviracitachandoratnAvalyAm // . yadi dvitIyaM ca caturthapaJcamaM tathASTamaM tadazamaM bhavedguru / / yadAkSaraM dvAdazakaM mahIpate giranti vaMzasthamanalpadhIpaNAH // yadA dvitIyaM ca tathA caturtha sakhe bhavetpaMcamakaM ca dIrgha / tathASTamaM vA dazamaM tathAnyam upendravajrAraSpu(?)punA gItA // "

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APPENDIX Folio sa-" atra prathamacaturthacaraNayoryatibhaGge / chandoratnAvalyAm / sakhe yadi ca SaSThakaM tadanucASTakaM dvAdazaM dvitIyamapi yatra vA guru ca ssoddshaayaantygau| caturdazamaya kramAtsakalabhAgyavArAMnidhe zrutidvayasarIsRpairviratiraGga pRthvI matA // " .. It is clear from the above three verses quoted by our author that he composed this greizarare earlier than his composition of the asfararegu. Perhaps a Ms. of Raghunatha's chandoranAvali may be discovered hereafter. The present paper has added two more works to the only work aralasia of Raghunatha, known to the students of the history of Sanskrit literature. It has also given us the names of his father for and his grandfather kRSNapaNDita not found in the Mss. of the vaidyavilAsa as we find them described in our Catalogues of Sanskrit Mss. The genealogy of raghunAtha manohara thus goes back to about A. D. 1600. As regards the native place of Raghunatha we learn from the India Office. Ms. of the vaidyavilAsa that it was caMpAvatI which has been wrongly identified with Bhagalpur by Dr. Eggelinge in his description of this Ms. As the author was a 1. B. B.R. A.S, Mss Catalogue by H. D. Velankar. Vol. I, 1925 describes 2 Mss of the Vaidyavilasa. He describes the work as follows on p.70: "A popular treatise on medicine in 10 Chapters (tarangas ) composed in 1697 A.D. by Raghunathapandita of the Manohara family and a resident of caMpAvatI (bhAgalapUra). For another Ms of the work having only 6 Chapters Cf. I.O. No. 2695. See also Ulvar Cata, p. 72." The Ms end:-" iti dravyapramANam / grahendurasacandre ca zAke mAsi ca kArtika / ayaM vaidyavilAsazca carito vRSavatsare // 52 / / . . . . . . . manoharakulAmbodhe rdhunaathvidhorbhuvH| . . vAgaumeM rasajJAnAM hRtpadma vikasatviha // 54 // campAvatIpuranivAsavatAdareNa saMdarbhitazca raghunAthakavIzvareNa / modAya vaidyaviduSAM gadakhaNDanAya mAnyaH satAM jayati vaidyavilAsa eSaH / / 55 // iti zrIvaidyavilAsamahAkAvye kavikulAvaMtasaraghunAthapaMDitakRtau dazamastaraMgaH // 10 // 2. Vide p. 949 of I. O. Mss. Cata . Pt. VII (1896) Ms No. 2695. " Vaidyavilasa ...... by Raghunatha (or Raghava the Manohara Kula a resident of caMpAvatIpara (Bhagalpur)". Mr. Nandlal Dey on p. 228 of his Geographical Dictionary refers to Chaul as follows: Chaul-caMpAvatI, 25 miles Sonth of Bombay; it is the Semylla of the Periplus of the Erythrean Sea." See also p. 46, Ibid and Da Cunha's History of Chaul and : Bassein, pp. 3-11).

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KAVIKAUSTUBHA Deccani Brahmin his residence must have been somewhere in the Deccan. This suggestion gets confirmation from the identification of siqaaft with Chaul as we find it in the following verse in the S'ivabharata or Kavindra Paramananda composed for Shivaji before A. D. 1674. Chap. XXVIII, 59--Here the Mogul General Shaista Khan orders another Muslim Sardar to conquer igraeft: " Terra pre turge tagreit atent'l Qurant gaiarreari ar TATAATT II 48 \"? Apart from the usage of the name ciraat for Chaul as found in a poem of the latter part of the 17th Century, when Raghunatha Manohar lived at this place we may note here the fact that Chaul or Revdanda (in the Alibagh Sub-division of the Kolaba District of the Bombay Presidency) is a place of great antiquity. "Under the names of rare and tada local Hindu traditions trace it to the times when Krishna reigned in Gujarat." We may now sum up the facts so far brought forth regarding the life-history and literary activity of matu as follows: (1) Raghunatha Manohara composed the following works:(1) Salaore on Medicine composed in a. D. 1697. (2) getratates a work on prosody mentioned and quoted in the afable--No Ms. discovered so far. 1. fantasie ferage = 4410; aftagi = first; quran anda; ATTENTE ** atrico. Shaista Khan gave the above order during his Camp at Poona (guage feat TEE:) 2. Vide p. 376 Imperial Gazetteer Vol. III (1885). From the History of Charl recorded here we learn that Chaul was known to Ptolemy ( A.D. 150 ) to the author of the Periplus of the Erethrean Sea ( A.D. 247) and to Hwen Thsang ( A.D. 642), The Arab travellers of the 10th, 11th and 12th centuries also refer to it. The subsequent travellers to refer to Chaul are :-(1) Nikitin ( A.D. 1470 ), Fean Hugues ( A.D. 1583 ). In 1505 A.D. the Portuguese first appoared at Chaul.

