Jaina Philosophers On Nature Of Liberation

Publisher: Unknown

Page 22

Article Navigation
Jnanpith, 2008 (Part I: Chapters I-IV, 8th edn), 2013 (Part II: Chapters V-X, 9th edn).
Pūjyapāda Devanandin. (Sarvārtha-siddhi, includes the Digambara recension of the Tattvārthasūtra] Ācārya Pujyapada's Sarvarthasiddhi (The commentary on Acharya Griddhapiccha's Tattvartha-sūtra). Edited and translated into Hindi by Shastri Phoolchandra. New Delhi: Bharatiya Jnanpith, 1997 (7th edn).
Umāsvāti. [Tattvārtha-sūtra with Svetāmbara commentaries, includes the Svetāmbara recension of the Tattvārtha-sūtra] 1. Tattvārthādhigamasūtra (A treatise on the fundamental principles of Jainism) by his Holiness Śrī Umāsvāti Vāchaka, together with his connective verses commented upon by Śrī Devaguptasūri & Śrī Siddhasenagani and his own gloss elucidated by Śrī Siddhasenagaņi. 2 vols. Edited by H. R. Kapadia. Sheth Devchand Lalbhai Jain Pustakoddhar Fund Series Nos. 67 and 76. Bombay: Jivanchand Sakerchand Javeri, 1926 (Part I: Chapters 1-V), 1930 (Part II: Chapters VI-X). 2. Tattvārthadhigama by Umāsvāti being in the original Sanskrit with the Bhāsya by the author himself. Edited by K. P. Mody. Bibliotheca Indica New Series 1044, 1079, 1118. Calcutta: Asiatic Society of Bengal, 1903, 1904, 1905.
Bajželj A. 2013. 'The Jain ontological model according to Kundakunda and Umāsvāti'. Asian Studies , 1,3-16. Google Scholar Crossref
Bajželj A. Forthcoming. 'Clay pots, golden rings, and clean upper garments: causality in Jaina philosophy. In den Boer L. and Cecil E. (eds.) Confrontations in context: intellectual and lived spaces across South Asia and beyond. Berlin: De Gruyter.
Balcerowicz P. 2008. 'Some remarks on the opening sections in Jaina epistemological treatises? In Slaje W. (ed.) Śāstrārambha: inquiries into the preamble in Sanskrit. Wiesbaden: Harrassowitz Verlag, pp. 25-81.
Skip to Main Content
Balcerowicz P. 2011. 'The body and the cosmos in Jaina mythology and art In Balcerowicz P. (ed., in collaboration with Jerzy Malinowski) Art, myths and visual culture of South Asia. Delhi: