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## The Uttarapurana, a part of the Mahapuraana
**This manuscript of the Uttarapurana, a part of the Mahapuraana, contains 12 lines with 30 to 40 characters per line. The characters are legible, and there are annotations for difficult words in the margins. The book is in good condition, mostly clean, and was written in 1805 on Thursday, the fifth day of the month of Jyeshtha, by Vimalsagar Yati in Sawai Jaipur. Its code name is 'M'.**
**Another copy of the Uttarapurana in Sanskrit manuscript is found in the Bharatiya Gyanpeeth, Banaras. From the beginning to the Naminaathpurana, it is based on a printed copy with a translation by Pandit Lalaramji Shastri, and after that, it is based on a handwritten copy. The origin of this copy is unknown due to the transfer of the administrator of the Gyanpeeth. I wrote a letter to Pandit Mahendrakumari Nyayacharya, the former administrator, requesting information about the copy, but received no response. I also discussed it in person, but he said he couldn't remember due to the passage of time. The current administrator is unaware of this matter. Nevertheless, this copy appears to be accurate, and wherever different readings have been taken from other copies, I have mentioned them with the words 'ityapi kvacit'.**
**2. The Uttarapurana is a supplementary part of the Mahapuraana. It contains the stories of 23 Tirthankaras starting with Ajitanath, 11 Chakravartis starting with Sagar, 9 Balabhadra, 9 Narayana, 9 Pratinarayana, and the special individuals who lived during their time. Many of these stories are written in such an engaging way that one doesn't want to leave them unfinished. Although the characters of the 8th, 16th, 22nd, 23rd, and 24th Tirthankaras are written very briefly, the sweetness of the narrative style makes even the brevity enjoyable. This text not only contains mythological stories but also sections that discuss principles like Samyagdarshana, etc., from a philosophical perspective, and topics like creation from a philosophical standpoint.**
**The historical account of the author, Gunabhadracharya, has been given in detail in the introduction of the first part of the Mahapuraana, so it is unnecessary to repeat it here.**
**3. The place of composition of the Uttarapurana - Bankaapur. I had a strong desire to find out where the Uttarapurana was composed, but due to lack of resources, I had no hope of success. One day, Vidya Bhushan Pandit K. Bhujabali Shastri of Moodbigi mentioned in a letter, "If you want to include the place of composition, Bankaapur, in the introduction of the Uttarapurana, I can send it to you." I accepted this kindness of Shastriji as a blessing from heaven and agreed to include the information about Bankaapur in the introduction. As a result, I am presenting the information about Bankaapur that Shastriji sent, in his own words:**
**"Bankaapur is located in the Dharwad district, 15 miles from the Haveri railway station, which is near the Harihar station on the Pune-Bengaluru railway line. This is the holy place where the memorable Acharya Gunabhadra completed the Uttarapurana, a part of the renowned Mahapuraana, in the Saka Samvat 819, under the guidance of his Guru Bhagavajin. Acharya Jin and Gunabhadra are renowned poets in the Jain world, as the literary world knows well. The Mahapuraana is truly a unique work in Sanskrit literature. At the time of the completion of the Uttarapurana, Lokaditya, the worthy son of the Jain hero Bankiya, ruled as a vassal of the glorious and powerful ruler of Vijayanagara, Akalavarsha or Krishna Raja (II). Lokaditya was a great warrior, intelligent, and a conqueror of enemies. His flag bore the symbol of a kite or eagle, and he was the younger brother of Chella Chellaj and the son of Chellaket..."**