________________
Lana-Vasahi ]
folded hands.1
(19) The rectangular ceiling slab in the second bay in front of cell No. 9 is noteworthy. It shows, in the centre, a three-tiered Samavasarana with a Jina in a small cell shown in the centre of this circular Samavasaraṇa (fig. 39). On one side of the Samavasarana is a row of standing sadhus fourteen in all, in another row are shravakas and in a third one the shrāvikās sitting with folded hands. Each monk carries a danda (staff), a muhapatti (mukhapaṭṭika-mouth piece) and an ogho (rajoharana). He wears a lower-garment reaching below the knees, the upper one leaves the right shoulder bare. Three of these monks carry water vessels (tarapani).
121
On one end of this relief slab is shown an ocean with gulf in which are acquatic animals and boats. The coastal region is filled with trees and a shrine of a Jina. It represents the port of Dvārikā.
Another end of the relief patta shows four Jaina temples on the Mount Girnar. Outside the temples is a Jina standing in kayotsarga. The shrines are surrounded by smaller cells or temples, trees etc., and having on one side a row of shravakas carrying pitchers, garlands, incense-burners, fly-whisks etc. (accessories for worship of Jinas), headed by six monks carrying the danda, the ogho, the muha-patti, the tarapani etc. Other rows of elephants, horses, devotees, dancers, etc. suggest that this is a scene of a samgha going to the shrines at Girnar, or people going to attend the discourse of the Jina in the Samavasaraņa.
(20-21) Each of the first bays in front of cells 10 and II show a figure of a goddess with a swan as her vahana.
1 I have omitted references to Bhava, 14-17 which merely refer to small images of Jinas or Ambika common in these shrines-Translator.
