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## The Fifth Karma Granth
7.
Mandā...Modan - Marakarmī Roy or Prakritis, Chautan: Tanu Chatushk Upadhay-Upghāt, Sahāran Sādhāran, Imar-Ithar.. Each, Joy Sigan- Udyotatrik, Pugal Vivāgi - Pudgal Vipāki, Bandho-Dhandh, Payavah - Prakṛiti and Sthitibandh, Raspaes - Rasabandh and Pradesh Mantra, Si- In this way.
Gādhārth - The twelve Prakritis of Nāmakarma's Dhruvodayī, the four bodies, Upghāt, Sādhāran, Each, Udyotanik, these thirty-six Prakritis are Pudgal Vipāki. Prakṛitibandh, Sthitibandh, Rasabandh and Pradeshbandh are the four types of Bandh. Visheshāpan - In addition to mentioning the Pudgal Vipāki Prakritis, the Gāthā also describes the four types of Bandh. Further Gāthās will describe the characteristics of Bhuyasakar Bandh etc.
Firstly, the Pudgal Vipāki Prakritis are listed: 'Nāmadhuvoday' 'Puggal Vivāgi' - the twelve Dhruvabandhini Prakritis of Nāmakarma (Nirman, Sthir, Asthir, Agurulghu, Shubh, Ashubh, Tejas, Karmān, Varnachatusk) and Tanu Chatushk (excluding Tejas, Karmān bodies, the three bodies, three Angopāng, six Sansthān, six Sanhanan), Upghāt, Sādhāran, Each, Udyotanik (Udyot, Ātap, Parāghāt) - these Prakritis are Pudgal Vipāki. Their total number is thirty-six.
These Prakritis bear their fruit in the Pudgal Paramanus that have transformed into the form of the body, hence they are Pudgal Vipāki. For example, the rise of Nirman Nāmakarma regulates the Ang-Upāng in the Pudgal Paramanus that have transformed into the form of the body. The rise of Sthir Nāmakarma makes teeth etc. stable, and the rise of Asthir Nāmakarma makes the tongue etc. unstable. Shubh...