Jain Journal 1984 07

Author(s): Jain Bhawan Publication
Publisher: Jain Bhawan Publication

Page 29

Stage Version of Lalwani's Drama Nagila
HARE KRISHNA ROY
With the struggle of mankind for gaining a higher state of civilisation since earliest times the main motives no doubt concentrates on the needs of existence. But, perhaps, there were individuals since the beginning of human culture who recognised unseen beams of light. That light is nothing but divinity innate in human soul. It shines forth in its innate glory when it completely extirpates the veil of karma matter that covers the soul and obscures its infinite knowledge, infinite perception, infinite bliss and infinite power. Deriving spirit of his theme from Jaina literature the eminent playwright Sri Ganesh Lalwani has presented us the drama Nagila which epitomises the sublimity of love as a star of purest light sparkling high above passion, desire and greed. Staged at Star Theatre in Calcutta on April 15, 1984 by the young girl students of Jain Siksalaya, Calcutta, the drama will remain ever memorable for its artistry and central theme. In brief, the story of Nagila narrates the deep love and attachment of young Bhavadeva and his charming wife Nagila. Bhavadeva found all his inspiration through the fleeting moments in the company of Nagila. But there was a strange transformation in the life of Bhavadeva when he was visited by his elder brother Bhavadatta who took to the life of recluse long ago. When Bhavadatta began to return to his monastery, Bhavadeva accompanied him with his bowl. He wanted to bid him last adieu. But Bhavadatta never asked for the bowl nor Bhavadeva could say, "Take it, I am going back.' So Bhavadeva had to follow him through the cornfields and groves to the distant monastery. On the way he met a flower-seller and a peddler woman selling bangles of different colours. He told them to give Nagila the blue flowers, the petty bangles as token of his love and assure her that he would return very soon. The situation was strange. Bhavadeva wanted to return but he did not dare to affect the honour of his elder brother. At last he entered into the monastery. There he felt that he had no other alternative but to be initiated as a monk. When Nagila learnt everything she wept but ultimately realised the fleeting nature of earthly joys. Thus passed twelve long years. When Bhavadatta died Bhavadeva left the monastery and returned home. But Nagila then was a changed person. She advised Bhavadeva not to deviate from the path which leads one to absolute truth. Though she cherished infinite longing for Bhavadeva still out of her love for him she showed him the way to light. Thenceforth no more a reluctant participant, Bhavadeva became a true follower of Nirgrantha. This in short is the story of Nagila.