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## Introduction
(4)
'Tassa ima gaha titthakara-guna-tthu-ipanam-apara-pagarana-pinda-ttha-niddesa-ttha' (Kammapayadi, Patra 1) 'Tassa pagarana-ssa ima aima gaha mangala-abhidheya-adhara-sattha-samvadhattha' (Sataka, Patra 1) 'Tassa mangala-abhidheya-niddesa- sambandhattha padhama-gaha,- (Sittari, Patra 1)
Now, some excerpts are given from the above four churni, which have similar word-arrangement and structure, and also similar emotional expression and style of narration.
(1) Sesani jhada sammadiṭṭhie bandhe tadha ṇedavyāṇi. (Kasa 174, Su 184)
xxx pagarai-ṭhiti-aṇubhāga-ppaesa-pagareṇa neyavyāṇi. (Sittari, 54/2)
(2) Evamanumaṇiya samittaṁ ṇedavvaṁ. (Kasa 461, Su 163)
Ettha samittaṁ neyavyam. (Sataka Churni, 27/1)
(3) Adesa-kasaraṇa jaha cittakasme lihido koho rusiḍo tivaliḍaṇiḍālo
bhiuḍi kāuṇa. (Kasa 24, Su 56) Kohodae jivo tappajaya-parino hoi sariram avi tivaliya-niḍālam pasinna-muham bhiuḍī-mabhivanjai. (Sataka Churni, 4) Eḍeṇa aṭṭhapadeṇa. (Kasa 62, Su 8, 123, Su 236)
Eeṇa aṭṭhapadeṇa. (Sataka Churni, 28/2)
(5) Sesāṇam pi kammāṇamedeṇa bija-padeṇa ṇedavyam (Kasa, 136, Su 352)
Sesāṇam kammāṇamedeṇa vija-padeṇa aṇumaggidavvam (Kasa 136, Su 352) Eteṇa vijeṇa vakṣyamāṇaṁ (1) jahannagam ṇetavvaṁ jahāsanbhavam. (Sataka Churni, 48/1) Edāṇumaṇiya sesāṇam pi kṣayāṇam kāyavyam. (Kasa 610, Su 24)
Teṇa aṇumaṇeṇaṁ kāyādige-su vi maggaṇa-ṭṭhāṇe-su bhāṇiyavyam. (Sittari 54.2)
(7) ṇāṇā-jiva-hiṁ bhangavicayo bhāgābhāgo parimāṇaṁ khettaṁ posanaṁ kālo antaraṁ ca
edāṇi bhāṇidavvāṇi. (Kasa 526, Su 456) Pancidīyāṇam savvāṇi bandha-ṭṭhāṇāṇi savigappāṇi bhāṇiyavvāṇi.
(Sittari, 53.2)
(8) Sesesu pade-su jhada purisa-vedeṇa uvatṭhidassa ahoṇam diṛittaṁ tavtha ṇāṇattaṁ.
(Kasa, 10864, Su 1556) Evam jaa vitiya-faḍḍagassa parūvaṇā bhaṇiya, saa tatiya-faḍḍagassa vi ahiiṇa
maṇatiri-cā bhaṇiyavvā. (Kammapa 26.1) (8) ṇavari sammatta-sammāmichchattāṇam saṁkāma-gā-puvvaṁ ti bhāṇidavyam.
(Kasa 364, Su 174) Navaram vāvīs-ega-vīs-saṁtāṇaṁ parabhavo na bhāṇiyavvo. (Sittari 122)