________________
Glossary
113
Bhāratí vrtti : N 1114
A particular mode of speech
of actors. Bhramara : N 167-69, 641-42,
817–18, 1149-51 54, 60, 61
(i) A kind of angahara (q.v.) (ii) A kind of mandala (q.v.) (iii) A kind of nfttakarana
(q.v.) (iv) A particular pose of the
single hand in dance. Mandala : N 899, 901, 1046-48,
1142-18 36, 55, 60
(i) A kind of cari (q.v.). (ii) A particular sthana for
males. Madhya : S iii 39 20, 35
Name of a place (sthana) where sound arises. It is the
throat, Mandra : S iii 39 20, 35
Name of a place (sthana) where sound arises. It is the
heart, Mtu : PK 2
Mūrchana : S iv. 1, 9, 12, 13,
18, etc. V 67, 96 5, 6, 7, 18, 24, 25, 26 (f.n.) (i) The ascent and descent
of svaras in due order. (ii) A particular action of
the hand in playing
musical instruments. Yati : 146 38, 39, 51 Mode of application of laya
(q.v.): temporary pauses. Yamala : PK 23
A duet singer. Rāga : R 2, 18 etc.
PK 14, P 362
V 399, 400 etc. 6, 12, 23, 24, 25, 26, 27, 28, 30, 31, 33, 39
A group of svaras, which causes delight to the mind
of the people.. Rāgālapti : PK 190
Same as Rāgālāpa (q.v.). Rāgālāpa : R ij. 24.
Manifestation or spreading
out of a rāga. Rūpakālapti PK : 197. 18, 24
A kind of rāgalapa. Laya : T 44 6, 32, 35, 38 39, 51, 52, 63
Pause after an action, Time intervening between two
mātrās. Lalita ; N 278-84, 634, 1202-5
(i) A kind of mandala. (ii) A particular pose of
hands in dance. (iii) A kind of nsttakarana
(q.v.).
M
atical co
Poetical composition. Mārga : S i. 22. PK 1, 12 24d.
T4, 10 N 27 6, 8, 9, 33, 40, 49, 50, 52, 55, 65 (i) A kind of samgita which
was sought or found by guds Brahma etc. and applied by sages Bharata
etc. before Siva. (ii) A kind of tala. (iii) A kind rāga.
(iv) A kind of dance M-15
Jain Education International
For Private & Personal Use Only
www.jainelibrary.org
