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Introduction
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Gupta inscriptions, it is represented as a leftward extended curve with a small horizontal stroke to right.
In pre-Kushāna inscriptions, medial ri is represented as a slanted stroke to the left at the bottom. From the time of the Guptas it is indicated by a rightward hook to the lower limb of the consonant.
In the Mauryan and pre-Kushāna Brāhmi medial e is shaped as a horizontal stroke to the left at the top or middle of the letter. In the Kushāna period it developed into a slanted top-stroke form. In post-Gupta ornate style, flourishes with embellished thin and thick line are formed
Two horizontal or one horizontal and other slanted stroke is the shape of medial ai in the Mauryan Brāhmi. From the time of the Kushānas slanted stroke type of formation on the top become the common form. In post-Gupta ornate style, either both or the right slant are flourished. In latter specimen, generally, left limb is a horizontal stroke with a tick at the tip.
Asokan medial o is a combination of two strokes of medial à and e. From the time of the Kshatrapas both strokes developed into slanting form in which one is to the left and other to the right. One, or both of the slants are decorated by thin and thick line in post-Gupta inscriptions.
The medial au is not employed in the inscriptions of Aśoka. From the time of the Kshatrapas it has been formed by adding an additional sign of e in the form of medial o and developed in the same process.
Features of Nāgari
The Nāgarī undoubtedly is an evolution of Brāhmī, but a question may arise as to which developmental stage of Brāhmi be ascribed the name Nāgari. Similarities of the shape may not be an adducible ground for this purpose, because the shape of the Nāgarī dha is as much similar to Asokan Brāhmī as the forms of i, ja, bha, of the 13th century A.D. So, it is necessary to define the distinguishing features of Nāgarī which differ
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