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APPENDIX 18 (3) fate on Poetics represented by only one Ms. in the possession of Vaidya S.A. Khandekar of Nasik. This Ms. belonged to Raghava Apa Khandekar (A. D. 1758-1825). (2) The genealogy of Raghunatha as recorded by him in his fateau is as follows:- . storita son f a son. T . (C. 1600 A.D.)--(C. 1650 A.D.)(A.D. 1697). (3) The native place of Raghunatha Manohara was igraat which appears to be indentical with Chaul about 25 miles South of Bombay. In his #fararsaw Raghunatha mentions and quotes from the following works which are not recorded in Aufrecht's Catalogus Catalogorum: (i) Aousta. (ii) His own gostearate. (iii) kAvyakudahala. (iv) TRITT. kAvyamaNDana. (vi) Tiraget. (vii) E . (viii) air. (ix) Havasretar 1. The work yarate mentioned by Raghunatha appears to have been in Sanskrit. Kavi Vrnda's Hayat mentioned by Aufrecht (CC III, 88 ) appears to be a Hindi work. Vide B. O. R. Institute No. 964 of 1892-95"fa star far esta para fa ". The M8 records two dates viz. (1) arv (A.D.-1687) and (2) 9 8981 which is not obviously Vikrama Samvat. The first date may represent the date of composition while the Second represents the date of copy.

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Other Books and Papers Edited by Prof. N. A. GORE, M. A. ** Editor, Journal of Oriental Studies. BOOKS Rs. As. Ps. I A Bibliography of the RAMAYANA. (Out of print) 1 -0 2 The RJULAGHVI MALATIMADHAVA-KATHA of Puransara svati, edited for the first time from the only available Ms. with an Introduction, Notes and Indexes. 2-43 The ARYAS'ATAKA of Appayya Diksita, edited for the first time with an Introduction, an original Sanskrit Commentary by Dr. V. Raghavan, and an Index of verses. The SVAPNAVASAVADATTA of Bhasa with an Introduction, English Translation, Notes, Appendices and Biblography (In collaboration with Prof. Dr. M. A. Mehendale ). 3--4-O 5 The VAJJALAGGAM (1-300) with an Introduction and . Notes. . (Out of print) 2-4-0 6 The VAJJALAGGA (1-200) with an Introduction, English translation, exhaustive notes, Verse-Index and an Appendix. 2nd edn. The PAUMACARIYA (chs. 33-35) of Vimalasuri, with an Introduction, English Translation and Notes. (In collabora tion with Prof. R. D. Laddu). .8 The S'RNGARAKALLOLA of Rayabhatta, edited for the first time from the only extant Ms. with an Introduction and an Index of verses. Annals of the Bhandarkor 0. R. Institute Vol. XXVII, Parts 3-4. SHORTLY TO BE OUT 9 The VETALAPANCAVINS'ATI--Prose version of Jambhala datta. With an Introduction, Notes and an Index of verses. 10 The UVASAGADAS'AO (The seventh Auga of Jain Canon) with an Introduction, English Translation, Notes and Indexes. 11 The Cimanicarita of Nilakantha Sukla. Edited for the first time from 4 Mss. In the Journal of Oriental Studies, Vol. I, no. I. 1-1-0

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PAPERS 1 Bhisma on the horns of a dilemma. The Parashuramian, Poona. Vol. 24, No. 1. 2 The Nandi verses in the Ratnavalt. The Parashuramian, Poona. Vol. 25, No. 1. 3 Jagaddhara's indebtedness to Harihara, an ancient commentator of the Malatimidhava. The Annals of the Bhandarkar O. R. Institute, Vol. XXII. 1941. Parts 1--3. 4 Malatimadhava-laghuvivarana by Pandit Dharananda : His Date and other works written by him. Silver Jubilee Number of the Annals of the Bhandarkar O. R. Institute. Vol. XXIII. 1942. 5 Citations in the Vidyullata. Poona Orientalist Vol. IX, Nos. 3--4. 6 An interpolation in the Nandi verses in the Ratnavali of Sri Harga. Journal of the T, S, M, Library, Tanjore Vol. II, No. 2. 7 One of the oldest dated Ms. of the Padyavali of Rupagosvamin. The Pracya-Vant, Calcutta. Vol. 2, No. 2. 8 Two versions of the Padyatarangini of Vrajanatha. Dr. C. K. Raja Presentation Vol., 1946. 9 The Padyatarongini of Vrajanatha--An analysis and an index, Poona Orientalist, Vol. XI, Nos. 1--2. 1946. 10 Kavi Karikana Journal of the Ganganath Jha Research Institute, Vol. IV, pp. 175-181. II Importance of the Camatkaratarangini to Marathi: Lexicography-Read before All Ind. Ori. Conf. Nagpur. 12 Prakrit Studies in the Bombay University-Read before the Philological Association, Poona. 13 Developments in Sanskrit Literature, from 1945 to 1947. Read before the P. E. N. Conference, Benares, 1947. 14 Developments in Marathi Literature, from 1945 to 1947. Read before the P. E. N. Conference, Benares, 1947. 15 Recent Developments in Sanskrii Studies. Aryan Path, Feb. 1949.

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