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INTRODUCTION
to possess all the three qualites. It would not therefore be correct to state in relation to her that worship of her two-armed form is ancient and that of other forms is otherwise, merely because only two-armed ancient images have come to light. Having regard to her nature as originally conceived it is equally possible that further discoveries may bring to light her other ancient forms also. In regard however to deities like Sarasvati originally conceived as possessing a single quality viz. Sattva it can be stated without fear of contradiction that her two-armed form is ancient both because that is the only ancient form yet discovered and specially because that is the form in conformity with her Sättvīka nature as originally conceived.
We would now refer the readers to Acáradinakara Vol. II pr. 207-209 where Bhagavatīmandala is described to be worshipped as a part of installation ceremonies of goddesses. As it is a Yantra common to goddesses including Sri Ambikā it furnishes a clue to her 'Parivāra' which includes 8 Mātļkās, 16 Vidyādevis, 64 Yoginis, 52 Viras, 8 Bhairavas, 10 Dikpālas, 9 Grahas, Kśetrapāla and others.
Sri Ambikā is also known as Kuşmāņdī, Amrakuşmāņdi, Kuşmā. ņdini, or Kohandi because her 'Vimāna' or heavenly abode is named Kuşmāņda or Kohanda-see Vividhatirtha Kalpa p. 107. Sri Durgā is also known as Kuşmándi because it is said that she is fond of the offering of Kuşmaņda i. e. a red pumpkin or gourd, which however is not the case here. Sri Ambikā is called Amrakuşmāņdi refering to the mango in her hand, perhaps to distinguish her from Sri Durgā.
APPENDIX 16
We would now consider the question of the authorship of the hymn in Appendix 16. As the name Ambāprasāda is cleverly introduced in the last verse of the hymn, it is presumably by some Ambāprasāda. We have referred to the minister Ambāprasāda who was cured of a snake bite by Vádi Devasūri on Mt. Abu-see foot-note at pp 217-218 ante. There has been another Ambāprasāda, the younger brother of the Digambara Jain poet Amarakīrti. The latter
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