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Vimala-Vasahi ]
is called Kumāra Somajasa (Somayasha, the Prince), another, Mantri Bahulamati (Bahulamati, the minister). Women on palanquin, labelled as, Antahpura (the harem). A lady on another palanquin, Subhadra Stri-ratna (Subhadrā, the jewel amongst ladies); then the lines of elephants, horses and the infantry. A person on a chariot, dressed as a warrior, is probably Bahubali, but the label below is much defaced.
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(C) Then is shown the battlefield. A dead warrior is labelled Anilavegah (Anilavega, by name). A warrior on horse-back, Senapati Simharatha. A warrior on a chariotRatharuḍho-Bharatheshvarasya Vidyadhara Anilavegah (the Vidyadhara Anilavega, riding on a chariot, belonging to the party of Bharata). A person on a heavenly car (vimāna) is called Anilavegah. An elephant is labelled, Paṭṭahasti, Vijayagiri (Vijayagiri, the state-elephant), the warrior riding on it is Adityajashah. A horse-rider is called Savega Dutah.
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(D) The next two panels show the six types of duels fought between Bharata and Bahubali. They are:-Bharatheshvara Bahubali Drṣṭiyuddha (Gazing competition between Bharata and Bahubali ), Bharatheshvara Bahubali Vak-yuddha (competition in elocution or battle-cries), Bharatheshvara Bahubali Bahu-yuddha (hand-to-hand fight), Bharatheshvara Bahubali Muṣṭi-yuddha ( boxing), Bharatheshvara Bahubali Danda-yuddha (duel fight with a staff in hand), Bharatheshvara Bahubali Cakra-yuddha (fight with the disc-weapon).
(E) Next, there is a figure of Bahubali standing in the Kayotsarga attitude and with creepers entwining his legs, labelled as, Kausagge Sthitashcha Bahubali (and Bahubali standing in meditation in the Kayotsarga posture). Another figure of Bahubali, depicting the moment of his
