Book Title: Jaina Art and Architecture Vol 03
Author(s): A Ghosh
Publisher: Bharatiya Gyanpith

Previous | Next

Page 233
________________ ! CHAPTER 37 MUSEUMS ABROAD BRITISH MUSEUM, LONDON THE EARLIEST JAINA SCULPTURES IN THE BRITISH MUSEUM ARE FROM Mathurā and belong to the Gupta period, circa fifth century. Among them there are three heads of the images of Tirthatikaras carved out in white-spotted red sandstone. In all these the hair of the Tirthankaras is arranged into spiral curls and twirled towards the proper right. The almost round face, bow-shaped eye-brows, broad cheeks and the full lips reveal the artistic genius of the Gupta craftmen of the Mathurā region. In a single example the hair of the Jina is arranged in receding tiers demarcated by lines. In the beautiful bust of a Tīrthankara image the hair of the deity is arranged in schematic curls (plate 315A). He bears a Srivasta-mark on the chest as is found in the contemporary Gupta sculptures from Mathura and elsewhere. The elaborate lotus-halo behind the head of the god, surrounded by a beaded border and scalloped design on its outer rim, indicates the lingering of the Kushan traits in Gupta sculpture. Central-Indian Jaina sculpture of the medieval period is well-represented in the collection. In one image an eight-armed Yakşi is shown seated in lalitäsana-pose on a lotus issuing from an inscribed pedestal (plate 315B). She holds a garland of flowers in her uppermost hands held behind her crowned head. In one of her right hands she holds a disc with a fluttering tassel and her two hands are held in abhaya- and varada-poses. In her left hands she carries a circular mirror, a conch and probably a cup, now partly damaged. She is flanked by a female attendant on either side. A våmanikå playing on vină stands on the right, and an elephant, the vähana of the Devi is shown on her left near the knee. Two garland-holding damsels are depicted flanking her An almost similar attitude of holding the garland in the upper hands is also shown in the image of Yoga-Nårāyana from Didwaga. See S. Singh and D. Lal, Catalogue and Guide to Sardar Museum, Jodhpur, Jaipur, 1960-61, p. 8, plate 6. *Cf. the image of Jaina Kubera from Bansi in the Udaipur Museum, P. Solanki, Handbook to Victoria Hall Museum, Udaipur, Jaipur, Pp. 17-18, plate VI.

Loading...

Page Navigation
1 ... 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403