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KAMSAVAHO
15. Compare भाग. 10. 42. 3 etc.-दास्यस्म्यहं सुन्दर कंससमता त्रिवक्रनामा ह्यनुलेपकर्मणि । In this way our text has got some common words etc., with unito in corresponding contexts.
16. The copulative particle च is used twice in the first half : it means that it is put to each of the members connected. चिएअं-चिअ+ gai. The author happily expresses a common idea which we come across so often in Sanskrit literature. Compare कुलेन कान्त्या वयसा नवेन गुणैश्च तैस्तैर्विनयप्रधानैः। त्वमात्मनस्तुल्यममुं वृणीष्व रत्नं समागच्छतु काश्चनेन ॥ रघु• vi. 79; साधारणोऽयमुभयोः प्रणयः स्मरस्य तप्तेन तप्तमयसा घटनाय योग्यम् । विक्रमोर्वशीयम् ii. 16; स धर्मराजः खलु शीलया त्वयास्ति चित्तातिथितामवापितः। ममापि साधुः प्रतिभात्ययं क्रमशक्ति योग्येन हि योग्यसंगमः ॥ नैषधीय० ix. 56. The figure of speech here is अर्थान्तरन्यास. __ 17. The flow of the phrases clearly indicates that the author first thinks in Sanskrit and then a Präkrit line is mechanically produced.
19. Note the form पुण्णिमा, a direct corruption of पूर्णिमायां Loc. sg. of पूर्णिमा. There is alliteration in the last two lines. कमणी appears to be a contraction of कमनीय.
21. मदन is already enemical towards कृष्ण, because he feels that he is surpassed by the physical beauty of कृष्ण. कृष्ण has become a partisan of त्रिवक्रा by compassionating her. मदन is tormenting her now; and this can be due to the fact that she is sided by HOT with whom #ca is not on good terms. Here we have the प्रत्यनीकालङ्कार.
22. Usually the arrows of मदन are made of अरविन्द, अशोक, चूत, नवमल्लिका and नीलोत्पल flowers which obviously are incapable of burning and infatuating, and hence the need of her conjecture
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