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Glossary
Śārīra : PK 82 30, 31, 32
The capacity of a singer's voice for manifesting a raga
without practice. Sruti : S iii. 8, 9, 10 etc.
2, 10, 19, 20, 21, 22, 24, 25, 37, 39
Name of the 22 sounds existing in the heptatonic system. All these are Sruia (head);
hence these are called sruti. Šādava : R 9 etc.
A rāga consisting of six
svaras. Satpitā putraka : T 26
Sättvika : N 20
Acting by means of external manifestations of feelings or emotions, e.g. perspiration,
trembling of the body etc. Säranā : S iii. 19 ff. 19, 21, 38 Movement. Raising or
lowering of a svara. Sālaga : See Chayalaga. Sușira : V 4, 5 etc. 37, 44
The class of musical instru.
ments which have holes. Sūcı: N 698-9 (Nștta-karana)
N 951-52, 1014 54, 60 (i) A kind of aerial cari
(q.v.). (ii) A kind of desi aerial cari. Sūcividdha : N 700-701, 808-9,
11 86-88
51
61
A kind of tala. Sancāri : S vi. I 23 · A kind of varna. It arises
from the admixture of the sthāyi, ārohi and avarohi
Varnas. Samvādı : S ii. 47, 49, 50 etc.
V 123. T 74. 22, 23
The svara which supports a rāga whose form has been manifested by the Vadi
svara. Samapäda : N 1041-43, 1077 (i) A particular sthana for
males. (ii) A kind of desi sthana
(q.v.). Samapādā : N 917-18 55, 56
A kind of terrestrial cari (q.v.). Sambhrānta : N 736-37, 883-86 (i) A kind of nfttakarana
(q.v.). (1) A kind of ungahāra(q.v.).
(i) A kind of angahāra (q.v.). (ii) A kind of mandala (q.v.). (iii) A kind of nịttakarana
(q.v.), Sūcīmukha : N 147-51, 232-35 (i) A pose of the single
hand in dance. (ii) A pose of joined hands
in dance. Stāna : P 15. S iii. 39 6, 32, 33, 35, 36, 39, 40, 57, 58
Place where a svara arises. It is threefold, viz. mandra,
madhya and tāra. Sthāya: PK 97. 24, 33
Part of a rāga.
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