Silent Soil

Author(s): Vidyasagar Acharya
Publisher: Bhagwan Rishabhdev Granthmala

Page 31

the other, of seeing and hearing the high edges of metaphysical thinking and of the mundane and super mundane inquisitiveness and exploration. Here the appliances of veneration and adoration get merged in living dialogue. Human feelings, virtues and defects get expressed through them. This wonderful dramatic element, excessiveness and scatter of the relation of preceding and following contexts may be an inconvenience to a reviewer, but from the point of view of making the poem relevant their fabrication is courageous, meaningful and befitting to the modern panorama. This section in itself is an episodic poem. This is worth quoting in full. The difficulty is that to quote a little is not a justice to the work, that which is left is comparatively big, important. Hence, we see the narrative side. The golden urn is restless and distressed that why the hero has given respect to the clay pitcher ignoring him. To revenge this disrespect the golden urn invokes a terrorist team which becoming active lets loose disastrous chaos on the family. What are its mischiefs, through what calamities the Seth becomes able to save his family himself and with the help of natural forces and beings other than man-elephant team and serpent-she serpents-, how all get saved from the sinking boat in the midstream, how the forgiveness on the part of the Seth changes the hearts of the terrorists- the narration of all these is not less interesting than a novel. The poetry is fully tasteful. If we accept we can, that the golden urn and the terrorism are fresh contexts of modern
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