An Investigation Of Textual Sources On Samavasarana

Author(s): Nalini Balbir
Publisher: Nalini Balbir

Page 20

104 NALINI BALBIR 254999 bat T eam Our ANN334.00 Circular representation of a samavasarana. As usual, the Jina is an adorned figure. The human and divine audience is shown in the four intermediate directions, in groups of three. Two pairs of animals appear in the corners of the picture. Folio of a palm-leaf manuscript, end of the 14th cent. Museum and Picture Gallery Baroda. In: S. Doshi, Masterpieces of Jain Painting. Bombay, Marg Publications 1985, No. 11, p. 37.