Book Title: Jaina Temples of Western India
Author(s): Harihar Singh
Publisher: P V Research Institute Varanasi

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Page 130
________________ Description of Temples 113 there is formed a continuous chain of kolas all along the three sides of a square, dividing thus its around. The corner of the central lama and the entire area in a square central nave and the side side space between the corner lämās are filled with aisles. Six of these pillars on each side, together pieces of creepers issuing from the mouth of kirtti- with two pillars of the mukhamandapa form mukhas. This considerably enhances the beauty of an octagon and support a shallow but beautithe ceiling. Like the preceding ceiling the edges fully wrought domical ceiling on an octagonal frame of the kolas here also are decorated with lotus of architraves. Eight of these pillars are of the petals. This is one of the handsomest ceilings of octagonal type, while the other two are of the the nābhicchanda order. square order. The ceilings in the southeast and southwest The two square pillars, forming the octagon on corners are alike. Rectangular on plan they are the north side, have their corners chamfered into ksipta vitāna of the nābhicchanda order (Fig. 30). Each three angles. Each of these pillars consists of four ceiling is composed of three receding courses, the first components, viz. pedestal, base, shaft and capital. being octagonal and the others, circular. The inner The pedestal is made up of a bhitta, jad yakumbha, face of the octagonal course is relieved with figures karyika, antarapatra and a plain patrika. The base conof a kāyotsarga Jina, Ācāryas, Gandharvas, Vidya sists of a khura, kumbha carrying a niched lalitasana dharas and elephants with upraised trunks, while goddess on each of the four faces, kalaša, antarapatra, it underside depicts a kirttimukha at each corner and kapota adorned with caitya-arch pattern. Like and a frieze on each of its shorter sides. The frieze the shaft of the square pillars of the mukhamandapa, represents a procession of warriors on the one side, the shaft of these pillars also is divided into four a lalitäsana goddess with worshippers, Sārdalas and sections. The square section carries framed figuwarriors on the other. The second is an eight-foil res of two or four-armed male dancers, musicians kola, carrying kirttimukhas on the triangular spaces and Pratihāras on the four faces. The octagonal and Vidyadharas on the points; the edges of kola section bears eight figures of two-armed female are carved with lotus petals. The third is a qua dancers. The sixteen-sided section is plain. The trefoil kola bearing similar decorations as we find circular section is divided into three horizontal in the preceding course. The ceiling is closed up belts. The lower belt is plain. The middle belt shows on the top by a circular kola. four projecting lambanas and decoration of chainPlaced against the wall of the gūdhamandapa and and-bells alternating with tassels. The upper one, flanking its northern door are two khattakas, now which is equal to the size of the two combined, empty, except for the parikara carrying an inscri carries a band of kirttimukhas spewing pearl chains ption of 1091 A.D. The triratha pedestal of each that are secured below by a band of diamonds and khattaka consists of a khura, kumbha decorated with beads. The capital has a double-course round half diamonds, kalata and padma. The wall is plain bharani of karnika and padma, surmounted by fiveand is crowned by a ribbed awning and a double- armed double-roll brackets bearing a figure of course ud gama. In front of each khattaka is a scall- Kinnar on the side face of each arm. oped toraņa-arch thrown between the pillars of the side bays. The arch issues from the mouth of a The octagonal pillars (Fig. 32) are similar to makara treated as an impost inserted into the pillar the square ones, but here the kumbha of the octagoand meets in the centre of the underside of the nal base is decorated with half diamonds, and the architrave. It is punctuated with a row of Gand shaft is octagonal at the base, sixteen-sided in the harvas and carries pendants at the points of cusps middle and circular on the top, the last section, and lotus scrolls in between on the lower edge and edge and separated from the one below by a kumuda, alone saw-tooth pattern on the upper. showing carvings which include, in addition to those seen on the square pillars, a band of GandhaRangamapdapa rvas. Besides, the corner pillars are crowned by The rangamand apa, laid out on the floor of the four-armed brackets, the side face of each arm of jagati, consists of ten tall, ornate pillars disposed which is adorned with half kirttimukha or creeper, 15 Jain Education International For Private & Personal use only www.jainelibrary.org

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