Jaina Art and Architecture Vol 03

Author(s): A Ghosh
Publisher: Bharatiya Gyanpith

Page 18

LIST OF ILLUSTRATIONS
C. Kalaka and the Sahi chier D. Capture of Gardabhita Folios from the Klakdodrya-kathd, west-Indians or Gujarati style ('Collection of B.C." Main,
Bombay) 26 Gardabht-widya, folio from the Kalpa-sütre-Kalakdodrya-karhd, A.D. 1452, west-Iteding of
Gujarati style (National Museum, New Delhi) 27 Mahävira's renunciation, folio from the Kalpa-sútra, A.D. 1417, xest-ladian or Gujarati
style (National Museum, New Delhi) 28 A. Penance of Bahubali, folio (obverse) from the Devas!-no pado Bhandara Kalpa-ara
Kalak dedrya-katha, circa A.D. 1475 (sce text for lator date), west-Indiary or Gujarati
style (National Museum) 28 B. Border-decoration, folio (reverse) from same as col-ill. 28A 29 Indra and Indrāni greet queen Maru-devi, folio from the Mahd-purdna, circa A,D. 1420 (80€
text for later date), probably Delhi, north-Indian style (Digambata Jala Mandir,
Old Delhi, Collection) 30 A. The porcupine kills the snake and is in turn attacked by an animal, folio from the
Yasodhara-carita A.D. 1494, Gujarat, probably Sojitra (Private Collection) B. King Māridatta makes preparations for sacrifice to the Devi, folio from same as col.
ill. 30A 31 Bhavisayattha sails across the seas, folio from the Bhavisayartha-kahd, circa A.D. 1430 (see
text for later date), probably Delhi, north-India style (Private Collection) 32 Pārsva with his entourage, folio from the Pasandha-carlu, A.D. 1442, painted at Gwalor,
north-Indian style (Private Collection) 33 Candramati shows Yasodhara the sacrificial cock made of flour, folio from the Jasahara
caris, circa A.D. 1440-50, probably Gwalior, north-Indian style (Private Collection) 34 On meeting monk Sudatta, Abhayamati and Abbayaruci lose consciousness, folio from the
Jasahara-cariu, A.D. 1454, probably Delhi, Dorth-Indian style (Private Collection) 35 Santinātha with attendants, folio from the Santinäha-carlu, A.D. 1450-60 (see text for later
date), probably Dolhi, north-Indian style (Private Collection) 36 A. Vidyadhara Atibala, folio from the Adi-purana (group 1), circa A.D. 1450 (see text for
later date), probably Delhi, north-Indian style (Private Collection) B. Śrepika extrols the beauty of the samavasarana, folio from the Adi-purana (group 1),
circa A.D. 1450 (see text for later date), probably Delbi, north-Indian style (Private
Collection) C. Musicians celebrating the wedding of Srimati and Vajrajangha, folio from the Add
purana (group 2), circa A.D. 1475 (sce text for later date), probably Delhi, north
Indian style (Private Collection) D. Dancer, folio from the Adi-purdna (group 2), circa A.D. 1475 (see text for a later date)
probably Delhi, north-Indian style (Private Collection) 37 King Yaśodhara with his entourage, folio the Yasodhara-carita, A.D. 1596, probably north Gujarat, west-Indian style (Private Collection)
TEXT-ILLUSTRATIONS
Chapter 32 Fig. XXVI. Gujarat: wood-carving, female musician (NM, sketch by Mohan Lal) Fig. XXVIL Gujarat: wood-carving, a nymph putting on anklets (NM, sketch by Mohan Lal)