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१८० :
श्रमण, वर्ष ५९, अंक ४/अक्टूबर-दिसम्बर २००८
as well as its various chronological phases, aesthetic brilliance and their interactive features which will include the role of artisans also who lived during various phases of art activity and who, in fact, were responsible for bringing them to us.
Keeping in view the importance of the subject a National Seminar was organized under the auspices of ICHR, New Delhi, from 17 October to 19 October 2008 at Parshwanath Vidyapeeth. The Seminar was focused on following broader subject areas:
1. Special features of the Indian Art 2. The origin and development of various phases of the Jaina
Art
3. The origin and development of various phases of the
Buddhist Art 4. The role of Sresthin Masses to the development of Buddhist
& Jaina Art 5. The role of Artisans in the development of Jaina and
Buddhist Art 6. The impact of Brāhmaṇa tradition on Šramanic Art 7. The impact of śramaņa Tradition to Brāhmanic Art 8. The importance of Buddhist & Jaina tourist centres 9. The role of Śramanic art in the Social Harmony 10. The Literary sources of Śramanic Art 11. The Socio-economic dimension of Śramanic Art
Inaugural ceremony of the seminar was held on 17 October, 08 at 9.30 AM. Prof. C. D. Singh, Vice Chancellor, Indira Gandhi National Tribal University was the Chief Guest. The Session was presided by Prof. Navang Samten, Vice Chancellor, Central Institute of Advanced Tibetan Studies, Sarnath, Prof. Ramjee Singh, Former Vice Chancellor, Jain Vishva Bharati, Ladnun (Rajasthan) was the Guest of Honour. Prof. Rai Ananad Krishna, Former Dean Faculty
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