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Shri Mahavir Jain Aradhana Kendra
www.kobatirth.org
Acharya Shri Kailassagarsuri Gyanmandir
سب نے اسے بیان این سوره عنده بھائی ان ہے اسی شدم به نام در کند
یہ ان کی بے ایمانی و پیار نہ کوئی
ی
کی کویت میں اور ان کی مزید بن ہ توپ توپی بین، و چون برادرش هم نور داری جیسے ہی سوته مبنی بررسی در سومین ده اند در ایوان
سے بہت بار اليوم من
من من و تو این متین ورود به درب و بر میزان بات اور موتی دیتا سن ممبر بین ایران از دشمن و پریان خود می بینیم این موات انان شدتی متری
شبها اس
86 Fig 1) and the painting is handed over to his chelas - pupils, to fill in colours. After each application of colour wash the picture is put on a flat marble surface and burnished from the back. With this, the colour gets, fixed on the paper firmly. In this way when all colours are filled up the ustad makes a final drawing with a fine brush and finishes the work.
Khaka zadna - reproducing drawing from a pounce.
Khaka or charba are the words coming from the mughal technique. These are perforated drawings. The outline of the figure is perfarated with thin needle holes. In short these are trasings to obtain duplicate pictures of portraits or other scenes. Once the master artist has made final drawing (say of a portraist), the same is repeated several times. Therefore, the perforated drawing in put in position and powdered lamp black is moved over it kept in a small pouch of thin cloth. An impression in obtained below which is later on completed in line and finished like original painting. Khakas are generally made of ornamental repeats; decorative elements, jewellery articles, and other art objects which are repeatedly required by the painters. They are usually made of paper but in some cases thin parchment has been used by the mughal painters. (Fig. 2.)
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