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Here, residing, here roaming. Beautiful with a swaying garland on her bosom, this is our beloved Swayamprabha Devi. Indra of the Devas, this is Achyutanath. This is the depicted Parameshwar Indra. This is the absorbed, effulgent Brahmeshwar within me. The other play I began is not written here. The story of Bugandhar Deva, thrilled by the sound of Rati's anklets, is being told. We both are seated here. We are content in our minds after hearing the story. The peacock that danced here is not written here. We have gone to Mount Sumeru, the pillar of the world, confused by the fragrance of our bodies, the buzzing of the bees. We are engaged in the abhisheka of the Jinenndra. This Anjan Mahidhar Gunjan is not written here. The news of the arrival of the gurus, and the Shuk who teaches the lesson of shyness, is depicted here. I like it very much. It is called Nandishwar Dweep. We both did not have a beautiful conversation with Indra here. This ear ornament, this lotus, is not written here, which went for more worship and devotion than the eyes of the brides. This mountain is the best Ambaratilak. This venerable Pihithashrav is depicted. Here, the magnificent is adorned. Here, the act of the bride is not depicted, here the love-anger is not depicted, here, their lotus feet are being saluted by their cheeks, and we both are seated here listening to the Jina Dharma.
The adornment of the letter-composition and the Kislay-Tadan are not written. Here, the face of the heartbroken is not written, the Ghutta - I am an innocent Natyacharya, and this Swayamprabha is dancing. The Jina-Varbhavan of Trisiddhavan, the trembling beloved face is not depicted here, the sent ornament is not depicted here, here I am adorned by the lotus feet of the earth. ||4||
But the heartbroken face is not written here, the conversation of the messenger is not written here. Only one thing is written here, and that is the one who bestows grace upon me.