Book Title: Gaina sutras
Author(s): Hermann Jacobi
Publisher: Clarendon Perss

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Page 11
________________ Shri Mahavir Jain Aradhana Kendra www.kobatirth.org Acharya Shri Kailassagarsuri Gyanmandir INTRODUCTION. XV him as a prophet of the Gainas, Vardhamâna or Gñâtriputra?: Supâršva Siddhartha Subhadrâ Trisalâ or Videhadatta Ketaka king of Vaisalî Nandivardhana Vardhamana Sudarsanâ Bimbisâra Kellanâ married to king of Magadha Yasoda married to suca Anoggâ m. to Gamali Kanika or Agatasatru Seshavati. Udâyin, founder of PItaliputra. I do not intend to write a full life of Mahâvîra, but to collect only such details which show him at once a distinct historical person, and as different from Buddha in the most important particulars. Vardhamâna was, like his father, a Kâsyapa. He seems to have lived in the house of his parents till they died, and his elder brother, Nandivardhana, succeeded to what principality they had. Then, at the age of twenty-eight, he, with the consent of those in power, entered the spiritual career, which in India, just as the church in Roman Catholic countries; seems to have offered a field for the ambition of younger sons. For twelve years he led a life of austerities, visiting even the wild tribes of įthe country called Râdhâ. After the first year he went about naked?. From the end of these twelve years of preparatory self-mortification dates Vardhamâna's Kevaliship. Since that time he was recognised as omniscient, as a prophet of the Gainas, or a Tîrthakara, and had the titles Gina, Mahâvîra, &c., which were also given to Sâkyamuni. The last thirty years of his life he passed in teaching his religious system and organising his order of ascetics, which, as we have seen above, was patronised or at least counte‘nanced chiefly by those princes with whom he was related through his mother, viz. Ketaka, Srenika, and Kûnika, the 1 Nâtaputta in Pali and Prakrit. The Buddhists call him Nigantha Nâtaputta, i.e. Grâtriputra the Nirgrantha or Gaina monk. * This period of his life is the subject of a sort of ballad incorporated in the A kârânga Sútra (I, 8). For Private and Personal Use Only

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