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Fundamentals of Ancient Indian Music and Dance
Nārāta : PK 41 30
A Kind of sound arising
from bile. Nikuttakā : N 603-6, 873–75 (i) A kind of nsttakarana
(q.v.). (ii) A kind of angahara (q.v.). Nitamba : N 238-39, 714-15
(i) A pose of hands in dance. (li) A kind of nsttakarana
(q.v.). Nibaddha : P 4 18, 24
A kind of song. It consists of meaningful words in a composition. Contra Anibaddha.
Niskrama : T7 50
A kind of Kalā (q.v.). Nștta : N 3, 4, 14, 78, 35 etc. 4, 52, 53, 67 Movements of the body devoid of acting.
Pata : P 13, 257. V 828 etc. 38, 47, 48
An accessory of prabandha, The sound syllables of Vad ya,
e.g. DHI GI DHIG. Pata : T6
See Kala. Peranı : N 130-3 64
A dancer dressed in a particular manner and possessed
of certain qualities. Prabandha : P 6, 12, 20, 21,
V 952, 1261 etc. 18, 33
A kind of nibaddha song. It is broadly divided in so three kinds-dvidhatu, tridhatu, and caturdhatu. Again, it is divided into two kinds, nir yukta and anir yukta. It is further divided into three kinds-Sudastha. alisamśraya and viprakirna. Vadya, too, has prabandhas, eg. Metapaka
etc. Pravesa : T 8
A kind of Kala (q.v.). Prastāra : T 314, 317 etc.
Spreading out. The method of arranging the seven svaras in a manner other than the natural order. In it the svaras are shown in different Kalās; along with it the syllabes of the song are shown. For example, NI NI NI NI SA DHA NI NI
TAM SU RA VAM DI TA Bombaka : PK 41 30
A kind of sound.
Nộtya : N 3, 4, 14, 27 etc. 7, 52
That which manifests a feeling or emotion through
āngika abhinaya (q.v.). Nyasa : R 21, 28 etc. T 62, 73 etc. 22, 23, 25
Name of that svara in which
a song or rāga ends. Parāvrtta : N 873-75, 1084
i) A kind of angahāra(q v.). (ii) A kind of desi sthana
(q.v.).
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