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Yathasamkhya, Samāhita, Virodha, Samsaya, Vibhāvanā, Bhava, Arthāntaranyasa, Anyaparikara, Sahokti,
ujjā avanhava io
pemmäisao udātta-pariatta / davvuttara-kiriuttara- gunuttarā bahu silesă a // 7
Ürja, Apahnava, Premātisaya, Udatta, Parivștta, Dravyottara, Kriyottara, Guņottara, various types of Slesa,
vavaesa-thui-samajoiā ia apatthuappasamsal a / anumäņam aariso uppekkha? taha a samritha // 8
Vyapadesa-stuti, Samayojita, Aprastutaprašamsa, Anumāna, Ādarsa, Utprekşā, Samsrsti, .
asisa-uvamārüvaā ca jāŋahal niarisanam taha a / uppekkhāvaavo bhea-valia-jamaehi samjutta // 9
Āśiḥ, Upamārūpaka, Nidarśana, Utprekşāvayava, Udbheda, Valita along with Yanaka.
.
Kara/
ettia-mitta ee kavvesu padiţthia alamkara / ahia uvakkame şam visāo donni samkhāu // 10
These only are the established and accepted poetic figures. These, numbering forty, we shall describe in order.
uvamāņeņam jā desa-kāla-kiriāvaroha-padieņam / .. uvameassa sarisam lahai gunenaṁ khu sā uvamā // 11 //
That is indeed Upamā which achieves the similarity of the object of comparison, through a quality thereof, with the standard of comparison that is distinct on account of difference in place, time or action.
a
padivattha guņa-kalia asamā māla a viguna-rūvā à
l sampunnā gūdhā sarkhala a lesa a dara-vialā // 12
Prativastu, Gunakalitā, Asamā, Mālā, Viguņarūpā, Sampūrņā, Gůdhā, Śịnkhalā, Śleşā, Ișatvikalā,
ekka-kkamā pasansa tallicchā ņimdia aisaa a / sui-milia taha a viappia a sattaraha uvamão // 13
Anyonya, Prasarisā, Tallipsă, Ninditā, Atiśayā, Śrutimilita, Vikalpita. 8. 1. apatthuapasarsā. 2. upekkha... 9.1. jūnai niarisinań.
