Trishasti Shalaka Purusa Caritra Part 3

Author(s): Hemchandracharya, Helen M Johnson
Publisher: Oriental Research Institute Vadodra

Page 352

TWELFTH INCARNATION AS SĀNTI
323
sense-objects become unattractive; unattractive ones become attractive. So why should one be excited or disgusted by the senses? If the sense-object itself should be fundamentally pleasing or hateful, then surely there would be no desirability nor undesirability of inclinations, in reality. A person, whose senses have been subdued by purity of mind and then whose passions have been destroyed, soon reaches emancipation which has imperishable delight."
Initiation of Cakrāyudha (360–372) After listening to this sermon that was like a rain of nectar for the ears, Cakrāyudha, with the desire for emancipation, announced to the Blessed One: “Master, I am terrified of this worldly existence, the sole abode of trouble. There is no pride in being a human being in it on the part of the discerning, even though powerful. Just as in the case of a burning house or a cracking boat, its owner would take some valuables and go elsewhere, so in existence terrible with birth, old age, death, et cetera, taking the soul alone, I have resorted to you as a refuge. Master, do not disregard me falling into the ocean of existence. Today give me initiation, a boat for its crossing."
The Master said, “This is fitting for you discerning," and Cakrāyudha settled the kingdom on his son who was of military age. Accompanied by thirty-five kings the Master's son took mendicancy in the presence of the congregation under the Master. The Lord instructed the thirty-six gaṇabhrts, Cakrāyudha, et cetera, about the 'three steps,' origination, perishing, and permanence. They composed the twelve angas in accordance with the 'three steps' and the Master gave them permission for exposition and for the ganas.
Many men and women adopted' mendicancy under the Master at that time and some laymanship accompanied by right belief. At the end of the first watch the Supreme Lord arose and rested on the dais, the ornament of the