Disclaimer: This translation does not guarantee complete accuracy, please confirm with the original page text.
## Sarvarthasiddhi
If another Acharya, like Pujyapada, had encountered the reading "charamveha" in the Tattvarthabhaṣya, they would have mentioned "charamdehottampurusa iti va pāṭhaḥ" instead of "charamveha iti va pāṭhaḥ." This is because they had to decide which reading, "charamdehottampurusa" or another, was available in place of "charamdeha." In such a situation, they would not mention an incomplete alternative reading, even by mistake.
It is clear that this alternative reading, like "kṣipranisaṭ," must have been available to Acharya Pujyapada in other commentary texts. It is on this basis that he mentions it here.
3. We have already given an example of arthantrannyasa in the context of the style of composition, while discussing Chapter 4, Sutra 22. There, we have indicated that Acharya Pujyapada has beautifully maintained both the sutra and the agam, as the complete agamic meaning did not fit in the sutra. This is the first example of arthantrannyasa.
4. As a second example, we present the 11th sutra of the 9th chapter. It mentions the 11 parisahas of vedaniya nimittaka. To clarify this topic further, we would like to discuss it in detail.
The parisahas are considered from the sixth gunasthana, as the beginning of the sramanyapada occurs here. Therefore, it is correct to say that all parisahas exist in this gunasthana, because there is a presence of pramada in this gunasthana. In the presence of pramada, both the actions of generating the kṣudhādijanaya vikalpa and the effort to divert the cittavṛtti from it towards dharmyadhyana to overcome it become necessary. And the situation of the seventh gunasthana, although free from pramada, is not different from this, because the difference between these two gunasthanas is only in the presence or absence of pramada. Although the sixth gunasthana is named after the vikalpa and its corresponding pravṛtti, and the seventh gunasthana is named after its suppression, the flow of these two gunasthanas is so much up and down that the parisahas and their actions like jaya cannot be properly divided, and these actions have to be considered as belonging to both. The udirana of vedaniya occurs up to the sixth gunasthana, not beyond. Therefore, it can be said that the kṣudhādijanaya vedanakarya that occurs in the sixth gunasthana due to the nimitta of vedaniya is not possible in any way beyond that. Upon reflection, this seems to be the case, and it is indeed so, because in the gunasthanas of apramattasamyata etc., the jiva has neither external pravṛtti nor results in accordance with external pravṛtti. Also, the kṣayās arise in an unmanifest form, without buddhi, then how far is it appropriate to consider the presence of kṣudhādi parisahas? This is a matter for consideration. Therefore, it is necessary to see here from what perspective the presence of these parisahas is considered in the later gunasthanas.
Any object is considered from two perspectives: one from the perspective of its function, and the other...
1. Although the commentator Umasvati has explained each term of the "aupapatika" sutra, and has independently explained the term "uttampurusa," and later, in the conclusion, he has declared all except the term "uttampurusa" as having an "anpavartya āyu," it can be concluded from this that the term "charamdeha" alone, similar to the term "charamdehottampurusa," was also acceptable to him. But here, it is necessary to see on what basis the commentator Umasvati, being the sutrakar himself, has accepted these two readings in the bhasya. When he was certain that uttampurusa also have anpavartya āyu, then while concluding, he should have included them along with the others. But he did not do so. This clearly shows that the commentator Umasvati must have also encountered two readings, and he must have considered it appropriate to explain both in sequence. On this basis, he cannot be the sutrakar in any way.