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## Sixth Karma Granth, 256
In the tenth subtle-stage (**sukshmasampray**), which is the last stage of the **kshapka** series, the **darshanavaran** (veil of perception) is completely destroyed. Therefore, in the subsequent stages, from the eleventh onwards, there is no destruction of the **darshanavaran** in addition to the destruction of **bandha** (bondage).
Therefore, in the **upshantamoha** stage, which is the stage of the **upshama** series, the **udaya** (arising) and **satta** (existence) remain the same as in the tenth stage, but due to the absence of **bandha**, there are two **bhang** (destruction):
* **Uvasante Chaupan Nav** - four **prakriti** (natural elements) of **udaya** and nine **prakriti** of **satta**.
* **Panch Prakriti Udaya** and **Nav Prakriti Satta** - five **prakriti** of **udaya** and nine **prakriti** of **satta**.
In the **kshinamoha** stage, there are **Khinne Urudaya Chhach Chausant** - four **prakriti** of **udaya** and six or four **prakriti** of **satta**. This is because the twelfth stage, **kshinamoha**, belongs to the **kshayaka** series, and in the **apak** series, there is no **udaya** of **nidra** (sleep) or **prachala** (agitation). Therefore, there are four **prakriti** of **udaya** and six or four **prakriti** of **satta**.
Since there is no **udaya** of **nidra** and **prachala** in the **kshinamoha** stage, their **satta** cannot be present at the end of this stage. According to the rule, the **anudaya** (non-arising) **prakriti** are transformed into their corresponding **udaya** **prakriti** through **nisheka** (infusion) and **stibuka** (subtle) **sanक्रमण** (transition). Therefore, at the end of the **kshinamoha** stage, **nidra** and **prachala** will not exist, and only **chakshudarshanavaran** (veil of perception of the eye) and other **dharmas** (qualities) will remain.
This means that in the **kshinamoha** stage, the first **bhang** of four **prakriti** of **udaya** and six **prakriti** of **satta** should be understood until the penultimate moment of the **kshinamoha** stage, and the second **bhang** of four **prakriti** of **udaya** and four **prakriti** of **satta** should be understood at the final moment.