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He who was filled with karavṛndas (hands and karaundī trees) like a thousand-armed one; who was adorned with tāla (tree and tāla) like a tūrya (musical instrument), and with sajja (a particular type of sarja tree and the ṣaḍja note) like a song, and with mah (tree and the forceful battle of the new kaner flower, which is the color of the red sandalwood, sitting on a large rock under the banyan tree in that Nandanavana) like a king's palace; who was adorned with nāgabelli (rows of snakes and a particular type of vine) and padmāsana (lotus seat) in which the Lord thinks - "There is no special happiness in the world, I have found sorrow in the form of happiness like the underworld; and like twilight, he was styanda dāvira'u (showing the red moon, I have seen red sandalwood. This play that destroys the imperishable is not good. It increases the burden of the body with ornaments, it shows the body of lust). Which was hidden by the poets (group of poets, group of monkeys) like an insult. Which is friction and decay. The foolish creature cries under the pretext of song. Therefore, he should have the feeling of the great Shiva, not like a sword (free from the sun). Which was smeared with honey, like the face of a beautiful woman like the moon, and from which this creature will not be reborn. He was filled with snakes (snakes and thugs) with avagāha, vīrya, sūksmatva, samatva, jñāna, darśana, agurulāghutva and jewels.
They meditate on this group of eight qualities of the Siddhas, which are free from obstacles. Thus, the Lord Ghāṭṭa - who says something in that garden under the pretext of the amusement of the kumudas, he praises the Lord through the voices of various birds. ||14||
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