Book Title: Madhuvidya
Author(s): S D Laddu, T N Dharmadhikari, Madhvi Kolhatkar, Pratibha Pingle
Publisher: L D Indology Ahmedabad

Previous | Next

Page 693
________________ Sanskrit drama, inscriptions (praśasti) and letters of spiritual instruction ( lekha ). These two stateraents together give an accurate description of the material presented in the volume. The author believes that classical poetry did not begin with epic works of considerable length, as has been usually assumed, but with laghukayya, above all with muktaka, the one-stanza poem. It is from here that the classical poetry blossoms into the mahakavyas composed in the sargas, from wbere it proceeds to the mahäkävyas in prose, ultimatley to end in the mixed variety known as Campū. Accordingly the author presents bis description and analysis of the material in the following order : Chapter III Poetry of the Minor Form, Chapter IV Poetry of the Major Form, Chapter V Poetry of the Major Form - Prose, and Chapter VI Poetry of the Major Form - Campū. His first two chapters are intended to offer a proper background to the create ment of the subject. To his prefatory note (p. v) Lienhard observes that the General Editor of the scheme had told him that the volume was meant to be for both laymao and scholar alike. On going through a major portion of the work one can confidently say that the author has done full justice to the General Editor's request. While writing on the beginning of the Kavya tradition (p. 53 ), Lienhard lists four arguments which are meant to demonstrate that the Rāmā. yana “can hardly be said to represent poetry of the major form in the narrow sease". Of these, only the first argument - the Rāmāyana does not consist of sargas but of kāņdas - seems to be relevant. It is not clear how his second argument that many parts of the Ramayana have been interpolated can have relevance for the point to be proved. His third argument that we know early kavyas that antcdate Valmiki's work will only show that the Råmāyaṇa may got be called the adikāvya, but this certainly cannot be used to disprove its being a mahakavya. His last argument that the form in which classical poetry arose was not mahäkā vya but laghukāvya will only show that such laghukā vyas antedate mahākāvyas but will not, on that account, disqualify the Rāmāyana being called a mahākāyva. The author has profusely illustrated his work with citations from the different works dealt with by him and these citations have been translated into English. While these translations are, on the whole, good, occasоinally one comes across certain lapses. The word sikhă ( Raghuv. VI. 67 ) is better. rendered as filame' tbao as 'rays' (p. 36); similarly himadhaman (Sisup. IV, 20) is not place of cold' (p. 36), but whose rays are cool'. On Madhu Vidyā/668 Jain Education International For Private & Personal Use Only www.jainelibrary.org

Loading...

Page Navigation
1 ... 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762