Book Title: Lover of Light Among Luminaries Dilip Kumar Roy
Author(s): Amruta Paresh Patel
Publisher: L D Indology Ahmedabad

View full book text
Previous | Next

Page 73
________________ 64 A LOVER OF LIGHT AMONG LUMINARIES : Dilip Kumar Roy under his control. But she did not yield. Her love and respect for her guru were exemplary. Her surrender at the feet of her guru was complete and her sacrifice was quite impressive. She left behind her in 1949, her three sons, the youngest son at that time was just one year old. She gave up all the comforts of her life the life of simplicity and hardships for many years in order to be loyal to her guru. Indira Devi remained true to her guru all throughout their stay together at the Ashram. Dilip Roy observed that when he accepted her as his disciple, her capacity to have higher spiritual, almost supra-physical experiences, was revealed. She rapidly blossomed in the light of her spirit soon after her spiritual birth in 1949. Dilip Roy records: "What happened was that directly after her initiation, whenever I sang songs on Krishna, she started going off, intermittently into a samadhi which sometimes lasted for hours. She would sit stone-still-often with a beatific smile on her lips, or with profuse tears streaming down her cheeks. Once I saw her sit like this, petrified, for more than eight long hours. Sri Aurobindo wrote to me in a letter that "her samadhi was of the savikalpa kind." *Then she began to see, in her vision, a lovely lady in Rajput dress who sang to her beautiful devotional songs in a voice athrob with love's yearning and pain-viraha.”12 Later on, she remembered the songs which, in her trances, she had heard that Rajput lady sing. Indira Devi began to dictate those songs to Dilip Roy. Then, he had no doubt that the woman who visited Indira Devi in her samudhi was no other than Mira Bai, Queen of Mevar. In this manner, Dilip Roy took down almost 800 songs and published many of them in collections entitled: Shrutanjali (1950), Premanjali (1953). Sudhanjali (1958), Deepanjali (1960) and so on. Dilip Roy was astonished, in the initial stage, to find her remembering Mira's songs verbatim. Then he could understand why "Our Vedas were called Shrutis (meaning things heard) and the sages claimed that the messages came from on high and as such must be looked upon as Apaurasheya, Revelatory."113 Dilip Roy was very much satisfied when Sri Aurobindo, whom he considered the most authentic person on ancient and modern mysticism, commented in favour of the sincerity of Indira Devi's experiences. In two of his letters, he wrote to Dilip Roy: "There is nothing impossible... in Mirabai manifesting in this way through the agency of Indira's trance, provided she (Mira) is still sufficiently in touch with this world to accompany Krishna Jain Education International For Private & Personal Use Only www.jainelibrary.org

Loading...

Page Navigation
1 ... 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258