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GLOSSARY (In Devanāgari alphabetical order )
In this Glossary are included not only the important and technical terms, used in this work, but also such other terms as are necessary even for a cursory study of the Samgitaśāstra. The chapter on dance is elaborate, and contains numerous technical terms. Of these, we have selected here only the broad ones, particularly those which convey more meanings than one in different contexts. The figures in bold types indicate page numbers of this work,
35
Angahāra : N 790, 797 etc.
Anubandha : V 127, 148 etc. 58, 54
A kind of dhatu (q.v.). Graceful posture at appro
Anubhāva : N 1390-91. priate place.
Particular movements of the Anghritādita : N 1007-8
eye, eyebrow, facial expresA kind of Desi cāri of the
sion etc. indicating love etc.; aerial type.
it is one of the constitutents Añcita : N 312-4, 340, 594-95. 757
of Rasa.
Anuvādı : S iii. 48, 59 etc.. 22 (i) A posture of the hand.
Name of the svara which (ii A posture of the feet.
makes the samvadi svara (iii) A kind of Nịttakarana.
clearer. So called as it follows (iv) A kind of Utplutikarana.
the samvadi. In the heptatonic Anibaddha : P 4. 18, 24
system, the third svara from A kind of song. In it there
the radi is called anuvadi. is no word. It is called alapa
For example, if SA is vadi or alapti (q.v.).
Ga becomes anuvadi. The following abbreviations have been used here to indicate the chapters of the Samgita-ratnakara, noted against them.-The figures against these abbreviations refer to the number of verse in the Adyar edition of the Samgitaratnakara : N-Nartanādhyāya R-Rāgavivekādhyāya T-Taladhyāya P-Prabandhādhyāya $-Svaragatādhyāya V-Vadyādhyaya, PK-Prakırņakādhyāya
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