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uvameo pindijjai thui-vavaesena jattha să nimda / aisaa-bhania si ccia aisaia bhannae uvama // 34
That is Nindopumā wherein the Upameya is censured through praise. That Upamā which is expressed through Atiśayokti is called Atiśayopamā. thui-nidoyama jala :
tambola-ra-miliarnjanena ahareņa sohasi paose /
dara-pariņaa-jaibūhala-kamti-sarisena pihu-acchi // 35 The illustration of the Stuti-nindopamā :
( girl with (beautifully) long eyes, you appear charming at the advent of the might with your lowerlip that is coloured by the betel-juice mixed with the kohl and hence it has the lustre like that of a slightly ripe roseapple (jambu) fruit. aisa(i)ya-uvama jaha :
jonha-bhaa--Saranāgaa-timira-samülehi nijjia-iniamkam / sevijjai vaanam sāsa-gamdha-luddhehi bhasalehim // 36
The illustration of the Atiśayitopamā :
(Your) face, which has conquered the moon, is served (i. e. attended to) by bees, (which resemble) masses of darkness coming to seek refuge due to fright of the moonlight, and which is covetous of the fragrance of (your) breath.
jä sarisachi bajjhai saddehin sa hu hoi suimilia / ekkanikku-viappaņa--bheeņa viappiä du-vila // 37
Śruti-mitita is that (Upamā) which is constructed by means of similar words; Vikalpita (Upamā) has two types according to fancying once or more than once. sui-miliovamā jahā :
dachana para-kalattain cliaidāvadiaṁ manoharam kavvam / khijjai khalo viambhai dūsai dosai a-pecchamto // 38
The illustration of the Sruti-militopama :
Seeing another's wife willful and beautiful (as also) a poem, composed in metres and heautiful, a wicked person feels dejected, yawns and censures her (or it) eventhough he fails (actually) to find any fault, 34. 1. nam dijjai. ne 1 A 15 2. parinia.
