Ramayana in Pahari Miniature Painting

Author(s): Jutta Jain
Publisher: L D Indology Ahmedabad

Page 36

The Rāmāyaṇa In Pahari Miniature Painting
27. Archer, op. cit., p. 48. 28. Archer, op. cit., vol. I, p. 396. The three leaves reproduced here are NURPUR 17 (1)-17 (iii). 29. K. Khandalawala, Pahari Miniature Painting. (Bombay, 1958), p. 128. 30. Coomaraswamy (1926), op. cit., p. 47. 31. A. Ghose, The schools of Rajput painting, in: Roopa Lekha, vol. I, no. 2, 1929, p. 5. 32. Archer, op. cit., vol. I, p. 146. 33. Coomaraswamy (1916), op. cit., p. 59. 34. Coomaraswamy (1926), op, cit., p. 47. 35. J. C. French, Kangra Frescoes. in: Art and Letters, vol. XXII, no. 2, 1928, pp. 57-59. 36. Archer, op. cit., vol. I, p. 147. 37. B. N. Goswamy (1968), op. cit., p. 32, footnote 104. 38. Randhawa, op. cit., pp. 21-22; and Archer, op. cit., vol. I, p. 326. 39. B. Barrett and B. Gray, Indische Malerei. "Die Kunstschatze Asiens" (Genf, 1963), pp. 97-98;
and R. Ettinghausen, Paintings of the Sultans and Emperors of India. (New Delhi, 1961),
pls. 3 and 4. 40. ibid. 41. Edwin Binney 3rd, Mughal and Deccani schools with some related Sultanate materials.
(Portland, 1973). 42. B. N. Goswamy (1971 Chhavi), op. cit., 43. Khandalawala, op. cit., p. 127. 44. Rajput miniatures, op. cit., p. 86. 45. I am thankful to Mrs. Suwarcha Paul (Chandigarh) for drawing my attention to these two
miniatures in the Chandigarh Museum. 46. B. N. Goswamy (1968), op. cit., p. 40. 47. ibid., pp. 32-33, where he also writes: "It is reasonable in the face of this, then, to arrive at
the conclusion that Manaku, son of Pandit Seu, executed this set of paintings" (i.e. the
Ramayana leaves). 48. Archer, op. cit., vol. I, pp. 146 and 396. 49. Khandalawala, op. cit., p. 127: "This Ramayana series belonged to Raja Raghunath Singh of
Guler (1884–1920 A. D.)"; and p. 128: "...beyond saying that its rounded treatment of the figures, its use of tree idioms similar to those in the Basohli Gita Govinda of 1730,..."
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