Book Title: Secondary Tales of the Two Great Epics Author(s): Rajendra I Nanavati Publisher: L D Indology AhmedabadPage 38
________________ Introductory have anything but war as their central theme. Since war is the central theme of the epics, the only wars narrated throughout the epics are those fought by the heroes themselves. And all the wars turn in their favour only. (The only encounter can it be called a war ?-where Arjuna finds himself powerless against the Abhira-robbers in MauP,60 marks the beginning of the end, the denouement of the story in its second stage. Though, as we have seen, this would not be the original story.) The right of the protagonists to shine as the victor heroes of the epics is, in no case, allowed to be obviated, and we can say that there is indeed some sort of justification in it. Therefore, when it is said that MBh is "a repertory of the whole of the old bard poetry" we shall have to qualify the statement that only those examples of the old bardic poetry have been preserved in the MBh which have themes other than those of wars, while those having human wars as the theme have been studiedly eschewed. iii. Further implications of the "Original" and the "Secondary" e The considerations of the implications of the terms 'Original' and 'Secondary" can be carried on still further into the course of the principal tale itself. Already many apparent contradictions, 2 many repetitions, even some entirely new episodes are introduced into the principal tale in order to bring in secondary matter a tale or a discourse. It has also been shown that many of the motifs constituting the VirP are merely repeated from the other parts of the principal tale, to the effect that the VirP's claim of being a part of the original is thrown in serious doubt. We have shown above that the SabP contains the beginning of the original epic. On examining some of the motifs of the principal narrative in SabP, we can observe one more dimension of the implications of the term 'Secondary". 25 We have seen that the jealousy of Duryodhana is the pivotal motif around which 60 Cf. prekatas tv'eva pärthasya vrsny-andhaka-vara-striyaḥ/ jagmur adaya te mlecchaḥ samantat janamejaya// MauP.8.61. 61 History of Indian Literature, Vol. I, M. Winternitz, Tr. Mrs. S. Ketkar, Calcutta, p. 318. Also pp. 375-387. 62 Vide Mahabharata - A Criticism by C. V. Vaidya. In Ch. IV he gives some very good examples of internal contradictions the one, for example, to introduce the Yaksa-praśnaepisode. 63 For example, the tale of Sibi protecting a pigeon from the hawk at the cost of his own life is repeated twice. Vide VanP. 130-131, (also AraP. appendix, passage no. 21, pp. 1074-75) and AnuP, Appendix, passage no. 8. The king in the AnuP is called Vṛṣadarbha. 64 For example, that of Jayadratha abducting Draupadi in VanP. 248-256, which occasions Ramopakhyana. 65 Vide 'Viraṭaparvan A Study' Dr. A. D. Shastri, Bulletin of the Chunilal Gandhi Vidyabhavan, Surat, No. 4, pp. 38-39. Cf. "Of one thing we can be sure that the Virățaparvan as we have it today is definitely later than the Mahabharata as a whole... A conjecture may therefore be hazarded that the Virața-parvan as we have it today contains the original nucleus out of which the story of the Mahabharta itself is developed. In other words, though the Virața-parvan as we have it is a later addition to the Mahabharata, the epic-story has developed from the original form of the story in the Virața-parvan." (p.39) ST. 4 Jain Education International - For Private & Personal Use Only www.jainelibrary.orgPage Navigation
1 ... 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210