Agam 32 Chulika 02 Anuyogdwar Sutra Part 01 Sthanakvasi

Author(s): Amarmuni, Tarunmuni, Shreechand Surana
Publisher: Padma Prakashan

Page 481

आदि में मृदु, आरोहण करते समय मध्य में तीव्र (तार) और अन्त में मंद। इस प्रकार से गीत के तीन आकार जानने चाहिए॥४३/४४/४५॥ SOME QUERIES ABOUT SEVEN SVARS
260. (10-a) (Question) (1) Where is the origin of seven svars (musical notes) ? (2) What is the origin or genus of song ? (3) What is the length of breath (utterance in one breath) (of a song) ? How many are the special tones of a song) ? (43)
(Answer) (1) The place of origin of seven svars (musical notes) is navel. (2) Wailing is the origin or genus of song. (3) The length of breath (utterance in one breath) of a song is same as the metrical quarter of a stanza. (4) There are three special tones of a song. (44)
Soft at the beginning, raise to high at the middle, and end with low tone. Thus a song has three special tones. (45) गीतगायक की योग्यता का निरूपण (१०. आ) छद्दोसे अट्ठ गुणे तिण्णि य वित्ताणि दोण्णि भणितीओ।
जो णाही सो गाहिति सुसिक्खितो रंगमज्झम्मि॥४६॥ (२६०. १०-आ) संगीत के छह दोषों, आठ गुणों, तीन वृत्तों और दो भणितियाँगीत की भाषा को यथावत् जानने वाला सुशिक्षित-गायनकलाकुशल व्यक्ति रंगमंच पर गाता है॥४६॥ ATTRIBUTES OF A SINGER ___260. (10-b) There are six faults, eight merits, three
meters, and two languages (in singing a song). A well trained performer who knows these can give a stage performance. (46) गीत के छह दोष (१०. इ) भीयं दुयमुप्पिच्छं उत्तालं च कमसो मुणेयव्यं।
काकस्सरमणुनासं छ दोसा होति गीयस्स।। ४७ ॥ स्वर-मण्डल प्रकरण
( ४०९ )
The Discussion on Svar