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सुषमा कुलश्रेष्ठ
वन्यालोक (भानन्दवर्धनप्रणीत)-चौखम्बा संस्कृत सीरीब, बनारस, १५०० ७ माव्यशास्त्र (भरतमुनिप्रणीत -प्रथम भाग, मनीषा प्रन्यमाला प्राइवेट लिमिटेड,
467901-98, 9844f ८ साहित्यदर्पण (विषमाथप्रणीत)-मोतीलाल बनारसीदास, दिल्ली, वाराणसी
Kel, 1951 to संकेत-सूची fecrate - ferlarga14 २ ना. शा. - नाक्यशास्त्र ३ सा. द. - साहित्यदर्पण
SUMMARY Kirātārjuniya men Vimarsasandhyanganirūpanam (Limba of the Pause in Kirātārjaplyam.)
Rhetoriclans like Bhamaha, Dandin, Rudrata, Anandavardhana and Vlfvanatha havo very clearly stated that & Mahakavye should also POASCAR the five segments like a drama For the composition of theso five segments
drama or a Mahakavya, tho careful planning of tho principal Adhikarika ) and subsidiary (Prasangika) plot, five Arthaprakîtis, five Karyavasthas and some of the limbs of segments is necessary Duo to this very rule, wo get the five segments and a number of their limbs In many Sanskrit Mahakayas
Bharayl has very beautifully arranged five segments fra sfar-rifond fata
4) and their 52 limbs in his Kiratarjunrya In the prosent article, an attempt is made to show the limbs of the pay80 (Vimarja-andhi) in Kiratarjunrya Tho inclusion of the limbs of Pause in the sald Mahakavya 19 as under
1 Censore (Apaveda)-Kirtajomya XIV 12, 21, 22 2 Angry words (Sampheta)
XIy 25 3 Kiling etc (Vidrava)
XY 1, 2, 6 4 Insolence (Drava)
II 6,1 S Placation (Sakti)
Not found 6 Injury (Dyuti)
XIV, 25 7. Mention (Prasanga)
XVIIL 23, 28, 30, 31, 34 36 8. Insult (Chalana)
XIV 19, 21, 22 9 Assertion (Vyavasaya)
XIV 20 10 Altercation (Virodbana)
Not found 11 Foresight (Prarocana)
XVIII 13-15 12. Boastfulness (Vicalana)
Not found 13. Sumning up (Adana)
XVIII 43 14 Lassitude (Kheda)
VIU 22, 23, 26
