Nadivijnanam and Nadiprakasham

Author(s): J C Sikdar
Publisher: Prakrit Bharti Academy

Page 35

2. Anustubh Chhanda :
Anustubh Chhanda has been author in the composition of the below :
अङ्गुष्ठमूले करयोः कपालपार्श्वयोः षड्भ्यो नाड़ीभ्यो
adopted by the 1st verse as given
पादयोर्गल्फ देशतः ।
व्याधि-निर्णयः ||
He followed the same chhanda in the composition of the fourth, fifth, sixth, seventh, eighth, ninth, tenth, eleventh, twelfth, thirteenth, fourteenth, fifteenth, sixteenth, seventeenth, eighteenth, nineteenth, twenty-first, twenty-second, twenty-third, twenty-fourth, twenty-fifth, twenty-sixth, twentyseventh, twenty-eighth, twenty-ninth, thirty-second upto sixty-fourth verses.
3. Malini Chhanda :
The author has used Malini Chhanda in the composition of the second verse as noted below:
विलसति मणिबन्धे ग्रन्थिरङ्गुष्ठमूले तदघरनमिताभिस्त्र्यङ्गुलीभिर्निपीड्य 1 स्फुरणमसकृदेषा नाड़ीकाया: परीक्षा, पदमनुघुटिकाघोऽङ्गुष्ठ भूले
तथैव ॥
(V. 1)
4. Vasantatilaka Chhanda :
The third verse has been composed by the author in Vasantatilaka Chhanda as noted below :
14
Nadivijnanam
(V. 2)