________________
Illustrations
255
124. A sculpture might be Vardhamana asking permission to be an ascetic,
pp. 152.
125. A sculptured panel might be showing Vardhamana in meditation before
renouncing the world, pp. 152. 126. Jina Arishtanemi, flanked with a sadhu and a sadhvi, pp. 90. 127. A remain sculpture of palace of Dhamaghosa, pp. 59, 147. 128. A back of above portion of palace, pp. 59. 129. The sun image with flames and a cap, pp. 69. 130. The image of sun/ surya with one of its name Kaushiki adoring by
devottees at Sankhesvara, pp. 69. 131. The chhatra of a Jina having Ashtamngala on top, pp. 40, 154. 132. Pillars with female figures joined by three cross bars, pp. 141. 133. Gandhakuti, open from four sides where Jina sits on a dais (Kapadavanj),
pp. 92. 134. Tri-tirthi (Kumbhariyaji), pp. 77, 91. 135. Pancha-tirthi (Kapadavanj), pp. 77, 91. 136. Jina having lotus, beads and ornamented nimbus, early Gupta period,
pp. 100. 137. Ambica with Arishtanemi on head holding a bunch of mango and a child
with right and left hand respectively, two chavardharis where one has kept conch instead chavara. She is standing under a mango tree where her vehicle lion and two adorants are carved beautifully (Bhopavar),
pp. 121. 138. An early medieval 24-Jina-matrika-patta with a Jina on top from
Kumbhariyaji, pp. 114. 139. Sixteen Vidyadevis carved on ceiling of Kumbhariya shrine in similar
pattern like a square Ayagapatta having Jina at the centre, pp. 114. 140. Brahmi Inscriptions as per Epigraphia Indica vo. I, given in table, inscri.
no. 1, 2, pp. 206. 141. Epigraphia Indica vo. I, given in table, inscri. no. 3-4, pp. 207. 142. Epigraphia Indica vo. I, given in table, inscri. no. 5, 6, 7, 8, pp. 208,
209. 143. Epigraphia Indica vo. I, given in table, inscri. no. 9, 10, 11, pp. 210.
