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CHAPTER THREE
from affection, she poured a stream of nectar, as it were, into the canals of his ears. She was like a living creeper with shoots in the form of arts, with flowers in the form of modesty and other virtues with fruit in the form of devotion to her husband.
Birth and childhood of Kanakavati (14-30)
In the course of time Lakṣmivati bore a daughter who by her own splendor was like an auspicious lamp in the lying-inhouse. Possessing all the favorable marks from her very birth, like Śri who had come to the house, she delighted her parents. Immdiately Dhanada, her husband in a former birth, deluded by former affection, came there and rained a shower of gold on her. Delighted by the shower of gold, Lakṣmivati's husband gave his daughter the name of Kanakavati.
Going from lap to lap, nursing at the breasts of nurses, in course of time she became able to walk, like a hansi. When they saw her approaching on her feet, the nurses, their hands held out, sang to her with ever new coaxings. When she was speaking very slowly in an indistinct, whispering voice, the nurses made her, like a maina, speak often from curiosity. With her hair bound, earrings dangling, anklets tinkling, she amused herself with jeweled balls, like Ramā (Śrī) in another form. Playing with dolls constantly, she shed the highest degree of joy on her mother with wide-open eyes.
Leaving sweet and simple childhood gradually, Kanakavati became suitable for learning all the arts. On an auspicious day the king took Kanakavati to a suitable teacher of the arts to learn the arts. She learned the eighteen alphabets, like the creator of alphabets, and learned grammar by heart like her own name. She became able to challenge her teacher from study of dialectics; she was conversant with the ocean of texts on meter and rhetoric. She attained facility in poetry in six dialects; she was distinguished in painting; she was confident in sculpture; she knew sentences whose verbs and subjects are hidden; she was versed in enigmas; she was expert in all kinds
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